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    (Brazilian, b. 1922)
    Domingo de Noviembre, 1964
    Oil on canvas
    62-1/4 x 51 inches (158.1 x 129.5 cm)
    Signed and dated lower right: A. Ianelli / 1964

    As I think of owning an Ianelli painting as superb as the one you allowed me to purchase, my chest swells with pride. I am most pleased and most honored. The Bienal de São Paulo was the apex of my vacation. The "Emidio Dias Carvalao" whiskey at your studio was the most satisfactory cocktail I found in South America - it resulted in finding "my Ianelli."

    - John Simpson McKaughan, Jr., from a letter dated January 24, 1968

    One of the most prized artists in the McKaughan collection, Arcangelo Ianelli epitomized Neo-Concretism in 1960s Brazil with his organic paintings of monumental squares, rectangles, and stripes hovering on tonal fields. Ianelli's abstractions are never hard-edged or flat, such as those of the European Bauhaus or De Stijl, but rather gestural and lyrical. In his masterful Domingo de Noviembre (Sunday in November), for example, hazy monochromatic squares emerge from layers of built-up brushwork resembling geological strata. The preeminent Brazilian art critic Marc Berkowitz described Ianelli's work as quintessentially classical, noble, and harmonious: "In this moment in time - tortured, anguished, frenetic, full of doubt and premeditated - the painting of Ianelli represents an interval of serene equilibrium, of faith in beauty. . . . Arcangelo Ianelli shows clearly and definitively as one of the grandest Brazilian painters of his generation."¹

    Born in São Paolo, Ianelli studied painting in the early 1940s with Colette Pujol and Waldemar Cordeiro and worked briefly as a muralist. His awards are extensive and include the Premeiro Prêmio Leirner de Pintura Contemporânea, Folha de São Paulo, 1962; Prêmio de Viagem ao Exterior, Salão Nacional de Arte Moderna, 1964; Prémio Aquisição, VII São Paulo Biennial, 1965; and Grande Prêmio, First Ibero-American Biennial, México, 1978. One-man shows of his paintings have been held throughout Brazil and beyond, in Bonn, Berlin, El Salvador, Lima, Madrid, Mexico, Milan, Munich, New York, Paris, Rome, Santiago, and Washington, D.C.

    ¹M. Berkowitz, Ianelli, Casa del Brasil with Instituto de Cultura Hispanica, Madrid, 1966.

    Condition Report*: Overall very good condition:  scattered small paint chips in bottom square.
    *Heritage Auctions strives to provide as much information as possible but encourages in-person inspection by bidders. Statements regarding the condition of objects are only for general guidance and should not be relied upon as complete statements of fact, and do not constitute a representation, warranty or assumption of liability by Heritage. Some condition issues may not be noted in the condition report but are apparent in the provided photos which are considered part of the condition report. Please note that we do not de-frame lots estimated at $1,000 or less and may not be able to provide additional details for lots valued under $500. Heritage does not guarantee the condition of frames and shall not be liable for any damage/scratches to frames, glass/acrylic coverings, original boxes, display accessories, or art that has slipped in frames. All lots are sold "AS IS" under the Terms & Conditions of Auction.

    Auction Info

    Auction Dates
    June, 2009
    3rd Wednesday
    Bids + Registered Phone Bidders: 5
    Lot Tracking Activity: N/A
    Page Views: 2,791

    Buyer's Premium per Lot:
    19.5% of the successful bid (minimum $14) per lot.

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