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    Norman Lewis (American, 1909-1979)
    Untitled, 1960
    Watercolor on paper
    7-1/2 x 10-5/8 inches (19.1 x 27.0 cm)
    Signed and dated lower right: Norman Lewis 60
    Signed and numbered on the reverse: Norman Lewis #14

    Soul of a Nation: African American Art from a Distinguished Collector

    Private collection, Jamaica, New York.

    The sole African American artist active with the first generation of Abstract Expressionists, Norman Wilfred Lewis used his art to transcend racial barriers and promote a universal human condition. Best known for his gestural calligraphic brushwork, expressive use of line, and bold color choices, Lewis at first painted in a figurative, realist style before adopting a non-representational practice.

    Born in Harlem to parents of Caribbean descent, Lewis grew up during the burgeoning cultural renaissance happening around him. From a young age, he showed promise in the visual arts, but upon high school graduation joined a merchant ship that traveled throughout Central and South America. After his return to Harlem in the early 1930s, Lewis would walk by Augusta Savage's basement studio. Captivated, he eventually worked up the courage to ask her to teach him. For two years, Lewis sculpted beside Savage before enrolling in painting courses at Columbia University. By 1934, Lewis had made the transition from student to instructor, leading courses at Augusta Savage's Studio of Arts and Crafts and at the Harlem Community Arts Center (HCAC), where he met Jacob Lawrence.

    By mid-century, Lewis was a member of the circle of prominent avant-garde artists—Jackson Pollock, Lee Krasner, Franz Kline, and Willem de Kooning—who were reshaping American art and was the only black artist to participate in Studio 35's famed closed-door sessions that defined Abstract Expressionism. He was the first African American to win the Carnegie International Award in Painting, which the New York Herald-Tribune deemed "one of the most significant events of the 1955 art year." Alongside Pollock, de Kooning, and Lyonel Feininger, Lewis was selected to represent the United States at the Twenty-Eighth Venice Biennale in 1956. Despite Lewis' success and frequent exhibitions with the New York School painters, he failed to garner the critical recognition or financial reward of his white peers.

    In reaction to the March on Washington during the civil rights movement, Lewis and several other African American artists—Romare Bearden, Woodruff, Merton Simpson, Charles Alston, and Felrath Hines—formed Spiral, a black artist collective, in 1963. Around this time, Lewis began creating work with a limited palette as a response to Spiral's first and only exhibition of black-and-white themed artwork. While the group was short-lived, Lewis continued to foster African American artists by teaching at the antipoverty organization Harlem Youth in Action and co-founded the Cinque Gallery, an arts space dedicated to emerging black artists. In 1972, Lewis received awards from the Mark Rothko Foundation and National Endowment for the Arts; a Guggenheim fellowship followed three years later.

    Norman Lewis predicted that he would not "be noticed until thirty or forty years" after his death. Indeed, in recent years his work has received overdue posthumous reappraisal as the subject of major exhibitions and through museum acquisitions. Today, Lewis is represented in the permanent collections of nearly every major American art institution. (

    Estimate: $4,000 - $6,000.

    Condition Report*: Framed under glass. Hinged along three edges verso, preventing inspection of the extreme edges, recto. Mild toning, noticeable verso. Adhesive residue/staining along the bottom edge, verso.
    Framed Dimensions 14 X 17.5 Inches
    *Heritage Auctions strives to provide as much information as possible but encourages in-person inspection by bidders. Statements regarding the condition of objects are only for general guidance and should not be relied upon as complete statements of fact, and do not constitute a representation, warranty or assumption of liability by Heritage. Some condition issues may not be noted in the condition report but are apparent in the provided photos which are considered part of the condition report. Please note that we do not de-frame lots estimated at $1,000 or less and may not be able to provide additional details for lots valued under $500. Heritage does not guarantee the condition of frames and shall not be liable for any damage/scratches to frames, glass/acrylic coverings, original boxes, display accessories, or art that has slipped in frames. All lots are sold "AS IS" under the Terms & Conditions of Auction.

    Auction Info

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    15th Friday
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