LOT #73028 |
Sold on Nov 25, 2024 for: Not Sold
Henri Cartier-Bresson (French, 1908-2004). Barcelona, 1933. Gelatin silver contact print, printed 1946. Inscribed E16 in...
Click the image to load the highest resolution version.
Sold on Nov 25, 2024 for:
Not Sold Description
Henri Cartier-Bresson (French, 1908-2004)Barcelona, 1933
Gelatin silver contact print, printed 1946. Inscribed E16 in an unknown hand in pencil on the verso. Accompanied by a Certificate of Authenticity, signed by Martine Franck Cartier-Bresson in ink and numbered 280507/3.
image/ sheet: 3-1/4 x 4-3/4 inches (8.1 x 12.2 cm)
PROVENANCE:
Sotheby's London, Photographs, May 29th, 2007, Lot 66.
EXHIBITED:
Photographs by Henri Cartier-Bresson, The Museum of Modern Art, New York, February 5th-April 6th, 1947.
LITERATURE:
P. Galassi, Henri Cartier-Bresson: The Early Work, The Museum of Modern Art, New York, 1987, p. 96;
Henri Cartier-Bresson; The Man, the Image and the World, Thames and Hudson, London, 2003, ill. p. 105, pl. 117;
A. Sire, Henri Cartier-Bresson: Scrapbook: Photographs 1932-1946, Thames and Hudson, London, 2006, cat. no. 93, p. 135.
Henri Cartier-Bresson was captured and imprisoned by the Nazis in 1940 and, after two unsuccessful attempts to escape, he finally made it to freedom. Assuming that Cartier-Bresson had not survived this harsh imprisonment, The Museum of Modern Art in New York started preparing what they envisioned would be a posthumous retrospective exhibition. However, when Cartier-Bresson learned of the proposed MoMA show, he decided to curate it himself.
in 1946, armed with 300 contact prints in a suitcase, including this exceptional little work, Cartier-Bresson traveled to New York and when he arrived bought a scrapbook into which he glued his prints. The resulting exhibition, a celebration of his survival, opened at MoMA on February 4, 1947.
More information about Henri Cartier-Bresson. See also: Cartier-Bresson, Henri, Bresson, Henri Cartier Artist.
Condition Report*:
Neutral toned print on matte, double-weight paper, trimmed to edges, hinged to modern matboard. Light wear to edges and corners, not affecting the image. An extraordinarily rare work, in very good condition overall. Sold matted and unframed.
*Heritage Auctions strives to provide as much information as possible but encourages in-person inspection by bidders.
Statements regarding the condition of objects are only for general guidance and should not be relied upon as complete statements of fact, and do not constitute a representation,
warranty or assumption of liability by Heritage. Some condition issues may not be noted in the condition report but are apparent in the provided photos which are considered part of the condition report.
Please note that we do not de-frame lots estimated at $1,000 or less and may not be able to provide additional details for lots valued under $500.
Heritage does not guarantee the condition of frames and shall not be liable for any damage/scratches to frames, glass/acrylic coverings, original boxes, display accessories, or art that has slipped in frames.
All lots are sold "AS IS" under the Terms & Conditions of Auction.Auction Info
2024 November 25 Photographs from the Collection of Eric Franck Signature® Auction #8218 (go to Auction Home page)
Auction Dates
November, 2024
25th
Monday
Bids + Registered Phone Bidders: 1
Lot Tracking Activity: N/A
Page Views: 685
Buyer's Premium per Lot:
25% on the first $1,000,000 (minimum $49), plus 20% of any amount between $1,000,000 and $5,000,000, plus 15% of any amount over $5,000,000 per lot.
Shipping, Taxes, Terms and Bidding
Sales Tax information
Terms and Conditions | Bidding Guidelines and Bid Increments | Glossary of Terms
Important information concerning Sales Tax and Resale Certificates. Learn More
Terms and Conditions | Bidding Guidelines and Bid Increments | Glossary of Terms