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    An Elkington & Co. Gilt Copper Covered Standing Cup Electrotype Reproduction, Birmingham, England, circa 1875
    Marks: (effaced plaque)
    20-1/2 inches high (52.1 cm)
    Rim engraved Donum Johannis Sanders Arm qui obut 7 Oct 1669, Religious Loyal Just and True Was he that left this plate to You, and armorial crests engraved to cartouches.

    During the Paris Exposition Universelle in 1867, a group of European princes convened and agreed to procure casts and copies of important national objects to promote interest in art. The South Kensington Museum (currently the Victoria and Albert Museum,) encouraged this idea by displaying several electrotyped specimens of differing nationalities at the Exposition. Each of the convention's member countries would decide the objects of greatest importance worthy of copying in their nation's collections. Two firms manufactured the electrotype reproductions issued by Great Britain's Science and Art Department: Elkington & Company, and Franchi & Son. By the time of the 1867 convention, Elkington was already well known for its electrotype reproductions. One of the earliest documented large-scale electrotype sculptures was John Evan Thomas's Death of Tewdric Mawr, King of Gwent (1849), completed by Elkington, Mason, & Co. for London's Great Exhibition of 1851. In addition to the formation and maintenance of photographic archives, the convention encouraged the manufacture of electrotype reproductions, which were more durable than traditional plaster casts. Museum copies would enable greater exposure of the arts to the public while mitigating travel and conservation risks. The convention's rational was acute: Elkington's 1884 reproduction of John Keats' 1816 life-mask for the British National Portrait Gallery is now in better condition than the original plaster version. Museum-goers of means had the ability to have a tangible examination of these examples, which were available for purchase at many museum gift shops. Examples including Roman coins, Chinese antiquities, vases, trophies, and other objects illuminated the history of faraway lands. By 1920, the Victoria and Albert Museum boasted over 1,000 copies of important items from collections across Europe.

    Condition Report*: Lid with crack possibly inherent to manufacture, light push to base at standard, warping to lid flange, with wear commensurate with age and use.
    *Heritage Auctions strives to provide as much information as possible but encourages in-person inspection by bidders. Statements regarding the condition of objects are only for general guidance and should not be relied upon as complete statements of fact, and do not constitute a representation, warranty or assumption of liability by Heritage. Some condition issues may not be noted in the condition report but are apparent in the provided photos which are considered part of the condition report. Please note that we do not de-frame lots estimated at $1,000 or less and may not be able to provide additional details for lots valued under $500. Heritage does not guarantee the condition of frames and shall not be liable for any damage/scratches to frames, glass/acrylic coverings, original boxes, display accessories, or art that has slipped in frames. All lots are sold "AS IS" under the Terms & Conditions of Auction.

    Auction Info

    Auction Dates
    April, 2018
    25th Wednesday
    Bids + Registered Phone Bidders: 1
    Lot Tracking Activity: N/A
    Page Views: 424

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