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    Tiffany Studios Leaded Glass Lily Window, circa 1900
    54-1/2 x 32-1/4 inches (138.4 x 81.9 cm)

    Carl Heck, Aspen, Colorado

    Executed near the turn of the century, this Tiffany Studios window integrates many of the firm's trademark glass types and techniques with the favored motifs and stylistic elements of the period. While the original installation site is unknown, its scale and prominent use of white Easter lilies - a reference in Jesus's Sermon on the Mount and a common symbol of the resurrection - suggest that it was produced as a memorial. The foreground is dominated
    by a field of lilies, with verdant stems and leaves and blooms viewed from several perspectives and rendered in milky opalescent glass, including more than two dozen pieces of drapery glass that lend three-dimensionality. A part in the otherwise regular beat of lilies provides visual interest in the form of negative space as well as metaphorical space for the ascent of the soul.

    Beyond the field of lilies lies an undulating horizon below a vast sky marbled with bright blue and pale pink and yellow. Plating - a technique of layering multiple pieces of glass - was used to execute the series of hills that recede into the distance, thereby achieving depth of field. While these faraway topographic elements are not visible when the window is unlit, they emerge as light flows through the layers of glass, appearing faint or stark
    depending on the quality of the light.

    The entire scene is framed by an opalescent glass architectural structure. It features a decorative frieze with a band of jeweled glass above dentil molding achieved through alternating opalescent and blue glass pieces. The frieze is held aloft by a pair of Ionic columns atop a foundation accented by blocks outlined in ripple glass. The window retains its original wood frame and includes a custom light box and pedestal.

    The present window relates compositionally to the Field of Lilies window designed by Louis Comfort Tiffany for the Chapel at the World's Columbian Exposition in Chicago in 1893, later installed in Laurelton Hall circa 1916, and now held in the permanent collection of the Morse Museum in Winter Park, Florida.

    Estimate: $100,000 - $150,000.

    Condition Report*: Condition report available upon request.
    *Heritage Auctions strives to provide as much information as possible but encourages in-person inspection by bidders. Statements regarding the condition of objects are only for general guidance and should not be relied upon as complete statements of fact, and do not constitute a representation, warranty or assumption of liability by Heritage. Some condition issues may not be noted in the condition report but are apparent in the provided photos which are considered part of the condition report. Please note that we do not de-frame lots estimated at $1,000 or less and may not be able to provide additional details for lots valued under $500. Heritage does not guarantee the condition of frames and shall not be liable for any damage/scratches to frames, glass/acrylic coverings, original boxes, display accessories, or art that has slipped in frames. All lots are sold "AS IS" under the Terms & Conditions of Auction.

    Auction Info

    Proxy Bidding Ends
    29th Thursday 9:50 am CT
    Auction Dates
    29th Thursday
    Proxy Bidding Time Remaining
    13 Days 11h 32m 24s
    Bids + Registered Phone Bidders: 1
    Lot Tracking Activity: 31
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    This lot is in: 1 - Signature® Floor Session (Live Floor, Live Phone, Mail, Fax, Internet, and Heritage Live):
    (Lots 79001-79265) - 10:00 AM Central Time, Thursday, April 29, 2021.
    (Proxy bidding ends ten minutes prior to the session start time. Live Proxy bidding on Heritage Live starts 7 days before the live session begins and continues through the session.)

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    Additional Location Info:
    Heritage Auctions
    2801 W. Airport Freeway
    Dallas, TX 75261

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