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IVAN KLYUN (Russian, 1870-1942). Still Life with Bottles. Oil on board. 23 x 26-3/4 inches (58.4 x 67.9 cm). Signed lowe...
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IVAN KLYUN (Russian, 1870-1942)Still Life with Bottles
Oil on board
23 x 26-3/4 inches (58.4 x 67.9 cm)
Signed lower right: I. Kliun
Klyun's influence on Russian and French modern art is well documented. Klyun studied in Kieve and Warsaw in the 1890s and then in Moscow. He joined the Union of Youth group and contributed to their final exhibition in St. Petersburg from 1913-1914. In December of 1915, Klyun signed fellow artist Zazimir Malevich's manifesto, From Cubism to Suprematism, which ushered in a new style of art. He was director of the Central Exhibitions Bureau for the Fine Art Department of Narkompros (The People's Commissariat for Enlightenment). During that time as well, he taught at the Moscow Free Art Studios and the Vkhutemas Higher Artistic and Technical Workshops. In the 1920s, he was one of the organizers of the Museum of Painting Culture, which was created as a center for modern art.
СУЩЕСТВУЕТ МНОЖЕСТВО ПОДТВЕРЖДЕНИЙ ВЛИЯНИЯ КЛЮНА НА РУССКОЕ И ФРАНЦУЗСКОЕ СОВРЕМЕННОЕ ИСКУССТВО. В 1890-Х КЛЮН УЧИЛСЯ В КИЕВЕ И ВАРШАВЕ, А ЗАТЕМ И В МОСКВЕ. ОН ВСТУПИЛ В ОБЪЕДИНЕНИЕ «СОЮЗ МОЛОДЕЖИ» И УЧАСТВОВАЛ В ИХ ПОСЛЕДНЕЙ ВЫСТАВКЕ 1913-1914 ГОДОВ В САНКТ-ПЕТЕРБУРГЕ. В ДЕКАБРЕ 1915 ГОДА КЛЮН ПОДПИСАЛСЯ ПОД МАНИФЕСТОМ ХУДОЖНИКА КАЗИМИРА МАЛЕВИЧА «ОТ КУБИЗМА К СУПРЕМАТИЗМУ», ОЗНАМЕНОВАВШИМ ПОЯВЛЕНИЕ НОВОГО СТИЛЯ В ИСКУССТВЕ. ОН БЫЛ ДИРЕКТОРОМ ВСЕРОССИЙСКОГО ЦЕНТРАЛЬНОГО ВЫСТАВОЧНОГО БЮРО ОТДЕЛА ИЗО НАРКОМПРОСА (НАРОДНОГО КОМИССАРИАТА ПРОСВЕЩЕНИЯ). ОДНОВРЕМЕННО КЛЮН ПРЕПОДАВАЛ ЖИВОПИСЬ В ГСХМ (ГОСУДАРСТВЕННЫХ ХУДОЖЕСТВЕННЫХ СВОБОДНЫХ МАСТЕРСКИХ) И ВО ВХУТЕМАСЕ (ВЫСШИХ ГОСУДАРСТВЕННЫХ ХУДОЖЕСТВЕННО-ТЕХНИЧЕСКИХ МАСТЕРСКИХ). В 1920-Х ОН БЫЛ ОДНИМ ИЗ ОРГАНИЗАТОРОВ МУЗЕЯ КУЛЬТУРЫ ЖИВОПИСИ, КОТОРЫЙ БЫЛ СОЗДАН КАК ЦЕНТР СОВРЕМЕННОГО ИСКУССТВА.
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