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    Description

    WILLIAM ROBINSON LEIGH (American, 1866-1955)
    One Good Turn Deserves Another, 1944
    Oil on canvas
    28 x 22 inches (71.1 x 55.9 cm)
    Signed and dated lower left: W.R. Leigh 1944

    THE HOGAN FAMILY COLLECTION

    PROVENANCE:
    Grand Central Galleries, New York, #B-1035 (label verso);
    Private collection;
    Jim Fowler's Period Gallery (West), Scottsdale, Arizona, 1977.

    EXHIBITED:
    Southwest Arts Foundation, Houston, Texas, "Art of the American West", March 13-April 16, 1982;
    National Cowboy and Western Heritage Museum, Oklahoma City, "The Cowboy: An American Icon", January 16-May 31, 1999.

    LITERATURE:
    J. DuBois, W.R. Leigh: The Definitive Illustrated Biography, Kansas City, Missouri, 1977, p. 79, illus.

    NOTE:
    A Southwest Arts Foundation catalogue for the 1982 exhibition "Art of the American West" is included with this lot.

    In One Good Turn Deserves Another, Leigh has chosen to reflect a quieter moment of life in the west. Instead of his canvases that capture frenetic moments of action, Leigh has here captured a rare moment of symbiotic generosity. This painting belies the mutual reliance that existed between man and horse for survival on the frontier. Without one, the other's existence is threatened. Leigh has framed the scene with the descending diagonals of the rocky landscape, which serve to focus our attention on the vignette in the foreground. The central element of the painting is water. The weary rider uses the only thing he has at hand, his hat, to scoop up water from the hidden pool for his parched horse. The fate of both rider and steed are intertwined.

    W. R. Leigh made his first trip west in 1897, illustrating a story for Scribner's magazine in Wyoming, and that trip would prove to be a turning point in his career. The artist found himself enamored with the culture of the west and the romance of its disappearing way of life. Although economic necessity would keep him from returning west again until 1906, Leigh continued work as an illustrator, honing his artistic skills as a draftsman and visual storyteller. When the opportunity came to work with the Santa Fe Railroad, Leigh jumped at the chance to exchange the expensive passage west for commissioned paintings of the epic American landscape. It is fitting that these paintings of Leigh's were used in the railroad's advertising campaign to entice easterners out west to the land which captured the artist's imagination.


    More information about WILLIAM ROBINSON LEIGH, also known as Leigh, William Robinson, Leigh, William, William Robinson Leigh.

    Condition Report*: Canvas has been lined and the paint layer is in good condition.  UV examination revealed no visible areas of restoration.  Framed Dimensions 40 X 34 Inches
    *Heritage Auctions strives to provide as much information as possible but encourages in-person inspection by bidders. Statements regarding the condition of objects are only for general guidance and should not be relied upon as complete statements of fact, and do not constitute a representation, warranty or assumption of liability by Heritage. Some condition issues may not be noted in the condition report but are apparent in the provided photos which are considered part of the condition report. Please note that we do not de-frame lots estimated at $1,000 or less and may not be able to provide additional details for lots valued under $500. Heritage does not guarantee the condition of frames and shall not be liable for any damage/scratches to frames, glass/acrylic coverings, original boxes, display accessories, or art that has slipped in frames. All lots are sold "AS IS" under the Terms & Conditions of Auction.

    Auction Info

    Auction Dates
    November, 2012
    10th Saturday
    Bids + Registered Phone Bidders: 2
    Lot Tracking Activity: N/A
    Page Views: 4,616

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