Media Relations
Press Release - October 24, 2024
In an Exciting Rediscovery, an Isamu Noguchi Masterwork Hits the Block at Heritage in November
| The handmade marble-topped table is one of only four known examples and has been with one family for more than six decades. It leads the auction house’s November 22 Design Event DOWNLOAD DIGITAL PRESS KIT “My parents, and especially my father, had a good eye,” Richardson says. “Sometimes I’d ask him about the things we had and he wouldn’t tell me very much, but the table was always in the house.” Growing up, Richardson knew the living room table was special; she just didn’t know until recently how special it was — and is — until she connected with Heritage Auctions’ Design specialists. “The week between Christmas and New Years is typically slow in the auction business, but I picked up the phone when it rang. And I am so glad that I did!” says Samantha Robinson, Heritage’s Chicago-based Director of Decorative Arts & Design. “An appraiser representing our consignor mentioned a marble-topped coffee table. I requested photos, and I nearly fell off my chair when I received them. We confirmed that it was not only a work by Isamu Noguchi, but an extremely important and valuable one.”
Isamu Noguchi (American, 1904-1988) was one of the most innovative and renowned sculptors and designers of the 20th century. Born in Los Angeles to American and Japanese parents, Noguchi was an artist in New York before going to work in Constantin Brancusi’s Paris studio in 1927. His work and study under Brancusi helped develop the distinctive modern style that became synonymous with Noguchi’s name — precisely sculpted biomorphic forms, utilizing both traditional and brand-new materials. “By the mid-1940s, Noguchi had developed into an artist and designer seemingly without categorical boundaries,” says Michael Hartman, Heritage’s Director of Design. “Working in sculpture, industrial design, landscape design, set design, architecture, and other disciplines, Noguchi was eager to collaborate with his contemporaries in American postwar culture while engaging with the marketplace to see his designs work their way into the lives of everyday Americans.” The table emerges from this moment in American history and Noguchi’s career. It features a biomorphic marble top with an elliptical aperture and an inset metal bowl supported by three distinctly shaped legs. The perforated and tripod form relates to Noguchi’s sculptural work of this period and explores the interplay between the work and the negative space within and around it. The hand-worked surfaces of the top and legs set it apart from later, related Herman Miller production-line examples of the design, of which only four are known. Says New York and London-based curator, writer and historian Glenn Adamson of the table’s innovative design: “It makes sense to view the table as a kit of six parts — three legs, metal bowl, plywood support, marble top — for that is how Noguchi himself approached the making of it. Look closely at the legs and you’ll see each has its own unique silhouette, not derived in any obvious way from the amorphous silhouette of the top.” He says that when you look at the table from any distance, “what will likely impress you most is its unexpected unity. Noguchi’s greatest gift, as a sculptor, was his combinatory intelligence. Again and again over the course of his career, he put simple forms and unlike materials together, and forged something unforgettable. Today, fully seven decades after its creation, this table retains this quality of discovery.”
That same year, Richardson’s father Willard was hired at Marshall Fields, the iconic department store and original proprietor of the Merchandise Mart just a stone’s throw away. While the precise sequence of events is unknown, one can imagine a young Willard Richardson walking from showroom to showroom, the enigmatic table catching his eye. One thing is certain: It was acquired by Willard and remained in the Richardson family’s collection for more than 60 years, eventually traveling with the family from the Chicago area to Southern California. Charmingly, it’s pictured, again and again, in family photos: There it is, holding its own in vintage snapshots of Christmas holidays, cocktail hours, Pam Richardson as a baby and later in her youthful formal-dress pose. “The table has remained in this original owner’s family until now, providing a central gathering point for decades of holiday celebrations and quiet evenings at home,” says Robinson. “While certainly selected by Mr. Richardson for its unusual style and functionality, the family remained unaware of its rarity and important place in modern design history until Pam Richardson’s appraiser contacted Heritage for review by our team.” “Heritage is immensely proud to bring this Noguchi masterwork to market,” says Hartman. “And, through a dedicated catalog and fall events at our Chicago and New York galleries, we will explore the table’s historical context and the legacy of its stewardship by a typical American family.” The present example of Isamu Noguchi’s table will be available for preview at Heritage showrooms in New York City, Oct. 28-31; Chicago, Nov. 11-15; and Dallas, Nov. 20-21. Go here and scroll down for details. Images and information about this example of an American masterpiece by Isamu Noguchi, which leads Heritage’s November 22 Design Signature® Auction, can be found at HA.com/8172. Heritage Auctions is the largest fine art and collectibles auction house founded in the United States, and the world's largest collectibles auctioneer. Heritage maintains offices in New York, Dallas, Beverly Hills, Chicago, Palm Beach, London, Paris, Geneva, Amsterdam and Hong Kong. Heritage also enjoys the highest Online traffic and dollar volume of any auction house on earth (source: SimilarWeb and Hiscox Report). The Internet's most popular auction-house website, HA.com, has more than 1,750,000 registered bidder-members and searchable free archives of 6,000,000 past auction records with prices realized, descriptions and enlargeable photos. Reproduction rights routinely granted to media for photo credit. For breaking stories, follow us: HA.com/Facebook and HA.com/Twitter . Link to this release or view prior press releases . Hi-Res images available: Christina Rees, Public Relations Specialist 214-409-1341 or Christina Rees@HA.com |



