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    Richard Prince (b. 1949)
    Untitled (Tamara), from the Entertainers series, 1982
    Ektacolor print
    98 x 50-1/2 inches (248.9 x 128.3 cm) (overall)

    303 Gallery, New York;
    Private collection, acquired from the above, 1987.

    Richard Prince's Tamara and Fayy (1982) belong to a group of compositions known as the Entertainers series. With a unique aesthetic approach known as rephotography developed in 1977, Prince began deviating from collage art to appropriation. In a Warholian manner, Prince creates compelling stories of the American psyche to shed light on society's obsession with mass produced objects. These works ask the viewer to question if the artist is celebrating popular culture or making a subtle commentary on people's obsession with material commodities and celebrities.

    While some appropriation works can be critiqued as unoriginal, Prince emphasizes the importance of authorship and ownership by giving a whole new meaning to the pictures. He creates a fictional world for the viewer by taking a familiar image from popular culture and American consumption and making it the sole object of the viewer's eye. "Rephotography is a technique for stealing (printing) already existing images, simulating rather than copying them, 'managing' rather than quoting them- re-producing their effect and look as naturally as they had been produced when they first appeared. A resemblance more than a reproduction." (Prince, Practicing without a License, 1977). It is through this technique that Prince has continued making his mark in the contemporary realm of visual culture, media and advertising images.

    In 1982, Prince created the Entertainers series consisting of photographic portraits of actors and actresses. In these two works, the artist takes the American icons of mainstream media and places them in the foreground. While Tamara and Fayy's faces are the focal point of the works, they remain slightly blurred against the advertisements and the letter "E" apparent in the background. Prince strategically places his subjects this way, narrating how celebrities reside in the spotlight for those promised 15 minutes. These works demonstrate how society's obsession with celebrities is so momentary, their interchangeable faces permeating our cultural environment.

    Condition Report*: The work has minor toning and wear visible along the edges of the print, with acid-free adhesive placed along the reverse edges securing the print to the black mat and some light surface scratches to the Plexiglas visible under raking light, also with backing board recently replaced.
    *Heritage Auctions strives to provide as much information as possible but encourages in-person inspection by bidders. Statements regarding the condition of objects are only for general guidance and should not be relied upon as complete statements of fact, and do not constitute a representation, warranty or assumption of liability by Heritage. Some condition issues may not be noted in the condition report but are apparent in the provided photos which are considered part of the condition report. Please note that we do not de-frame lots estimated at $1,000 or less and may not be able to provide additional details for lots valued under $500. Heritage does not guarantee the condition of frames and shall not be liable for any damage/scratches to frames, glass/acrylic coverings, original boxes, display accessories, or art that has slipped in frames. All lots are sold "AS IS" under the Terms & Conditions of Auction.

    Auction Info

    Auction Dates
    November, 2016
    11th Friday
    Bids + Registered Phone Bidders: 1
    Lot Tracking Activity: N/A
    Page Views: 1,605

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