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    Viktor Schreckengost (American, 1906-2008)
    Cellular, 1949
    Hewn and glazed ceramic
    16-1/4 x 15-1/2 x 7-1/2 inches (41.3 x 39.4 x 19.1 cm)
    Incised signature to underside: VIKTOR SCHRECKENGOST

    Cleveland Museum of Art, Cleveland, Ohio, "31st May Show," May 3 - June 12, 1949;
    Syracuse Museum of Fine Arts, Syracuse, New York, "14th Ceramic National Exhibition," 1949;
    Associated American Artists Galleries, New York, New York, January 2 - 22, 1950;
    Carnegie Museum of Art, Pittsburgh, Pennsylvania, February 3 - March 4, 1950;
    J. B. Speed Art Museum, Louisville, Kentucky, March 15 - April 5, 1950;
    Museum of Fine Arts, Houston, Texas, April 19 - May 10, 1950:
    Dallas Museum of Fine Arts, Dallas, Texas, May 22 - June 11, 1950;
    Fine Arts Gallery of San Diego, San Diego, California, June 23 - July 16, 1950;
    Los Angeles County Museum of Art, Los Angeles, California, July 26 - August 16, 1950;
    San Francisco Museum of Art, San Francisco, California, August 31 - September 24, 1950;
    Des Moines Art Center, Des Moines, Iowa, October 7 - 29, 1950;
    Minneapolis Institute of Arts, Minneapolis, Minnesota, November 10 - 26, 1950;
    Akron Art Institute, Akron, Ohio, December 9, 1950 - January 1951;
    Jane L. Hanson, Inc., Cleveland, Ohio, "Opening Exhibition," June 1951;
    Boston Society of Arts and Crafts, Cleveland Institute of Art, Boston, Massachusetts, April 8 - 24, 1953;
    Cleveland Museum of Art, Cleveland, Ohio, "Viktor Schreckengost and 20th-Century Design," November 1, 2000 - February 4, 2001.

    H. Adams,Viktor Schreckengost and 20th-Century Design, Cleveland Museum of Art, Cleveland, Ohio, 2000, p. 63 illustrated (dated as "about 1950").
    H. Adams,Viktor Schreckengost: American Da Vinci, Tide-Mark Press LTD, Windsor, Connecticut, 2006, pg. 43 illustrated.

    According to the artist's technical notes on this vase, Cellular is described as "Unique: Hewn Clay. Squared dough-nut shape with enclosed hole through from front to back. CLAY: George Fetzer red sculpture clay. ENGOBE: B-b [Blackbird] over entire surface. GLAZE: Raw crackle toned with yellow underglaze, brown u-g [underglaze], burnt umber. FIRE: Cone 04."

    Schreckengost directly mixed the glaze into the clay while creating Cellular. The artist explained: "When I began my experiments, all ceramic sculpture in this country was completely glazed. I wanted greater variety; so I poured water over the original clay piece to spot where the highlights would hit after firing and glazing. In this way, I found that underlying forms gain in importance when subjected to high glaze, since the glaze accents them. This has a distinct advantage, as it means you can obliterate incidental detail. When I felt that detail was important I tried self-glazing bodies, actually mixing the glaze right into the clay in order to produce a hard semi-gloss surface without the obliteration. In term, this led to variations in textural qualities of clay, and meant that forms could be simplified by suggesting detail through change in texture. Now my work is based primarily upon form and texture, and I use colored clays, except when I wipe the glaze into the clay, or put lamination of a different sort over." (Dorothy Grafly, "Viktor Schreckengost: Sculptor of Form in Space," American Artist, May 1949, pp. 50-1)

    Condition Report*: Condition report available upon request.
    *Heritage Auctions strives to provide as much information as possible but encourages in-person inspection by bidders. Statements regarding the condition of objects are only for general guidance and should not be relied upon as complete statements of fact, and do not constitute a representation, warranty or assumption of liability by Heritage. Some condition issues may not be noted in the condition report but are apparent in the provided photos which are considered part of the condition report. Please note that we do not de-frame lots estimated at $1,000 or less and may not be able to provide additional details for lots valued under $500. Heritage does not guarantee the condition of frames and shall not be liable for any damage/scratches to frames, glass/acrylic coverings, original boxes, display accessories, or art that has slipped in frames. All lots are sold "AS IS" under the Terms & Conditions of Auction.

    Auction Info

    Auction Dates
    May, 2016
    13th Friday
    Bids + Registered Phone Bidders: 2
    Lot Tracking Activity: N/A
    Page Views: 1,824

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