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THOMAS FREDERICK MASON SHEARD (British, 1866-1921). Polishing Silver. Oil on canvas. 40 x 33-5/8 inches (101.6 x 85.4 cm...
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Description
THOMAS FREDERICK MASON SHEARD (British, 1866-1921)Polishing Silver
Oil on canvas
40 x 33-5/8 inches (101.6 x 85.4 cm)
Signed with conjoined initials lower right: TFMSheard
PROVENANCE:
Purchased in New York by the late husband of the present owner, 1975.
Thomas Frederick Mason Sheard was a noted Orientalist painter, landscapist and portraitist. His oriental subjects frequently feature large crowd scenes and clusters of figures, notably in busy city markets and bazaars, painted from an elevated vantage point that imparts the feeling of a cinematic panorama. Sheard was an exact contemporary of the Impressionists, and while he never embraced their technique of broken brushwork, he certainly fell under the sway of their devotion to strong atmosphere, intense color, and dazzling lighting effects--all of which can be seen in his masterful Polishing Silver--the finest work by his hand to have appeared at auction in the last twenty years.
Polishing Silver is a major rediscovery in Sheard's oeuvre. It was purchased by the husband of the current owner in New York City in the mid 1970s as a private sale. Its reemergence is noteworthy for it is the finest known example of Sheard's skill a first-rate still-life painter. (As a portraitist he is known for his wonderful likeness of noted carriageman E. K. Fownes, now in the Museum of London.) Here he shows two women polishing silver as well as other forms of exotic metalwork including large brass chargers, Turkish coffee pots, candlesticks, and miscellaneous forms of bric-a-brac. While the women look quite English in their physiognomy, they are surrounded by souvenirs of the artist's own travels to North Africa, Turkey, and Arabia. The presence of the peacock on a perch (is this taxadermy or a live bird?), and the container full of paint brushes on the far left, almost certainly reference Sheard's profession as a painter in particular, and an orientalist more specifically. The gleams of the light reflecting off the brass, silver, and copper vessels create a tapestry effect that is quite singular in Sheard's oeuvre.
Sheard was born in Oxford, England but received his formative training in France under Courtois and Lefebvre, and in Paris received his earliest recognition. While residing abroad he regularly sent his paintings to British exhibitions where they were equally well received. He eventually returned to his native England to became Professor of Art at Queens College, London. Sheard's prodigious exhibition history includes 199 times at the Royal Society of British Artists, and 27 times at The Royal Academy. He also exhibited at The New English Arts Club, Royal Hibernian Academy, Royal Institute, Glasgow Institute, The London Salon, and Royal Miniature Society, among many others.
Many of Thomas Sheard's paintings are housed in regional British museums. A work entitled The Washing Place, Montgesoye, Normandy dated circa 1900 in the Reading Museum features the likeness of the same model who appears in the foreground of the present work.
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