Norman Rockwell (American, 1894-1978). We Thank Thee, O' Lord, study, 1972. Charcoal on paper. 31 x 25 inches (78.7 x 63...

Description

Norman Rockwell (American, 1894-1978)
We Thank Thee, O' Lord, study, 1972
Charcoal on paper
31 x 25 inches (78.7 x 63.5 cm) (sheet)
Signed lower left: Norman / Rockwell

Property from the BSA Settlement Trust, Sold for the Benefit of Survivors of Childhood Sexual Abuse

LITERATURE:
W. Hillcourt, Norman Rockwell's World of Scouting, New York, 1977, p. 107, illustrated;
L.N. Moffatt, Norman Rockwell: A Definitive Catalogue, Vol. I, Stockbridge, Massachusetts, 1986, pp. 294-5, no. A96, illustrated;
J. Csatari, Norman Rockwell's Boy Scouts of America, New York, 2009, pp 104-5, illustrated.

Norman Rockwell's We Thank Thee, O' Lord is a profound example of his mastery in charcoal, highlighting his exceptional ability to convey emotion and narrative through simple yet powerful imagery. This charcoal study, depicting a group of Boy Scouts gathered around a makeshift camp table, exudes a quiet sense of reverence and camaraderie. The boys depicted are likely saying the Philmont Grace. Scouts and former scouts will recall the Philmont Scout Ranch prayer from countless mealtimes at summer camp mess halls and troop campouts:

For food, for raiment
For life, for opportunity
For friendship and fellowship
We thank thee, O' Lord

The central figure in this work--a scout standing in solemn prayer with his head bowed and hat in hand, is framed by the natural surroundings of the forest, creating a serene and intimate moment of gratitude. The American flag, subtly tucked above the tent, reinforces the scout ideals of service, loyalty, and patriotism.

Charcoal was one of Rockwell's favored mediums for preliminary studies, allowing him to experiment with composition, lighting, and emotion before committing to a final painting. In We Thank Thee, O'Lord, Rockwell demonstrates his remarkable skill with the medium, utilizing a range of tones from soft grays to rich, dark blacks. The delicate shading, especially in the folds of the tent and the figures' clothing, brings texture and depth to the scene. The contrast between the bright outdoors and the shadowy interior of the tent allows the viewer's attention to focus on the scouts' humble gathering, emphasizing the spiritual nature of the moment.

Rockwell's charcoal work is not only technically impressive but also emotionally resonant. His ability to capture the essence of his subjects-their expressions, postures, and the subtle dynamics between them-creates an immediate connection between the viewer and the scene. Here, the scouts' expressions, though understated, convey a sense of sincerity and unity. The figure standing outside the tent with his back to the viewer seems to invite us into this intimate moment, making the viewer a participant in the shared act of gratitude.

This scene reflects Rockwell's deep appreciation for everyday moments of reflection and community, particularly within the Boy Scouts of America, an organization he had a long and meaningful relationship with. Rockwell often depicted Boy Scouts in his work, highlighting their values of duty, honor, and fellowship, themes that resonated strongly with his own views on American life. This charcoal study is no exception, beautifully illustrating the scouts' connection to nature, their commitment to service, and their shared sense of purpose.

In We Thank Thee, O' Lord, Rockwell's mastery of charcoal breathes life into this quiet, contemplative scene. His attention to detail, sensitivity to light and shadow, and ability to convey deep emotion through simplicity make this study a compelling work that captures both the spirit of the Boy Scouts and the broader values of gratitude, humility, and community that Rockwell so often celebrated in his art.

Opening Bid: $10,000


More information about Norman Rockwell. See also: Rockwell, Norman, Rockwell, Norman Perceval Artist.

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