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    BROR ALEXANDER UTTER (American, 1913-1993)
    Burlesque Queens, 1956
    Oil on canvas
    24 x 18 inches (61.0 x 45.7 cm)
    Signed and dated lower right: Bror Utter '56

    Helen and Harry Scott, Fort Worth;
    Carter Bowden, Fort Worth;
    Kathryn and Morris Matson, Fort Worth.

    Barrack Gallery, Wichita Falls, 1960;
    Fort Worth Art Center, Bror Utter: A Retrospective Exhibition of the Work of Bror Utter, 1961;
    Texas Christian University, Bror Utter: Fifty Years of his Art, 1985.

    The Burlesque Queens is a stunning example of Bror Utter's mature work. Painted at the height of his talent, it combines visual subjects that appear repeatedly throughout his career, including voluptuous women, muses, figures with their arms raised in celebration or offering, and characters inspired by the burlesque reviews and vaudeville troops that regularly visited Fort Worth during his youth. In this work, Utter's distinctive use of personal color, ambiguous space, and changing perspective creates a moody, dream-like quality that characterize his work.

    The Burlesque Queens
    has a particularly dynamic composition. The echoing lines, colors, and shapes that fan out from the dancers could represent the movement of dance, music, sacred energy, or clothing being removed during a performance-most likely all four at once. Celebration of both the sacred and profane in a single image is a recurring theme in Utter's work.

    Painted in 1956, Utter has really hit his stride in The Burlesque Queens. It is somewhere in between his regionalist style of the 1930s and early-1940s and his highly abstract works of the 1960s. Increasingly abstract human figures are transformed into strange vessels and bird-like creatures. In his later, more decidedly abstract work, figures with arms raised in supplication or joy would eventually become abstract forms topped by crescents, tips pointing to the sky. Indeed, no matter how abstract his work became, Utter would always remain, at heart, a figural artist. The Burlesque Queens is an example of both Texas Modernism and Bror Utter at their best.

    Bror Utter was a leading member of the Fort Worth Circle, a group of artists that also included Bill Bomar, Veronica Helfensteller, and Dickson and Flora Blanc Reeder. In the 1930s and 1940s, these friends and collaborators helped each other to develop their work in styles that included the influence of art movements such as Surrealism, Modernism, and Regionalism. He studied with Sallie Gillespie and attended the Fort Worth School of Fine Arts while he worked in the lithograph store that his family owned. Later, he went to the Colorado Springs Fine Art Center on a scholarship. After returning to Fort Worth, he taught until 1951, when he was able to become a full-time artist.

    More information about BROR ALEXANDER UTTER, also known as Utter, Bror, Bror Alexander Utter.

    Condition Report*: Very good condition. Framed Dimensions 28.75 X 22.75 Inches
    *Heritage Auctions strives to provide as much information as possible but encourages in-person inspection by bidders. Statements regarding the condition of objects are only for general guidance and should not be relied upon as complete statements of fact, and do not constitute a representation, warranty or assumption of liability by Heritage. Some condition issues may not be noted in the condition report but are apparent in the provided photos which are considered part of the condition report. Please note that we do not de-frame lots estimated at $1,000 or less and may not be able to provide additional details for lots valued under $500. Heritage does not guarantee the condition of frames and shall not be liable for any damage/scratches to frames, glass/acrylic coverings, original boxes, display accessories, or art that has slipped in frames. All lots are sold "AS IS" under the Terms & Conditions of Auction.

    Auction Info

    Auction Dates
    May, 2012
    5th Saturday
    Bids + Registered Phone Bidders: 5
    Lot Tracking Activity: N/A
    Page Views: 2,189

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