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    Keith Haring (1958-1990)
    Untitled, 1981
    Acrylic on canvasboard
    11 x 14 inches (27.9 x 35.6 cm)
    Signed twice, inscribed, and dated verso: Keith Haring Kutztown 230 S. Whiteoak, Dec. 29-81, K. Haring

    Christie's, New York, First Open Post-War and Contemporary Art, September 23, 2009, lot 26;
    Guy Hepner, West Hollywood, California;
    Private collection, United Kingdom;
    Phillips de Pury, London, October 11, 2012, lot 156;
    Private collection, New York.

    "I don't think art is propaganda; it should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it." Keith Haring

    Keith Haring's brief but illustrious career, which spanned the 1980s, began with a childhood interest in cartoon figures lifted from Pop culture created by Dr. Seuss, Walt Disney, and other illustrators of the genre. As a young child his father made him sketch characters from comic strips, through this early learning and his own experiences Haring was able to create his own unique visual language. Drawing inspiration from Andy Warhol and his contemporary Jean-Michel Basquiat, Haring believed that art constituted the ultimate expression of individuality. Haring's works were featured in over one hundred solo and group exhibitions, and received tremendous press and media attention. Not only is an artist, Haring remembered as an influential social activist who responded to sexuality, death and war.

    The present work employs Haring's instantly recognizable, culturally pervasive pictorial language of bold contoured lines, graphic figures and barking dogs. Completed a year before his now famous one man show at Tony Shafrazi Gallery in 1982, this painting was made during a time of thriving alternative art communities which developed outside the gallery and museum system. One of many themes apparent in Haring's work is that of sexuality. In much of Haring's work he aimed to depict the stigma associated with homosexual relationships in an aesthetically interesting and captivating manner. Seen in this respect the current work challenges the viewer's own sensibilities and clearly demonstrates both of Haring's social and personal influences while using his innovative artistic language.

    More information about Keith Haring, also known as Haring, Keith, Keith Haring.

    Condition Report*: Framed Dimensions 20 X 23 Inches
    *Heritage Auctions strives to provide as much information as possible but encourages in-person inspection by bidders. Statements regarding the condition of objects are only for general guidance and should not be relied upon as complete statements of fact, and do not constitute a representation, warranty or assumption of liability by Heritage. Some condition issues may not be noted in the condition report but are apparent in the provided photos which are considered part of the condition report. Please note that we do not de-frame lots estimated at $1,000 or less and may not be able to provide additional details for lots valued under $500. Heritage does not guarantee the condition of frames and shall not be liable for any damage/scratches to frames, glass/acrylic coverings, original boxes, display accessories, or art that has slipped in frames. All lots are sold "AS IS" under the Terms & Conditions of Auction.

    Auction Info

    Auction Dates
    May, 2016
    2nd Monday
    Bids + Registered Phone Bidders: 2
    Lot Tracking Activity: N/A
    Page Views: 4,187

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