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FROM THE ESTATE OF DR. EDMUND P. PILLSBURY. RUTH ROOT (American, b. 1967). Untitled, 2002/2003. Enamel on aluminum. 30...
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Sold on Oct 26, 2011 for:
$3,346.00
Bid Source: Live: Phone bidder
Description
FROM THE ESTATE OF DR. EDMUND P. PILLSBURYRUTH ROOT (American, b. 1967)
Untitled, 2002/2003
Enamel on aluminum
30-1/2 x 46 inches (77.5 x 116.8 cm)
Signed and dated on the reverse
PROVENANCE:
Andrew Kreps Gallery, New York, April 2003
NOTE:
Ted Pillsbury collected the vibrant geometric abstractions of Chicago-born New York artist, Ruth Root, in several genres: painting on the traditional canvas supports, paper collages, and painting with enamel on thin aluminum panels. One of the wonderful, unexpected properties of Root's work is her penchant for deviating from the rectilinear shape of the support. She allows the perimeters of her works to be curvy and rounded, which forms a visually exciting contrast to the shifting planes of more angular color they usually inscribe.
Of the works by Root in the Pillsbury collection, the enamel on aluminum is the most recent. When shown at her third solo show at the Andrew Kreps Gallery in the Spring of 2003, such works engaged the architecture of the gallery itself. As she revealed at the time of her show, the brightly colored forms push against each other to "create imagery suggestive of floor plans or walking maps of city neighborhoods; the artist likens it to 'walking from the East Village to Chelsea to Chinatown.'" These paintings mirror the density and surprise of urban living.
As one writer noted: "Root plays with traditional figure-ground relationships, creating paintings that contain no negative space, and draw on references from Ellsworth Kelly and Richard Tuttle to 19th Century silhouette cut outs. Like her previous paintings these new works do not contain negative space or foreground/background relationships. Unlike her previous paintings that included eyes that look back at the viewer, or abstractions smoking cigarettes, in this show, such anthropomorphic details have been left aside. Instead the internal workings of each painting, and its relationship to its environment, take precedence."
Condition Report*:
Faint 7-inch linear scratch running thru the bottom of the main red panel; a faint 8-inch linear scratch continues thru the purple panels beneath; small accretion on the pink on the lower left edge; otherwise in good condition.
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All lots are sold "AS IS" under the Terms & Conditions of Auction.Auction Info
2011 October 26 Modern & Contemporary Art Signature Auction- Dallas #5083 (go to Auction Home page)
Auction Dates
October, 2011
26th
Wednesday
Bids + Registered Phone Bidders: 2
Lot Tracking Activity: N/A
Page Views: 2,304
Buyer's Premium per Lot:
19.5% of the successful bid per lot.
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