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THE PROPERTY OF PHILIP JONSSON

WILLIAM ROBINSON LEIGH (American, 1866-1955)
Home, Sweet Home, 1932
Oil on canvas
40 x 60 inches (101.6 x 152.4 cm)
Signed and dated lower left: W.R. Leigh 1932

Auction 5085 | Lot: 70040 | Nov 5, 2011

Sold For: $1,195,000.00
PROPERTY FROM THE LUCIEN ABRAMS COLLECTION

PIERRE-AUGUSTE RENOIR (French, 1841-1919)
Le Bouquet, 1910
Oil on canvas
17 x 12-1/2 inches (43.2 x 31.8 cm)
Signed lower left: Renoir
Two paste-down labels on stretcher bars bearing stock numbers: no. 4367 and no. 10401

Auction 5069 | Lot: 64032 | Nov 8, 2011

Sold For: $657,250.00
THOMAS MORAN (American 1837 - 1926)
Moonlight. Icebergs in Mid Atlantic, 1910
Signed and dated at lower right (recto),...
Auction 638 | Lot: 24012 | Nov 9, 2006

Sold For: $567,625.00
PIERRE-AUGUSTE RENOIR (French, 1841-1919)
Gabrielle en Rouge, 1903
Oil on canvas
16 x 13 inches (40.6 x 33.0 cm)
Signed lower left: Renoir

Auction 5118 | Lot: 72042 | Nov 15, 2012

Sold For: $482,500.00

Make Offer to Owner
$723,750 or more
THE PROPERTY OF PHILIP JONSSON

WILLIAM ROBINSON LEIGH (American, 1866-1955)
Renegade at Bay, 1941
Oil on canvas
24 x 29 inches (61.0 x 73.7 cm)
Signed and dated lower left: W.R. Leigh 1941

Auction 5085 | Lot: 70041 | Nov 5, 2011

Sold For: $388,375.00
THOMAS MORAN (American 1837 - 1926)
Devil's Tower, Green River, Wyoming, 1919
Oil on canvas
20 x 16in.
Signed and d...
Auction 638 | Lot: 24014 | Nov 9, 2006

Sold For: $382,400.00
MAXFIELD PARRISH (American 1870 - 1966)
Poet's Dream, 1901
Created to illustrate John Milton's poem "L'Allegro" pu...
Auction 638 | Lot: 24042 | Nov 9, 2006

Sold For: $346,550.00
HENRY ARTHUR (HARRY) MCARDLE (American, 1836-1908)
The Battle of San Jacinto, 1901
Oil on canvas
...
Auction 5050 | Lot: 76013 | Nov 20, 2010

Sold For: $334,600.00

Make Offer to Owner
$501,900 or more
MAXFIELD PARRISH (American 1870-1966)
Sugar Hill, Late Afternoon, 1930
Oil on prepared board
25 x 30-1/2 inches (63 x 76 cm)
Signed and dated lower right: Maxfield Parrish 1930
Titled, inscribed, dated and signed verso: Sugar Hill:Late Afternoon/Plainfield, New Hampshire/1930/Maxfield Parrish

Provenance:
The Artist;
Estate of the Artist;
Eli Lily Collection (Indianapolis, Indiana);
Private Collection (Tennessee)

Literature:
Letter of authentication from Maxfield Parrish, Jr. dated July 19, 1975; Letter from the same to Rosalind Mikesell, discussing a photograph of his father's studio dating from about 1932 in which the painting appears, dated July 19, 1975; Bruce Weber, American Paintings IX (New York: Berry-Hill Galleries, 2001), pp, 110-111 (reproduced)

Sugar Hill, Late Afternoon was painted in 1930 and records a view of the hill behind Parrish's property in the central New Hampshire town of Plainfield where he lived from 1898 until his death in 1966. Parrish, an enormously successful illustrator, developed a serious interest in landscape painting during the course of the 1930s, which intensified as the result of a particular commission: in 1934 the firm of Brown and Bigelow engaged him to paint summer and winter scenes of his own choosing for a series of calendars. As Alma Gilbert has noted, during the last thirty years of his life Parrish 'sought to capture the tranquil, idyllic settings of the spectrally picturesque New England area where he lived' (Alma Gilbert, Maxfield Parrish: The Masterbooks (Berkeley, California: Ten Speed Press, 1995], p. 168).

Parrish purposefully sought to make his images direct and eye-catching. He consistently gave equal attention to all details in his compositions in order to achieve 'a quality of reality and consequently a beauty of truth' (Coy Ludwig, Maxfield Parrish [New York: Watson-Guptill Publications, 1973
Auction 652 | Lot: 23157 | May 25, 2007

Sold For: $310,700.00
THOMAS MORAN (American 1837 - 1926)
Splendor of Venice (The Grand Canal), 1904
Oil on canvas
20 x 30in.
Signed and d...
Auction 638 | Lot: 24013 | Nov 9, 2006

Sold For: $292,775.00

Make Offer to Owner
$439,162 or more
NICOLAI FECHIN (Russian, 1881-1955)
Portrait of Kate, 1926
Oil on canvas
30 x 25 inches (76.2 x 63.5 cm)
Signed and dated lower right: N. Fechin 26

THE HOGAN FAMILY COLLECTION
Auction 5116 | Lot: 76169 | Nov 10, 2012

Sold For: $290,500.00
WILLIAM ROBINSON LEIGH (American, 1866-1955)
One Good Turn Deserves Another, 1944
Oil on canvas
28 x 22 inches (71.1 x 55.9 cm)
Signed and dated lower left: W.R. Leigh 1944

THE HOGAN FAMILY COLLECTION
(Total: 2)
Auction 5116 | Lot: 76195 | Nov 10, 2012

Sold For: $290,500.00
HENRI MATISSE (French, 1869-1954)
Cagnes, Paysage au Temps Orageux, 1917
Oil on artist's board
12...
Auction 5017 | Lot: 63238 | May 7, 2009

Sold For: $286,800.00
WILLIAM HERBERT (BUCK) DUNTON (American 1878-1936)
In the Tetons
Oil on canvas
14-1/8 x 14-1/8 inches (35.9 x 35.9 cm)
Signed lower right: Dunton
Old paper label on verso: In the Tetons / by / W. Herbert Dunton

Auction 656 | Lot: 23358 | Dec 7, 2007

Sold For: $286,800.00
WILLIAM HERBERT (BUCK) DUNTON (American 1878-1936)
Summer Silhouette, circa 1926
Oil on canvas
14 x 14 inches (35.56 x 35.56 cm)
Signed lower left: Dunton
Inscribed on the reverse in paint: "Summer Silhouette" / by W. Herbert Dunton; in pen: Taos. New Mexico, and lower in pencil: Oil Painting / Catalogue - No. 7 - / $450.00 / 1927?

Provenance:
Bessie Heard (McKinney, Texas);
Bessie Heard Trust

William Herbert "Buck" Dunton was a precocious illustrator who left school at the age of sixteen to pursue his art full time. His illustrations appeared in books and magazines such as Scribner's, Collier's and Harper's Weekly, among others. The proceeds from these ventures funded his summer trips West, beginning in Montana in 1896. In fact, these summer excursions were inspired as much by his love of the outdoors as for his need for fresh ideas for the Western imagery his new profession required of him.

Dunton attended the Cowles Art School in Boston and the Art Students League in New York City, where he studied under Joseph de Camp and Ernest Blumenschein. It was Blumenschein who first suggested Taos to Dunton, and the latter permanently relocated there in 1912. Together with Oscar Berninghaus, E. Irving Couse, William Herbert "Buck" Dunton, Bert G. Phillips and Joseph H. Sharp, Blumenschein founded the Taos Society of Artists in 1915. Their mission was to sell paintings depicting the people and environs that had captured their imaginations, although the lack of local galleries resulted in a number of traveling exhibitions, which in the end brought their work to a wider public.

In 1922 Dunton left the Taos Society of Artists to pursue an independent career. Giving full rein to his nostalgia for the golden age of the West and the vanishing frontier, Dunton captured nature and cowboys with romance and sensitivity by harnessing a powerful sense of two-dimensiona
Auction 652 | Lot: 24001 | May 25, 2007

Sold For: $286,800.00
MAXFIELD PARRISH (American 1870 - 1966)
Milkmaid, 1901
Created to illustrate John Milton's poem "L'Allegro" publis...
Auction 638 | Lot: 24041 | Nov 9, 2006

Sold For: $274,850.00
FROM A PRIVATE INDIANAPOLIS COLLECTION

BIRGER SANDZÉN (American, 1871-1954)
Late Moon Rising (Wild Horse Creek), 1923
Oil on canvas
36-1/4 x 48-1/4 inches (92.1 x 122.6 cm)
Signed and dated lower right: Birger Sandzén / 1923

Auction 5062 | Lot: 64233 | May 17, 2011

Sold For: $262,900.00

Make Offer to Owner
$394,350 or more
JOHN WILLIAM GODWARD (British 1861-1922)
Girl in Yellow Drapery, 1901
Oil on canvas
12 x 24 inches (30.5 x 61.0 cm)
Signed and dated lower left: J.W. Godward 1901

Auction 656 | Lot: 23113 | Dec 7, 2007

Sold For: $233,025.00
IGOR' GRABAR' (Russian, 1871-1960)
Summer Evening, 1923
Oil on canvas
28 x 33-3/4 inches (71.1 x ...
Auction 5008 | Lot: 79009 | Jun 4, 2008

Sold For: $227,050.00
KONSTANTIN YUON (Russian, 1875-1958)
An Autumnal View from the Balcony
Oil on canvas
28-1/4 x 23 ...
Auction 5008 | Lot: 79029 | Jun 4, 2008

Sold For: $227,050.00
WILLIAM GLACKENS (American 1870-1938)
Nude Pulling On Stocking (Nude With Red Hair), circa 1925
Oil on canvas
32 x 26 inches (81 x 66 cm)

Provenance:
Estate of the artist, 1938 to present

Literature:
Touchstone 7 (June 1920): 193 (reproduced);
List made in 1943 of works in estate of William J. Glackens left to Mrs. William J. Glackens, William Glackens File, Whitney Museum of American Art Papers, Archives of American Art, microfilm reel no. N658, frame 601, no. 47;
William Glackens File, Whitney Museum of American Art Papers, Archives of American Art, microfilm reel no. 658, frame 273;
Card file of works by William J. Glackens, William and Ira Glackens Papers, Archives of American Art, microfilm roll 4710, frame 376, no. 30;
Richard Joel Wattenmaker, "The Art of William Glackens," Ph.D. Dissertation, New York University Institute of Fine Arts, 1973, pp. 247-248m 454, 457 (reproduced)

William Glackens was born in Philadelphia, Pennsylvania. In 1891, following his graduation from Philadelphia's Central High School where John Sloan was a fellow student, he joined the Philadelphia Record as an artist-reporter, and worked in a similar capacity from 1892 to 1895 for the Philadelphia Press. Also working for the Press at this time were Sloan, George Luks, and Everett Shinn-all of whom became associated with a group of progressive painters known as "The Eight." In 1893 Glackens studied briefly with Thomas Anschutz at the Pennsylvania Academy of the Fine Arts. Glackens and the artist Robert Henri shared a studio in 1894, and traveled to Europe together the following year. Upon his return to America in 1896 Glackens settled in New York and worked as an illustrator for the New York Herald and later for the New York World. In 1908 he became a member of the Eight(Henri, Sloan, Shinn, Luks, Maurice Prendergast, Arthur B. Davies, and Ernest Lawson) who held a landmark exhibition at the Macbeth Galle
Auction 652 | Lot: 23141 | May 25, 2007

Sold For: $215,100.00
The Hon. Paul H. Buchanan, Jr. Collection

WILLIAM MCGREGOR PAXTON (American, 1869-1941)
Rose and Blue
Auction 5024 | Lot: 77021 | Jun 10, 2009

Sold For: $209,125.00
CARL CLEMENS MORITZ RUNGIUS (American, 1869-1959)
Caribou on the Tundra, 1938
Oil on canvas
30-1/2 x 40 inches (77.5 x 101.6 cm)
Signed lower right: C. Rungius
Titled on stretcher: Tundra

WEIDER HEALTH AND FITNESS COLLECTION

Auction 5116 | Lot: 76045 | Nov 10, 2012

Sold For: $182,500.00
JOSEPH HENRY SHARP (American 1859-1953)
Taos Fishing Trip, circa October 1932
Oil on canvas
14 x 17 inches (35.6 x 43.2 cm)
Signed lower right: JHSHARP
On verso: original check from Lawrence Slaback endorsed by Joseph Henry Sharp

Provenance:
Mr. and Mrs. Lawrence Slaback, purchased directly from artist on October 4, 1932;
Hazel Risselman, inherited from Slaybacks;
Descended in family to Jim Risselman

Joseph Henry Sharp, the father of the Taos art colony, was born in Bridgeport, Ohio, and saw his first Native Americans near Wheeling, West Virginia, just across the Ohio River. He spent his teenage years in Cincinnati, where he studied art at the McMicken School of Design and the Cincinnati Art Academy. Over the course of the 1880s and early 1890s Sharp continued his studies in Munich, Antwerp and Paris. From 1892 to 1902 he taught life drawing and portraiture at the Cincinnati Art Academy. During this period he often ventured west to paint American Indians.

Sharp made trips to Taos, New Mexico, in 1883 and 1893. From 1902 to 1909, he spent summers in Taos and winters at Crow Agency in Montana. In 1910 he settled permanently in Taos. In the 1930s Sharp traveled to China and Hawaii, and in later years he spent winters in Pasadena, California. Sharp was a founding member of the Taos Society of Artists and received numerous prizes, including a silver medal at the Pan American Exposition of 1901 and a gold medal at the Panama-Pacific Exposition of 1915.

Important groups of Sharp's paintings are preserved in the collections of the Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley; the Butler Institute of American Art in Youngstown, Ohio; the Smithsonian American Art Museum in Washington, D.C.; the Gilcrease Museum in Tulsa, Oklahoma; and the Stark Museum of Art in Orange, Texas.

Sharp painted numerous landscapes and outdoor studies in Taos. He adapted a shepherd's wagon as a studio-on-wh
Auction 652 | Lot: 24009 | May 25, 2007

Sold For: $179,250.00

Make Offer to Owner
$268,875 or more
JUAN GRIS (Spanish 1887 - 1927)
Harlequin, circa 1917 - 1918
Bronze, unique casting, 1/1
25 x 11 x 6in.
Signed and n...
Auction 638 | Lot: 24082 | Nov 9, 2006

Sold For: $179,250.00

Make Offer to Owner
$268,875 or more
EANGER IRVING COUSE (American, 1866-1936)
Prayer to the Rain God, circa 1926
Oil on canvas
24 x 29 inches (61.0 x 73.7 cm)
Signed lower right: E.I. Couse

THE HOGAN FAMILY COLLECTION

Auction 5116 | Lot: 76182 | Nov 10, 2012

Sold For: $170,500.00
PIERRE AUGUSTE RENOIR (French, 1841-1919)
Trois personnages dans un paysage
Oil on canvas
8 x 11 ...
Auction 5057 | Lot: 64042 | Nov 10, 2010

Sold For: $167,300.00
MILTON AVERY (American 1893-1965)
Laguna Beach, 1943
Oil on canvas
16 x 20 inches (40.6 x 50.8 cm)
Signed and dated lower left: Milton/Avery/1943
Inscribed, signed and dated verso: "Laguna Beach"/by Milton Avery/16 x 20/1943

Milton Avery's generalized treatment of form and flattened color masses linked him artistically with the development of Abstract Expressionism during the 1940s. Indeed, his friendships woth Mark Rothko and Adolph Gottlieb proved to be mutually inspirational, even though Avery never entirely relinquished a desire for representation in his painting.

Avery began to achieve critical success in 1944, when he had his first museum exhibition at the Phillips Memorial Gallery in Washington, D.C. Major opportunities soon followed, including this first retrospective at the Baltimore Museum of Art in 1952. The Whitney Museum organized retrospectives of Avery's work in 1960 and 1982. Following Avery's death in 1965, Rothko remarked: 'Avery is first a great poet. His is the poetry of sheer loveliness of sheer beauty. Thanks to him this kind of poetry has been able to survive in our time...There have been several others in our generation who have celebrated the world around them, but none with inevitability where the poetry penetrated every pore of the canvas to the last touch of the brush' ('Commemorative Essay,' in Milton Avery (New York: Whitney Museum of American Art. 1982), p. 181).

Avery typically spent his summers in New England ,but in 1941 he drove cross-country from New York to California, and visited Yellowstone and Glacier National Parks along the way. While on the west coast he spent a month in Laguna Beach in Southern California where he painted the present canvas.

Auction 652 | Lot: 23187 | May 25, 2007

Sold For: $167,300.00
DANIEL RIDGWAY KNIGHT (American 1839-1924)
Laundress by the Water's Edge, 1922
Oil on canvas
35-1/2 x 46-1/4 inches (90.2 x 117.5 cm)
Signed and dated lower right: Ridgway Knight Paris 1922

Auction 656 | Lot: 23469 | Dec 7, 2007

Sold For: $160,000.00
JOSEPH HENRY SHARP (American 1859 - 1953)
Winter at Crow Reservation, Montana, 1905
Oil on canvas
16-1/4 x 24-1/4in.<...
Auction 638 | Lot: 24022 | Nov 9, 2006

Sold For: $155,350.00
VICTOR HIGGINS (American, 1884-1949)
November -Country Landscape, circa 1920
Oil on canvas
25 x 30 inches (63.5 x 76.2 cm)
Signed lower right: Victor Higgins

Auction 5116 | Lot: 76101 | Nov 10, 2012

Sold For: $146,500.00
WILLIAM HERBERT DUNTON (American, 1878-1936)
The Badger Hole (The Spill), 1906
Oil on canvas
28 x...
Auction 5019 | Lot: 38130 | Jul 16, 2009

Sold For: $143,400.00
LAVERNE NELSON BLACK (American 1887-1938)
Night Out in Taos (Taos Indian Night Watch), circa 1930
Oil on canvas board
16 x 20 inches (40.6 x 50.8 cm)

Signed lower right

Provenance:
Dorothy and William Harmsen, Sr. (Denver, Colorado);
Harmsen Museum of Art (Denver, Colorado)

Exhibition:
Denver Metro Chamber of Commerce, Denver, Colorado, Harmsen Western Art Exhibit, 2000

Literature:
Dorothy Harmsen, Harmsen's Western Americana (Flagstaff, Arizona: Norrthland Press, 1971), p. 25 (reproduced)

Laverne Nelson Black was born in Viola, Wisconsin. As a youngster he began to develop an interest in depicting western subjects--the result of his exposure to the Native American heritage of the Kickapoo River Valley where he grew up. He regularly associated with boys living on the local reservation. In his earliest pictures he used earth and vegetable colors as well as red keel, the soft stone native to the area that was often used by Native Americans for ceremonial purposes. In 1906, Black's family sold their hotel and restaurant business and moved to Chicago. Black attended the Chicago Academy of Fine Arts for two years, and during his final year there was awarded a scholarship. Following art school, he pursued a career as a newspaper illustrator in Chicago, Minneapolis and New York. During the summer months he would travel to the west to sketch on ranches and reservations. He created painting and sculpture, and he appears to have had some success selling his bronze figures of Native Americans and cowboys.

In the late 1920s, health problems demanded Black move to a warmer and drier climate, and he settled with his wife and children in Taos, New Mexico. In 1937, he and his family moved to Phoenix, Arizona, where he received a major commission from the Public Works Administration to paint six panels for the east lobby of the Phoenix Post Office. The series depicts the history of Arizona from the pioneer days thro
Auction 652 | Lot: 24004 | May 25, 2007

Sold For: $143,400.00

Make Offer to Owner
$215,100 or more
JOSEPH HENRY SHARP (American 1859-1953)
Bawling Deer, circa 1924 -1946
Oil on canvas
16 x 13 inches (40.6 x 33 cm)
Signed lower right: JHSHARP
Titled on stretcher bar on verso in artist's hand
Inscribed versro: Francis Taos Indian

Provenance:
Forest Fenn;
Dorothy and William Harmsen, Sr.,(Denver, Colorado)

Bawling Deer is one of numerous portraits Sharp painted of Frank Martinez (who was known both as Bawling Deer and Pâh Wélah) between 1924 and 1946. Here Martinez is wrapped almost entirely in what appears to be a government-issued commercial blanket. Only his wonderfully expressive face and moccasins are exposed. The portrait reflects the growing emphasis on pictorial concerns in Sharp's workit is as much a character study as a study of color, light, form and texture. Sarah E. Boehme has noted that as early as 1905, Sharp's portraits were becoming 'not character studies or records of famous warriors, but studies of pictorial effects, of light falling on subjects. Not only did he pose his subjects, he also probably suggested clothing for them to wear' ('The North and Snow: J. H. Sharp in Montana,' Montana 49 [Autumn 1990]: 43).
Auction 652 | Lot: 24010 | May 25, 2007

Sold For: $143,400.00
GRANDMA MOSES (American, 1860-1961)
The Old Checkered House in Cambridge Valley, 1943
Oil on masonite
21-3/4 x 29-3/4 inches (55.2 x 75.6 cm)
Signed lower center: MOSES.; also titled The Old Checkered House in Cambridge Valley dated 1943 and numbered 466 on an original Grandma Moses label affixed verso (Copyright reserved to Grandma Moses Properties Co., New York)

Auction 5118 | Lot: 73104 | Nov 15, 2012

Sold For: $134,500.00
THOMAS MORAN (American, 1837-1926)
Venice, Grand Canal, 1903
Oil on canvas
14-1/4 x 20-1/4 inche...
Auction 5057 | Lot: 64077 | Nov 10, 2010

Sold For: $131,450.00
ROBERT MAPPLETHORPE (American, 1946-1989)
Calla Lily
Gelatin silver, 1984
Paper: 19-3/4 x 15-3/4 ...
Auction 5037 | Lot: 74132 | Jun 9, 2010

Sold For: $131,450.00

Make Offer to Owner
$197,175 or more
JULIAN ONDERDONK (American, 1882-1922)
In the Hills -- Southwest Texas, 1912
Oil on canvas
16 x 2...
Auction 5006 | Lot: 67199 | Jan 24, 2009

Sold For: $131,450.00
JOSEPH HENRY SHARP (American 1859 - 1953)
Crow Reservation, circa 1905
Oil on canvas
12 x 18in.
Signed lower right
...
Auction 638 | Lot: 24021 | Nov 9, 2006

Sold For: $131,450.00
EVERETT SHINN (American 1876-1953)
Curtain Call, 1925
Oil on canvas
9-1/4 x 11-1/4 inches (23 x 29 cm)
Signed and dated lower left: E. Shinn/1925

Provenance:
Tullah and Thomas Edward Hanley (Bradford, PA);
William Benton (Connecticut);
Private collection

Exhibitions:
Gallery of Modern Art, New York, Selections from the Collection of Dr. and Mrs. T. Edward Hanley, January 3 - March 12, 1967;
Berry-Hill Galleries, New York, The Spectacle of Life, November 29, 2000 - January 13, 2001

Literature:
Janay Wong, Everett Shinn: The Spectacle of Life (New York: Berry-Hill Galleries, 2000), pp. 86-87, 167 (reproduced);
Janay Wong, "Curtain Call", entry in American Paintings IX, (New York: Berry-Hill Galleries, 2001), pp. 98-99 (reproduced)

Shinn's portrayals of the theater provide some of his most visually spectacular pictures and reveal a life-long fascination with the stage that went beyond the role of mere observer. An active participant in his own productions, he was also on friendly terms with several actors and actresses. Around 1910, after receiving a commission to paint 22 x 45 foot murals for Trenton City Hall, Shinn built a large studio behind his Waverly Place residence. The studio also doubled as a theater which included crimson curtains, a proscenium, and a perfectly equipped miniature stage. Home to 'The Waverly Street Players', an amateur theater group, which included the Shinns, the Glackenses, Jimmy Preston, and David Belasco's assistant, Wilfred Buckland, the theater had the character of a private club for friends. For the performances, Shinn wrote three four act melodramas: The Prune Hater's Daughter, More Sinned Against than Usual, and Wronged from the Star. Shinn first exhibited representations of the theater in 1899 when he showed Scene - Julia Marlowe, Fourteenth Street Theater, and Interior Keith's
Auction 652 | Lot: 23139 | May 25, 2007

Sold For: $119,500.00

Make Offer to Owner
$179,250 or more
WILLIAM ROBINSON LEIGH (American 1866 - 1955)
Navajos Weaving
Oil on canvas
21-7/8 x 33in.
Signed lower right, W.R...
Auction 638 | Lot: 24023 | Nov 9, 2006

Sold For: $119,500.00
GALLE OVERLAY GLASS ELEPHANTS VASE
Pale yellow glass with cream cameo overlay etched and wheel-carved in a stylized elephant motif, circa 1900
Cameo signature: Galle
15 inches high (38.1 cm)

Auction 5120 | Lot: 62048 | Nov 17, 2012

Sold For: $110,500.00
JULIAN ONDERDONK (American, 1882-1922)
Bluebonnets at Sunrise, 1917
Oil on artist's board
9 x 12 ...
Auction 5044 | Lot: 67018 | May 15, 2010

Sold For: $107,550.00

Make Offer to Owner
$161,325 or more
JULIAN ONDERDONK (1882-1922)
Late Afternoon in the Bluebonnets, S. W. Texas, 1913
Oil on wood panel<...
Auction 657 | Lot: 36220 | Dec 1, 2007

Sold For: $101,575.00

Make Offer to Owner
$152,362 or more
DANIEL RIDGWAY KNIGHT (American 1839 - 1924)
Daydreams
Oil on canvas
22 x 18in.
Signed lower right, Ridgeway Knigh...
Auction 638 | Lot: 24005 | Nov 9, 2006

Sold For: $101,575.00
OSCAR EDWARD BERNINGHAUS (American, 1874-1952)
Frolic on the Plains, circa 1900
Oil on canvas
24 x 36 inches (61.0 x 91.4 cm)
Signed lower right: O.E. Berninghaus

Auction 5116 | Lot: 76094 | Nov 10, 2012

Sold For: $98,500.00
MAYNARD DIXON (American, 1875-1946)
Calico Hills (Virgin Valley, Nevada; No.350), 1927
Oil on canvas
16 x 20-1/4 inches (40.6 x 51.4 cm)
Signed, inscribed, and dated lower right: Maynard Dixon / Virgin Valley, Nev. 1927
Numbered, titled, and dated verso: 350 / Calico Hills / Virgin Valley, Nev. / Aug. 1927

Auction 5085 | Lot: 70006 | Nov 5, 2011

Sold For: $95,600.00
MERRITT MAUZEY (1897-1973)
Grandpa Snazzy, 1930s
Oil on masonite
30 x 24 inches (76.2 x 61.0 cm)<...
Auction 657 | Lot: 36342 | Dec 1, 2007

Sold For: $95,600.00

Make Offer to Owner
$143,400 or more

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