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Session 1

Glass

EMILE GALLÉ
An Overlaid, Etched, and Fire-Polished "Scenic" Glass Vase, circa 1900
Signed in cameo: Gallé
11-1/4 inches (28.6 cm) high

Art Glass

73007

DAUM
A Martelé and Cameo Glass Two-Handled Vase, circa 1900
Engraved on base in gilt: DAUM NANCY with the Cross of Lorraine
8-1/4 inches (21.0 cm) high

73008

DAUM
A Wheel-Carved Cameo Glass Gourd Vase, circa 1900
Engraved on base: DAUM NANCY with the Cross of Lorraine
8 inches (20.3 cm) high

73026

DAUM
A Martelé and Cameo Glass Vase, circa 1910
Engraved on base: DAUM NANCY with the Cross of Lorraine
8-3/8 inches (21.1 cm) high

PROVENANCE:
Marlowe Gallery

73027

GABRIEL ARGY-ROUSSEAU
A Pâte-de-Verre and Wrought Iron "Rosaces" Night Light, circa 1923
Molded on body: G. ARGY-ROUSSEAU, FRANCE
6-3/4 inches (17.1 cm) high

LITERATURE:
J. Bloch-Dermant, G. Argy-Rousseau: Glassware as Art, New York, 1991, p. 100, for a related example.

73028

GABRIEL ARGY-ROUSSEAU
A Pâte-de-Verre and Wrought Iron "Masks" Night Light, Bloch-Dermant no. 23.12, circa 1923
Molded on body: G ARGY ROUSSEAU, FRANCE
5-1/2 inches (14.0 cm) high

LITERATURE:
J. Bloch-Dermant, G. Argy-Rousseau: Glassware as Art, New York, 1991, p. 100 (bottom row, center, in green and purple), pl. 23.12.

Glass

73029

GABRIEL ARGY-ROUSSEAU
A Pâte-de-Verre and Wrought Iron "Dancer Under the Lights" Night Light, Bloch-Dermant no. 28.07, circa 1928
Molded on body: G. ARGY-ROUSSEAU
5-1/4 inches (13.3 cm) high

LITERATURE:
J. Bloch-Dermant, G. Argy-Rousseau: Glassware as Art, New York, 1991, p. 128 , pl. 28.07.

73031

HENRI BERGÉ FOR ALMERIC WALTER
A "Beetle" Pâte-de-Verre Vide Poche, circa 1920s
Molded on body: A WALTER NANCY, H BERGÉ SE
11-1/4 inches (28.6 cm) long
PROVENANCE:
Macklowe Gallery, New York.

Paintings

73032

DAUM AND MAJORELLE
A Pair of Oak, Wrought Iron, and Cameo Glass Sconces, circa 1900
Engraved on glass: DAUM NANCY with the Cross of Lorraine
18 inches (45.7 cm) high, each

PROVENANCE:
Macklowe Gallery, New York.

LITERATURE:
V. Arwas, Art Nouveau: The French Aesthetic, London, 2002, p. 290.

Ceramics & Porcelain, Continental

73033

ANDRE LEGRAND
"Après Midi d'un Faune", A Glazed Stoneware Vase, circa 1924-1936
Marks: Mougin, Nancy, 292J, L, Legrand, dc
10-1/2 inches (26.7 cm) high

LITERATURE:
Jugenstil in Lothringen 1900: Zwischen Historismus und Art Deco, exh. cat., Münchner Stadtmuseum, München, 1980, pp. 443-444, no. 629 (for a related example).

73034

JEAN BAPTISTE MASSIER
A Gilt Glazed Ceramic Pitcher, circa 1900
Impressed on base: JEROME MASSIER FILS VALLAURIS (AM)
18 inches (45.7 cm) high

LITERATURE:
J. Miller, Art Nouveau, New York, 2004, p. 112.

Ceramics & Porcelain

73035

JEAN BAPTISTE MASSIER
A Gilt Glazed Ceramic Pitcher, circa 1900
Impressed on base: JEROME MASSIER FILS VALLAURIS (AM) 8
18 inches (45.7 cm) high

Ceramics & Porcelain, Continental

73036

LUCIEN LEVY-DHURMER FOR CLÉMENT MASSIER
A Gilt-Decorated Glazed Earthenware Vase, circa 1900
Impressed on base: Clement Massier, Golfe Juan, (A.M.), L Levy
16-1/4 inches (41.3 cm) high

73037

CLÉMENT MASSIER
A Gilt Decorated Glazed Earthenware "Bamboo and Flying Crane" Vase, circa 1900
Impressed on base: Clement Massier, Golfe Juan
14 inches (35.6 cm) high

LITERATURE:
See Lost Paradise: Symbolist Europe, Montreal, 1995, p. 176, no. 269; S. Wichmann, Jugendstil Art Nouveau, Floral and Functional Forms, New York and Boston, 1984, p. 45; Y. Brunhammer, et al., Art Nouveau Belgium France, exh. cat., Houston, 1976; and E. Pélichet and M. Duperrex, La Céramique Art Nouveau, Paris, 1976, p. 89 for more information and other works by the Massier family.

73038

GOUDA ZUID-HOLLAND
A Glazed Earthenware Two-Handled Vase, circa 1900
Impressed on base: Zuid Holland
16 inches (40.6 cm) high

73039

EDMOND LACHENAL
A Stained and Glazed Earthenware Vase
Signed on base: Lachenal
12-1/2 inches (31.8 cm) high

Furniture

73040

LOUIS MAJORELLE
A Pair of Carved Walnut, Rosewood, and Oak Armchairs with Floral Marquetry Backs, circa 1900
43 x 23-1/4 x 22-1/4 inches (109.2 x 59.1 x 56.5 cm) each

LITERATURE:
A. Duncan, Louis Majorelle: Master of Art Nouveau Design, London, 1991, p. 107 (for a related example).

Silver & Vertu

73041

JEAN PUIFORCAT
A Silver Plated Coffee and Tea Service, circa 1900
Marks: EP within diamond
10-3/4 inches (27.3 cm) high, coffee pot
24-1/2 inches (62.2 cm) long, tray

Comprising a coffee pot and tea pot, each with ivory insulators, a creamer, a sugar bowl, a pair of tongs, and a tray

Silver Holloware, French

73042

MAURICE-ELYSÉE DUFRENE
A Silver Serving Tray, circa 1901
Marks: (Studio logo in oval cartouche), FM CAZZANIGA MILANO, 800
24 inches (61.0 cm) long

LITERATURE:
P. Follot, "L'Orfèvrerie," Documents sur L'Art Industriel Au XXe Siecle, Paris, 1901, p. 15 (for related examples);
A. Duncan, Paris Salons: 1895-1914, volume IV: Ceramics & Glass, Woodbridge, 1998, p. 195 (for a woodcarved version).

Fine Art - Sculpture, European

73043

A FRENCH BRONZE CAT AND MOUSE
Cast after the model by Antoine Louis-Barye (French, 1796-1875)
Impressed on base: Barye
2-3/4 inches (7.1 cm) high

Decorative Arts, Continental

73044

W.P. HARTGRING FOR ROZENBURG POTTERY
A "Blackbird" Hand-Painted Faience Mantle Clock, circa 1904
Painted on interior: Rozenburg (above stork) den Haag, 534, artist's monogram H, and date mark symbol for 1904
15 inches (38.1 cm) high

Ceramics & Porcelain, Continental

73045

OTTO PRUTSCHER FOR WIENER PORZELLANMANUFAKTUR AUGARTEN
A Pair of Hand-Painted and Glazed Porcelain Vases, circa 1926
Marks: (firm's mark) Wien, Augarten Austria, 527 5278 19
9-1/2 inches (24.1 cm) high, each

LITERATURE:
Die Kunst, 1926.

For more information, see W. Neuwirth, Wiener Keramik: Historismus, Jugendstil, Jugendstil, Art Deco, Braunschweig, 1, 1974, S. 409u 414.

Ceramics & Porcelain

73046

KARL KLAUS FOR ERNST WAHLISS
A Serapis "Tanzende" Pottery Figure, circa 1910
Marks: Serapis Wahliss, 1565 F
12-3/8 inches (31.3 cm) high

Paintings

73047

KARL KLAUS FOR ERNST WAHLISS
A Pair of Monumental Serapis Faience Covered Jars, circa 1912
Marks: Serapis-Fayence Wahliss, 9686, F.0116, D.9712
21-1/2 inches (54.6 cm) high, each

The mate to these is in the permanent collection of the Bröhan Museum, Berlin and is iIllustrated in Sammlung Bröhan: Kunsthandwerk, Glas, Holz, Keramik, Berlin, 1976, no. 564, p. 410.

Decorative Arts, Continental

73048

GUSTAV GURSCHNER
A Bronze "Chestnut" Vase, circa 1900
Foundry mark: K.K. Kunst-Erzgiesserei Wien
15 inches (38.1 cm) high

Glass

73049

LEOPOLD BAUER FOR LOETZ
A Large Cased Glass Vase, circa 1901
6-3/4 inches (17.1 cm) high

LITERATURE:
See T. Bröhan, ed., Glaskunst der Moderne von Josef Hoffmann bis Wilhelm Wagenfeld, Munich, 1992, p. 42, illus. 5 and H. Ricke and E. Ploil, Lötz: Böhmisches Glas 1880-1940: Katalog der Musterschnitte, Band 2, Munich, 1989, p. 339, illus. 1090/35 for biographical information.

Lighting

73050

GUSTAV GURSCHNER
A Pair of Bronze Candlesticks, circa 1895
7-1/4 inches (18.4 cm) high, each

LITERATURE:
The Studio, Special Summer Number 1906: The Art Revival in Austria, ill. no. D6; Studio Yearbook, London, 1909, pp. 139-140;
Fischer Fine Art, Vienna Turn of the Century: Art and Design, exh. cat., London, 1979, p. 23, illus. 1;
D. Klein and M. Bishop, Decorative Art 1880-1980, Oxford, 1986, p. 84, illus. 1 (for related examples).

Ceramics & Porcelain, Continental

73051

MICHAEL POWOLNY AND BERTOLD LÖFFLER FOR WIENER KERAMIK
"Putto mit Fuellhornvase" A Glazed Earthenware Figural Vase, circa 1910
Impressed on base: MP, WK within square
8-1/2 inches (21.6 cm) high

EXHIBITED:
Österreichisches Museum für Kunst und Industrie (now the MAK museum), Vienna, "Frühjahrsausstellung Österreichischer Kunstgewerbe",1912.

LITERATURE:
Deutsche Kunst und Dekoration, vol. XXXI, October 1912-March 1913, n.p.;
Deutsche Kunst und Dekoration, vol. XXXIII, October 1913-March 1914, n.p.;
The Studio Yearbook of Decorative Art 1913, London, 1913, p. 218;
L.W. Rochowanski, Wiener Keramik, Leipzig and Wien, 1923, n.p.;
E. Frottier, Michael Powolny: Keramik und Glas aus Wien 1900 bis 1950, Vienna, 1990, 1912 photograph with the horse sculpture displayed in vitrine from Frühjahrsausstellung Österreichischer Kunstgewerbe, illus. 4, p. 15, illus. 16, p. 33, cat. no. WV 132.

Paintings

73052

JOSEF HOFFMANN FOR THE WIENER WERKSTÄTTE
A Hand-Wrought Silver Plated Brass Spiral Fluted Bonbonière, circa 1923-1924
Marks: JH monogram, WIENER WERKSTÄTTE, MADE IN AUSTRIA
4 inches (10.2 cm) diameter

LITERATURE:
W.J. Schweiger, Wiener Werkstätte, Design in Vienna 1903-1932, New York, 1984, p. 66;
G. Fahr-Becker, Wiener Werkstätte, 1903-1932, Cologne, 1995, p. 172.

73053

JOSEF HOFFMANN FOR THE WIENER WERKSTÄTTE
A Hand-Wrought Silver Plated Brass Spiral Fluted Candy Tazza, circa 1923-1924
Marks: JH monogram, WIENER WERKSTÄTTE
2-7/8 inches (7.2 cm) high

LITERATURE:
W.J. Schweiger, Wiener Werkstätte Design in Vienna 1903-1932, New York, 1984, pp. 62 and 66;
P. Noever, ed., Josef Hoffmann Designs, Munich, 1992, pp. 172, 174, and 189 (for related examples).

Ceramics & Porcelain, Continental

73054

MICHAEL POWOLNY AND BERTOLD LÖFFLER FOR WIENER KERAMIK
"Putto mit Hahn" A Glazed Earthenware Figure, circa 1910
Impressed on rim: MP, WK in square
9-1/4 inches (23.5 cm) high

EXHIBITED:
Österreichisches Museum für Kunst und Industrie (now the MAK Museum), Vienna, "Frühjahrsausstellung Österreichischer Kunstgewerbe", 1912.

LITERATURE:
Deutsche Kunst und Dekoration, vol. XXXI, October 1912-March 1913, n.p.;
E. Frottier, Michael Powolny: Keramik und Glas aus Wien 1900 bis 1950, Vienna, 1990, 1912 photograph with the cock sculpture displayed in vitrine from Frühjahrsausstellung Österreichischer Kunstgewerbe, illus. 4, p. 15 and illus. 27, p. 54, cat. no. WV92.

Silver Holloware, Continental

73055

JOSEF HOFFMANN FOR THE WIENER WERKSTÄTTE
A Silver Plated Alpaca Spiral Fluted Serving Tray, circa 1910
Marks: JH monogram, WIENER WERKSTÄTTE
12-1/2 inches (31.8 cm) diameter

LITERATURE:
W. Neuwirth, Wiener Werkstätte: Die Schutzmarken, The Registered Trade Marks, Vienna, 1985, p. 221;
G. Fahr-Becker, Wiener Werkstätte, 1903-1932, Cologne, 1995, p. 161 (for related examples).

Paintings

73056

DAGOBERT PECHE FOR THE WIENER WERKSTÄTTE
A Hand-Wrought Silver Plated Brass Fruit Bowl, circa 1919
Marks: P with 4-pointed star, WIENER WERKSTÄTTE
5-3/4 inches (14.6 cm) high

LITERATURE:
Die Überwinding der Utilität, Dagobert Peche und die Wiener Werkstätte, Ostfildern, 1998, no. 54, p. 222.

Silver Holloware, Continental

73057

JOSEF HOFFMANN FOR THE WIENER WERKSTÄTTE
A Silver Plated Brass Oval Serving Tray, circa 1918
Marks: JH monogram, WIENER WERKSTÄTTE, MADE IN AUSTRIA
14-3/8 inches (36.4 cm) long

LITERATURE:
W. Neuwirth, Wiener Werkstätte: Die Schutzmarken, The Registered Trade Marks, Vienna, 1985, p. 221;
G. Fahr-Becker, Wiener Werkstätte, 1903-1932, Cologne, 1995, p. 161.

Glass

73058

JOSEF HOFFMANN FOR THE WIENER WERKSTÄTTE
A Cut Glass Footed Bowl, circa 1923-1924
5-3/4 inches (14.6 cm) high

LITERATURE:
W.J. Schweiger, Wiener Werkstätte, Design in Vienna 1903-1932, New York, 1984;
F. Cooke, Glass: Twentieth Century Design, London, 1986, p. 42.

73059

JOSEF HOFFMANN FOR THE WIENER WERKSTÄTTE
A Glass Lidded Vase, circa 1910
Etched on base: Wiener Werstätte mark
12-3/4 inches (32.4 cm) high

Furniture

73060

ANTONIO VOLPE
A Stained Beechwood and Cane "Egg" Rocker, model no. 267, manufactured by the Società Anonima Antonio Volpe, Udineca, circa 1922
40-1/2 x 44 x 26-1/2 inches (102.9 x 111.8 x 67.3 cm)

LITERATURE:
D. Ostergard, Bent Wood and Metal Furniture: 1850 - 1946, New York, 1987, p. 87;
A. Duncan, Modernism: Modernist Design 1880 - 1940, Minneapolis, 1998, p. 201.

Until 1987 the design of this rocking chair was considered to be a work by Josef Hoffmann. The same year an original catalogue of bentwood furniture manufactured by the firm of Antonio Volpe discovered, showing this chair as model no. 267 without any reference to the designer. Antonio Volpe was one of the many businessmen in the second half of the 19th century that recognized the commercial viability of the bentwood market and established a firm in 1883 to compete with the successful Thonet firm. His firm existed until 1940.

Many of the chair's design characteristics justify the former attribution to Josef Hoffmann. Who besides Hoffmann could create such a clean and and yet erotic design? It resembles a rocking variant of Hoffmann's "Sitzmaschine". Armrests and rocker are combined into an aerodynamic oval enclosing the seat and the adjustable backrest. The slanted elements inside the oval supports not only provide the necessary structural support but also impart a visual feeling of mobility. The negative voids created by the chair's linear elements do not obstruct the room in the manner most traditional seating furniture do. A result is the perfect harmony between room and subject similar to the aesthetic of tubular metal furniture of the 1920s.

Christian Witt-Dörring, Vienna

73061

JOSEF MARIA OLBRICH
A Secessionist Bronze and Fruitwood Lyre-Shaped Gong, circa 1900
60-1/4 x 27 x 12 inches (153.0 x 68.6 x 30.5 cm)

PROVENANCE:
Reinhold Hofstätter, Vienna.

EXHIBITED:
By repute this gong was part of the installation at Mathildenhohe Exhibition.

LITERATURE:
I. Latham, Josef Maria Olbrich, New York, 1980, p. 94;
Joseph M. Olbrich, 1867-1908, Darmstadt: Institut Mathildenhöhe,1983, p. 239;
J.M. Olbrich, Ideen von Olbrich, reprint of the original 1904 publication, Stuttgart, 1992, pp. 20-21.

73062

MARCEL KAMMERER FOR GEBRÜDER THONET
A Steambent Beeck and Brass Wall Cabinet, circa 1905
Stamped verso: 3613
33 x 23-1/4 x 8 inches (83.8 x 59.1 x 20.3 cm)

LITERATURE:
C. Wilk, introduction, Thonet Bentwood & Other Furniture, reprint of the original 1904 illustrated catalogue, New York, 1980 (for information on Thonet);
Bugholzmöbel, reprint of original catalogue, G. Candilis, Stuttgart, 1984, p. 199.
Le Arti a Vienna dalla Secessione alla Caduta dell'Impero Asburgico, exh. cat., Venezia Palazzo Grassi, Milan, 1984, p. 560 (for information on Kammerer);
C. Witt-Dörring, Wien um 1900, Kunst und Kultur, Vienna, 1985, pp. 519-520 (for information on Kammerer);
G. Zelleke, E.B. Ottilinger, and N. Stritzler, Against the Grain: Bentwood Furniture from the Collection of Fern and Manfred Steinfeld, Chicago, 1993 (for information on Thonet).

73063

A VIENNESE BENTWOOD AND METAL BOOKSHELF
Circa 1900
70 x 45 x 18 inches (177.8 x 114.3 x 45.7 cm)

73064

JOSEF HOFFMANN FOR J&J KOHN
A Beech, Sycamore Laminate, and Leather Barrel Suite Armchair, model 720/F, circa 1905
31-1/2 x 28 x 22-1/2 inches (80.0 x 71.1 x 57.2 cm)

LITERATURE:
Jacob & Josef Kohn cat., circa 1908, model no. 720, n.p.;
Jacob & Josef Kohn cat., 1916, p. 50;
D. Müller, Klassiker des Modernen Möbeldesign, Munich, 1980, p. 100, illus. 74;
S. Wichmann, Jugendstil Art Nouveau: Floral und Functional Forms, New York and Boston, 1984, p. 177, illus. 361.

Lighting

73065

HUGO LEVEN FOR KAYSERZINN
A Pewter "Fledermaus" Candelabrum, circa 1900
Stamped on base: KAYSERZINN 4506 in oval
12 inches (30.5 cm) high

LITERATURE:
1907 Kayserzinn patternbook, no. 4506, p. 44;
Metallkunst: Silber Kupfer Messing Zinn, Vom Jugendstil zur Moderne 1889-1939, Berlin, 1990, p. 327, cat. no. 367.

Paintings

73066

HUGO LEVEN FOR KAYSERZINN
A Pair of Pewter Duck Decanters and Four Cups, circa 1900
Stamped on base: Kayserzinn 4358 in oval
8 inches (20.3 cm) high, each decanter

EXHIBITED:
L' Arte Decorative all' Esposizione di Torino, 1902.

LITERATURE:
J. P. Kayser Sohn Krefeld: Fabrik kunstgewerblicher Metallgegenstände, Musterbuch 1907, Munich, 1982, no. 4358.

For further information on Leven's work for Kayserzinn, see A. Duncan, Modernist Design 1880- 1940, The Norwest Collection, Woodbridge, Suffolk, England, 1998, p. 79 and Metallkunst: Vom Jugendstil zur Moderne (1889-1939), "Kayserzinn" pp. 281-342. For further information on Hugo Leven, see A. Krekel-Aalberse, Art Nouveau and Art Deco Silver, New York,1989, p. 141.

Together with a silver plated tray by Orivit, circa 1900, marked ORIVIT, 2124, 12-1/4 inches (cm) long

Furniture

73067

HENRY VAN DE VELDE
A Woven Wicker and Wood Bench, circa 1906-1908
32 x 36 x 18 inches (81.3 x 91.4 x 45.7 cm)

LITERATURE:
Henry van de Velde, Hagen, 1920, p. 62.

In 1906, Van de Velde was commissioned by the banker Karl Ernst Osthaus to design and build the Hohenhof residence in Hagen. Together with Henri Matisse, Johan Thorn-Prikker, and Ferdinand Hodler, Van de Velde decorated the interior creating this bench for the foyer of the villa.

Paintings

73068

ALBIN MUELLER FOR EDUARD HUECK
A Copper and Brass Kettle on Stand with Burner and Two Cups, circa 1903
Stamped on base: AM, Eduard Hueck, 2032
13-1/8 inches (33.3 cm) high, stand

LITERATURE:
Innen Dekoration, vol. 15, 1904, p. 156;
Ein Document Deutscher Kunst, Darmstadt 1901-1976, Vol. 4, Die Künstler der Mathildenhöhe, exhibition catalogue, Mathildenhöhe Darmstadt, Darmstadt, 1977, p. 433, no. 429;
Carl Bruno Heller, Jugendstil Kunst um 1900, Darmstadt, 1982, p. 225;
Karl H. Bröhan, Metallkunst: Vom Jugendstil Zur Moderne 1899-1939, Berlin, 1990, p. 243;
Torsten Bröhan and Thomas Berg, Avantgarde Design 1880-1930, Köln, 1994, p. 80;
Dedo von Kerssenbrock-Krosigk, Modern art of Metalwork: Bröhan Museum, State Museum of Art Nouvear, Art Deco and Functionalism (1889-1939), Berlin, 2001, p. 189.

73069

JOSEF MARIA OLBRICH FOR HUECK
A Pewter Decanter, circa 1901
Marks: JO monogram, Edelzinn E. Hueck 1865
13-1/4 inches (33.7 cm) high

EXHIBITED:
"Ausst. Der Kunstlerkolonie", Darmstadt, 1904, S. 32;
1904 St. Louis Exhibition.

LITERATURE:
Ideen von Olbrich: Seine Welt, Zeige der Künstler..., Arnoldsche, 1904, p. 1904;
Deutsches Kunstgewerbe St. Louis 1904, Berlin, 1904, p. 41;
Joseph M. Olbrich, 1867-1908: Das Werk des Architekten, exh. cat., Darmstadt, 1967, cat. no. 201, p. 156-157.

This model was exhibited at both the Künstler Kolonie Darmstadt and the St. Louis World's Fair of 1904.

Furniture

73070

LUDWIG MIES VAN DER ROHE FOR GEBRÜDER THONET
A Chromium Plated Steel and Canvas Armchair, model MR-534, circa 1927
30 x 22 x 30 inches (76.2 x 55.9 x 76.2 cm)

PROVENANCE:
Bart van der Leck, Utrecht, Netherlands.

LITERATURE:
L. Glaeser, Ludwig Mies van der Rohe: Furniture and Furniture Drawings from the Design Collection and the Mies van der Rohe Archive, The Museum of Modern Art, New York, 1985, pp. 22-23.

Paintings

73071

PAUL HAUSTEIN
A Bronze, Ivory, and Multi-Stone Covered Box
Marks: PH in square
11-1/4 inches (28.6 cm) long

73072

PAUL HAUSTEIN FOR WMF
A Silvered and Patinated Brass and Ivory Ikora Covered Jar, model no. 110/216, circa 1929
Stamped on base: (firm's mark) WMF IKORA
10 inches (25.4 cm) high

LITERATURE:
A. Duncan, Art Deco, London, 1988, p. 146;
B. and H. Scheiffele, WMF Ikora Metall Metalwork, Stuttgart, 2006, pp. 10, 47, 111, 142, and 155.

Lighting

73073

MAX LÄUGER FOR TONWERKE
A Ceramic and Bronze Table Lamp, circa 1900
Stamped on pottery: Max Läuger
Stamped on stand: Germany, S
22 x 18 inches (55.9 x 45.7 cm)

LITERATURE:
A. Duncan, Modernism: Modernist Design 1880-1940 (The Norwest Collection, Norwest Corporation, Minneapolis), Woodbridge, Suffolk, England, 1998 (for more information).

Decorative Arts, Continental

73074

MARIANNE BRANDT FOR RUPPEL
An Enameled Metal and Glass "Home Bar", circa 1930
Stamped on base: Ruppel
7-1/4 inches (18.4 cm) high

Furniture

73075

EMILE-JACQUES RUHLMANN
A Burled Amboyna Two-Door Cabinet with Gilt Bronze Mounts, circa 1925
Branded verso: (B) twice, Ruhlmann three times
63 x 80 x 19-1/2 inches (160.0 x 203.2 x 49.5 cm)

PROVENANCE:
Macklowe Gallery-Modernism, New York;
Collection of Mr. and Mrs. Raymond Manzarek.

LITERATURE:
A. Frechet, ed., Mobilier et Decoration d'Interieur, pp. 10-11 (for a similar model);
L. Deshairs, L'Art Decoratif Français, 1918-1925, Paris, p. 69 (for a similar model);
L. Deshairs, Modern French Decorative Art, London, 1926, p. 69 (for a similar model);
"Un Interieur Moderne", Les Echos des Industries d'Art, no. 10, May 1926, p. 15 (for a similar model);
Exposition Retrospective, E.-J. Ruhlmann, exh. cat., Paris, Musée des Arts Decoratifs, 1934 (for a similar model);
F. Camard, Ruhlmann Master of Art Deco, New York, 1984, p. 202 (for a similar model);
Million and Robert Auctions, The Ruhlmann Collection of Genevieve and Pierre Hebey, Paris, October 28, 1999, p.144 (for a period photo of the identical cabinet in situ in the Van Beuningen apartment);
Fine Decorators, Inc., FD, Home of Fine Decorators, Des Plaines, 2001, p. 58 (for a similar model);
B. Foucart, et al., Ruhlmann, un Genie de l'Art Deco, Paris, p. 31 (for a similar model);
E. Breon and R. Pepall, Ruhlmann, Genius of Art Deco, Paris, 2004, p. 31 (for a similar model).

Decorative Arts, French

73076

JEAN DUNAND
A Parcel Gilt Bronze Vase, circa 1913
Inscribed on base: JEAN DUNAND 1913 with monogram and numbered 14247
15-1/2 inches (39.4 cm) high

LITERATURE:
Art et Decoration, September 1913, p. 118;
F. Marcilhac, Jean Dunand, His Life and Works, London, 1991, p. 302, fig. 964; p. 165 (for a photograph of Dunand working on a nearly identical vase in his workshop).

73077

JEAN DUNAND
An Eggshell and Lacquer Vase, circa 1930
Impressed on base: JEAN DUNAND
7-1/8 inches (18.1 cm) high

PROVENANCE:
DeLorenzo Gallery, New York;
Private collection, Colorado, 1996-2009.

LITERATURE:
Anthony DeLorenzo, Jean Dunand, New York, 1985, p. 79;
Felix Marcilhac, Jean Dunand, His Life and Works, London, 1991, p. 125, pl. 118.

73078

ROBERT MALLET-STEVENS
A Chromium Plated Metal Torchère Lamp, circa 1930
68-3/4 inches (174.6 cm) high

LITERATURE:
Yvonne Brunhammer, 1930-1960: Le Mobilier Français, Paris, 1997, p. 21;
Brunhammer, Les styles des Années 30 à 50, Paris, Ill. 2, p. 19.

Furniture

73079

RAYMOND SUBES
A Wrought Iron and Black Granite Console, circa 1935
35-3/8 x 84-1/4 x 17-1/2 inches (89.7 x 214.0 x 44.5 cm)

LITERATURE:
Mobilier et Décoration, Paris, 1935, p. 166 (for the model).

73080

A FRENCH ART DECO MARBLE AND WROUGHT IRON COFFEE TABLE
Circa 1932
13 x 35 x 18 inches (33.0 x 88.9 x 45.7 cm)

73081

A PAIR OF FRENCH UPHOLSTERED ARMCHAIRS
Circa 1940
37 x 24 x 23 inches (94.0 x 61.0 x 58.4 cm) each

73082

Attributed to DOMINIQUE
An Art Deco Amboyna and Ivory Cabinet, circa 1930
54-1/2 x 32 x 16 inches (138.4 x 81.3 x 40.6 cm)

Decorative Arts, French

73083

ALBERT CHEURET
An Alabaster and Silvered Bronze Table Lamp, circa 1925
Inscribed on base: Made in France
15-1/2 inches (39.4 cm) high

Lighting

73084

ÉDOUARD CAZAUX
A Glazed Ceramic and Metal Table Lamp, circa 1935
Signed on base: CAZAUX Made in France
19-5/8 x 13-1/4 inches (49.9 x 33.7 cm)

LITERATURE:
V. Arwas, Art Deco, New York,1980, pp. 282-283;
E. Pelichet, La Céramique Art Déco, Paris, 1988, p. 80;
L'Art Déco en Europe, Brussels, 1989, no. F8, pp. 146 and 256;
Édouard Cazaux, Céramiste-Sculpteur Art déco, Saint-Rémy-en-l'Eau, 1994, pp. 119 and 121.

Art Glass

73085

RENE LALIQUE
"Trevise" A Molded Glass Chandelier, Marcilhac no. 2473, model introduced 1927
Engraved on rim: R LALIQUE FRANCE
35-1/2 x 15-3/4 inches (90.2 x 40.0 cm)

LITERATURE:
F. Marcilhac, René Lalique, 1860-1945, Maître-Verrier : Analyse de L'Oeuvre et Catalogue Raisonné, Paris, 1989, no. 2473.

Ceramics & Porcelain

73086

CHARLES CATTEAU FOR BOCH FRERES KERAMIS
A Pair of Polychrome Glazed Stoneware Vases, manufactured by Keramis, circa 1930
Marks: Keramis, Made in Belgium, D1485, 914
13-5/8 inches (34.6 cm) high, each

LITERATURE:
D. Corrieras, L'Homme de Keramis, Charles Catteau, Paris, 1991, p. 62.

73087

ROBERT LALLEMANT
A Glazed and Painted Earthenware Vase with Cubist Designs, circa 1925
Marks: T R Lallemant
10 inches (25.4 cm) high

Furniture

73088

Manner of LÉON JALLOT
A Wood Desk, circa 1930s
32 x 32 x 19 inches (81.3 x 81.3 x 48.3 cm)

73089

ALVAR AALTO FOR FINMAR
A Birch Occasional Table, circa 1931
23-3/8 x 23-1/8 x 19-3/4 inches (59.2 x 58.7 x 50.2 cm)

Paintings

73090

HOUR LAVIGNE
A 24K Gold Plated Bronze and Glass Clock
Stamped on base: Made in France, Hour Lavigne Paris, 3030, 479
11 inches (27.9 cm) high

Decorative Arts, French

73091

JEAN PERZEL
A Chromium Plated and Enameled Metal Desk Lamp, circa 1930s
15 inches (38.1 cm) high

Paintings

73092

HENRI MARTI
A Mirrorred Glass, Palmwood, and Chromium Plated Brass Mantle Clock, circa 1925
13 inches (33.0 cm) high

Decorative Arts, French

73093

JEAN PERZEL
A Gilt Metal and Glass Table Lamp, circa 1930s
Impressed on base: JPerzel
10-3/4 inches (27.3 cm) high

73094

CLAUDIUS LINOSSIER
A Dinanderie Metal Vase, circa 1925
Stamped on base: CL-LINOSSIER
5-1/2 inches (14.0 cm) high

PROVENANCE:
Marlowe Gallery, New York

Furniture

73095

A BLACK LACQUER AND GILT-TOOLED LEATHER COFFEE TABLE
18 x 35 x 35 inches (45.7 x 88.9 x 88.9 cm)

73096

LA MAISON DESNY
A Burl Elm Veneered Desk and Chair, 1930s
Drawer hardware stamped: DESNY PARIS, MADE IN FRANCE, DEPOSÉ
28-3/8 x 53-1/4 x 29-1/2 inches (71.9 x 135.3 x 74.9 cm) desk
32-1/2 x 16-1/2 x 16 inches (82.6 x 41.9 x 40.6 cm) chair

PROVENANCE:
Custom designed for a New York City apartment.

73097

LA MAISON DESNY
A Burl Elm Veneered Sofa and Bookcase, 1930s
Hardware stamped: DESNY PARIS, MADE IN FRANCE, DEPOSÉ
43 x 128 x 128 inches (109.2 x 325.1 x 325.1 cm) overall

PROVENANCE:
Custom designed for a New York City apartment.

M. Desnet and Réné Nauny formed La Maison Desny in 1927. Nauny befriended many important artists and designers including Diego and Alberto Giacometti and André Masson. The two had a workshop and a retail space in Paris (at 122 Champs Elysées), creating highly exclusive items ranging from furniture to decorative accessories. They also offered an interior design service. They created designs for Worth (Paris) and Chanel, and collaborated with Robert Mallet-Stevens, Djo Bourgeois, and Jean-Michel Frank. The partnership lasted until the death of Desnet in 1933.

73099

LA MAISON DESNY
A Pair of Maple Veneered Armchairs, 1930s
33 x 22 x 21-1/2 inches (83.8 x 55.9 x 54.6 cm) each

PROVENANCE:
Custom designed for a New York City apartment.

73100

LA MAISON DESNY
A Burl Elm Veneered Mantle, 1930s
Mantle stamped lower left: DESNY PARIS, MADE IN FRANCE, DEPOSÉ
43 x 137 x 16-1/2 inches (109.2 x 348.0 x 41.9 cm)

PROVENANCE:
Custom designed for a New York City apartment.

Sculpture

73101

GERDAGO (GERDA IRO)
An Enameled, Silver Gilt, and Ivory Exotic Dancer, circa 1925
Signed on base: GERDAGO
Foundry mark: (Arthur Rubenstein monogram)
12-3/4 x 6 x 2 inches (32.4 x 15.2 x 5.1 cm) excluding base

Fine Art - Sculpture, American

73102

ALLAN CLARK (American, 1896-1950)
Nude Woman, circa 1925-1930
Bronze
26-1/4 inches (66.7 cm) high
Inscribed on base: © A. CLARK / No 15
Foundry mark: Roman Bronze Works N.Y.

Session 2

Ceramics & Porcelain

73103

T.J. WHEATLEY
A Matte-Glazed Pottery Planter Vase, circa 1910
Marks: WP, 683, Wheatley paper label
11-1/2 inches (29.2 cm) high

Paintings

73104

A PAIR OF ARTS AND CRAFTS WROUGHT IRON ANDIRONS
Circa Early 20th Century
29 x 10 x 25 inches (73.7 x 25.4 x 63.5 cm) each

Furniture

73105

HARVEY ELLIS FOR GUSTAV STICKLEY
An Oak Chest of Drawers, model no. 913, circa 1900
Marked in drawer: Gustav Stickley red decal
50-1/2 x 36 x 20 inches (128.3 x 91.4 x 50.8 cm)

Ceramics & Porcelain

73106

WILLIAM DAY GATES FOR TECO
A Glazed Pottery Four-Handled Vase, circa 1902
Marks: teco (twice)
7-1/2 inches (19.1 cm) high

73107

WILLIAM DAY GATES FOR TECO
A Matte-Glazed Ceramic Two-Handled Vase, circa 1902
Marks: teco (twice)
8 inches (20.3 cm) high

Furniture

73108

GEORGE WASHINGTON MAHER
An Oak and Leather-Upholstered "Rockledge" Side Chair, circa 1911-1912
40-3/4 x 18-1/2 x 20-1/4 inches (103.5 x 47.0 x 51.4 cm)

PROVENANCE:
Ernest L. and Grace King residence, Homer, Minnesota.

In 1912, George Washington Maher designed Rockledge, a summer residence near Homer, Minnesota, for E.L. King. Sited just beneath a cliff along the Mississippi River, Rockledge is considered the finest residence of Maher's career and a perfect example of his motif-rhythm theory of architectural design.

Information and other examples from the Maher / Rockledge commission can be found in the following books and publications: W. Kaplan, ed., The Art that is Life: The Arts and Crafts Movement in America, 1875-1920, Boston, 1987, pp. 396-400; J. Kardon, The Ideal Home: The History of Twentieth Century American Craft, 1900-1920, New York, 1993, cover illus. and p. 205; Geo. W. Maher Quarterly, October-December 1992, pp. 1, 16, and 17; and Arts, December 1995, The Minneapolis Institute of Arts, cover and back cover.

Examples of artworks from Rockledge are in the permanent collections of the Metropolitan Museum of Art, Cooper-Hewitt National Design Museum, the Brooklyn Museum of Art, the Minnesota Historical Society, the Newark Museum, the Baltimore Museum of Art, the Minneapolis Institute of Arts, the Milwaukee Art Museum, the Wolfsonian, Miami Beach, the Dallas Museum of Art, the Houston Museum of Fine Arts, and the St. Louis Art Museum.

This item was featured in the May 2009 issue of The Magazine Antiques.

Decorative Prints, American

73109

FRANK LLOYD WRIGHT
"Wasmuth" Portfolio of Buildings, Plans, and Designs, Horizon Press, New York, 1963 reprint
25-1/4 x 15-3/4 inches (64.1 x 40.0 cm) each sheet

Portfolio includes introductory booklet in original wrapper, 100 plates loose as issued, together in original half cloth portfolio with ties

Furniture

73110

FRANK LLOYD WRIGHT
An Oak Reclining Armchair, designed for the William E. Martin House, Oak Park, Illinois, circa 1902
28 x 29 x 33 inches (71.1 x 73.7 x 83.8 cm)

PROVENANCE:
Barbra Streisand Collection.

Frank Lloyd Wright created this chair for the house he designed in 1902 in Oak Park, Illinois, for William E. Martin, co-owner with his brother, Darwin, of the E-Z Polish Company. The intriguing, successful design of Martin's house brought Wright eight other major commissions, including one for the Martin brothers' own E-Z Polish factory. Darwin Martin was employed by the Larkin Company in Buffalo, New York, and he convinced the company to have Wright design their new administration building. Darwin also commissioned Wright to build his home with a gardener's cottage in Buffalo, New York, and his summer residence in Derby, New York. In Buffalo, Wright additionally completed homes for George Barton, Darwin's brother-in-law, and for W.R. Heath and for Alexander Davidson, both Larkin Company employees.

It was in the Chicago suburb of Oak Park, where William Martin lived and used this chair, that Wright developed and perfected his signature "Prairie style," the basis of 20th-century residential design in the United States. Wright's Prairie style featured structures with low-lying exteriors and open, light-filled interiors, where the manmade was meant to resonate with the surrounding natural environment.

Understanding Wright's philosophy concerning the relationship between architecture and interior design is especially essential for appreciating this chair. According to Wright, a home's materials, windows, lighting, furniture, and exterior setting, as much as its architectural framework, equally contributed to the overall design concept and the ultimate success of the commission. In fact, Wright believed that the home, in its entirety, had the power to "shape" its residents.

Decorative Arts, American

73111

TIFFANY STUDIOS
A Pair of Gilt Bronze 'Fleur-de-Lis' Two-Light Candle Holders and Snuffers, model no. 1232
Stamped on base: TIFFANY STUDIOS NEW YORK 1232
9 inches (22.9 cm) high, each

73112

TIFFANY STUDIOS
A Gilt Bronze Match Stand in the Etruscan Pattern, model 2068
Stamped on base: TIFFANY STUDIOS NEW YORK 2068
5-1/4 inches (13.3 cm) high

73113

TIFFANY STUDIOS
A Gilt Bronze Fern Dish with Copper Liner, model no. 1727
Stamped on base: TIFFANY STUDIOS NEW YORK 1727
8-3/4 inches (22.2 cm) diameter

Decorative Arts, American

73114

TIFFANY STUDIOS
A Pair of Gilt Bronze Candlesticks
Stamped on base: TIFFANY STUDIOS NEW YORK 1210
10 inches (25.4 cm) high

73115

TIFFANY STUDIOS
A Gilt Bronze Picture Frame, circa 1910-1915
Stamped verso: TIFFANY STUDIOS NEW YORK 74408
15 x 12 inches (38.1 x 30.5 cm)

73116

LOUIS C. TIFFANY FURNACES, INC.
A Pair of Gilt Bronze and Enamel Candlesticks, circa 1920s
Stamped on base: Louis C. Tiffany Furnaces, Inc. 368
7-1/2 inches (19.1 cm) high, each

Glass

73117

TIFFANY STUDIOS
A Peacock Favrile Glass Vase, circa 1900
Engraved on the base: o7466
13-3/8 inches (34.0 cm) high

73119

TIFFANY STUDIOS
A Favrile Glass Gooseneck Vase, inspired by the Persian rosewater sprinkler vase of antiquity, circa 1903
Engraved on base: R5632 L.C.T.
12-3/4 inches (32.4 cm) high

PROVENANCE:
John and Katsy Mecom;
Sotheby's, New York, The John and Katsy Mecom Collection, October 13, 1992, lot 392.

73120

TIFFANY STUDIOS
A Favrile Glass Vase, circa 1910
Engraved on base: L.C.Tiffany Favrile
6-1/2 inches (16.5 cm) high

73121

TIFFANY STUDIOS
A Favrile Glass Vase, circa 1905
Engraved on base: L.C.T. N2862
7 inches (17.8 cm) high

Art Glass

73122

TIFFANY STUDIOS
A Floriform Favrile Glass Vase, circa 1908
Engraved on base: 6923C L.C.Tiffany - Favrile
11-3/4 inches (29.8 cm) high

PROVENANCE:
Sotheby's New York, June 6, 2003

Ceramics & Porcelain, American

73123

TIFFANY STUDIOS
A Bisque Pottery Vase, circa 1910
Incised on base: LCT monogram
4-1/4 inches (10.8 cm) diameter

Ceramics & Porcelain

73124

TIFFANY STUDIOS
A Bisque Pottery Vase with Green-Glazed Interior, circa 1910
Incised on base: LCT monogram
9 inches (22.9 cm) high

PROVENANCE:
Estate of Grady Cain, New York.

Glass

73125

LOUIS C. TIFFANY FURNACES, INC.
A Favrile Glass Trumpet Vase with Enameled Bronze Foot, circa 1920s
Stamped on base: Louis C. Tiffany Furnaces, Inc., Favrile, 165
13-3/8 inches (33.8 cm) high

73126

TIFFANY STUDIOS
A Favrile Glass "Lily Pad" Bowl with Two-Tier Frog, circa 1915
Engraved on bowl: 4734L L.C.Tiffany - Favrile
Engraved on frog: 4732L L.C.Tiffany - Favrile
12-3/4 inches (32.4 cm) diameter

Decorative Arts, American

73127

TIFFANY STUDIOS
A Bronze Partial Desk Set in the Zodiac Pattern
Each stamped: TIFFANY STUDIOS NEW YORK and numbered
13-1/4 inches (33.7 cm) high, lamp

Comprising a table lamp with favrile glass shade, inkwell, letter rack, scale, box, and magnifying glass

Art Glass

73128

TIFFANY STUDIOS
A Millefiore Favrile Glass Vase, circa 1910
Engraved on base: L.C.T. W3302
5-5/8 inches (14.3 cm) high

Glass

73129

TIFFANY STUDIOS
A Favrile Glass Vase, circa 1900
Engraved on base: 5625E L.C.Tiffany - Favrile
7 inches (17.8 cm) high

73130

TIFFANY STUDIOS
A Miniature Favrile Glass Vase, circa 1905
Engraved on base: E2059 L.C.T.
2-1/2 inches (6.4 cm) high

Art Glass

73131

TIFFANY STUDIOS
A Favrile Glass Vase, circa 1915
Engraved on base: 6371H L.C.Tiffany Favrile
12-1/4 inches (31.1 cm) high

Decorative Arts, American

73133

TIFFANY STUDIOS
A Pair of Bronze "Buddhist" Bookends, model no. 1025
Stamped on base: TIFFANY STUDIOS NEW YORK 1025
6 inches (15.2 cm) high, each

73134

TIFFANY STUDIOS
A Bronze "Fleur-de-Lis" Two-Light Candle Holder and Snuffer, model no. 1232
Stamped on base: TIFFANY STUDIOS NEW YORK 1232
8-1/2 inches (21.6 cm) high

73135

A COLLECTION OF TIFFANY STUDIOS EPHEMERA
Various dimensions

Comprising Tiffany Studios original letterhead, unused; an article by Theodore B.J. Merkt, M.E., "King Tut to Tiffany"; an original Tiffany Studios receipt; an original Tiffany Studios oriental rug advertisement from Schribners magazine dated October 1903; an original Tiffany Studios advertisement from Town and Country magazine dated November 1927; an original Tiffany Studios advertisement, circa 1911, with showroom image; an original article on indoor fountains at Oyster Bay - Laurelton Hall, dated August 1908; a Tiffany Studios brochure, "About Lamps"; a catalogue, Tiffany Favrile Glass, 23 pages from collection of Ruby Clark Wagner, a collector from Amarillo, Texas; two black-and-white original photographs of Tiffany exhibition glassware; and a handwritten letter by Louis C. Tiffany to Joseph Briggs

Furniture

73137

TIFFANY & COMPANY
An Important and Unique Bronze Table, designed by Edward C. Moore, circa 1875
Stamped under top: Tiffany & Co, 0304 Makers 5248, M
33-1/4 inches (84.5 cm) high

This Japanesque table was designed by Edward C. Moore around 1875, very probably as an exhibition piece for Tiffany & Company's display at the Philadelphia Centennial Exhibition of 1876. It is, to my knowledge, the largest known work by Edward C. Moore and bears all the signature design elements of his early Japanesque style of the first years of the 1870s before he turned to mixed metals in preparation for the Paris Exposition Universelle of 1878, where his Japanesque silver won the grand prize. (Moore was Tiffany & Co.'s head designer from circa 1853 until 1891, and one of the greatest decorative artists in American history.)

- John Loring

LITERATURE:
John Loring, Magnificent Tiffany Silver, New York, 2001, pp. 20-73

Decorative Arts, American

73138

TIFFANY STUDIOS
An "Oak Leaf" Leaded Glass and Bronze Table Lamp, circa 1910
Shade stamped: TIFFANY STUDIOS NEW YORK 1407
23 x 18 inches (58.4 x 45.7 cm)

Lighting

73139

TIFFANY GLASS AND DECORATING COMPANY
A Bronze and Glass Byzantine Lamp, designed by J.A. Holzer, circa 1893
32 x 10-1/2 inches (81.3 x 26.7 cm)

Jacob Adolphe Holzer (1858-1938), chief designer for Tiffany between 1890-1896.

73140

TIFFANY STUDIOS
A Seven-Light "Lily" Favrile Glass and Gilt Bronze Table Lamp, circa 1910
Shades engraved: L.C.T. Favrile
Drop cluster pond lily base, model no. 385, stamped: TIFFANY STUDIOS NEW YORK 385
20-1/8 inches (51.1 cm) high

Decorative Arts, American

73141

TIFFANY STUDIOS
A Four-Light Favrile Glass and Bronze Newel Post Table Lamp, circa 1910
Shades engraved: L.C.T. Favrile
Newel twist stem base, model no. 315, stamped: TIFFANY STUDIOS NEW YORK 315
28-3/8 inches (71.9 cm) high

PROVENANCE:
Macklowe Gallery, New York

Paintings

73142

TIFFANY STUDIOS
A "Dragonfly" Leaded Glass and Bronze Table Lamp, circa 1910
Shade stamped: TIFFANY STUDIOS NEW YORK 1507
Base stamped: TIFFANY STUDIOS NEW YORK 532
Height x Diameter of shade - example 9 5/8 x 21 inches (24.4 x 53.3 cm)

Decorative Arts, American

73144

TIFFANY STUDIOS
A "Geometric" Leaded Glass and Bronze Table Lamp, circa 1910
Shade stamped: TIFFANY STUDIOS NEW YORK
Library standard, Colonial base, model 532, stamped: TIFFANY STUDIOS NEW YORK 532
31-1/2 x 23 inches (80.0 x 58.4 cm)

73145

TIFFANY STUDIOS
A "Tulip" Leaded Glass and Bronze Table Lamp, circa 1910
Tulip cluster dome shade, model no. 1454, stamped: TIFFANY STUDIOS NEW YORK
Base stamped: TIFFANY STUDIOS NEW YORK 28616 TG&D Co
22 x 16 inches (55.9 x 40.6 cm)

LITERATURE:
A. Duncan, Tiffany Lamps and Metalware, An Illustrated Reference to Over 2000 Models, Woodbridge, 2007, p.174.

PROVENANCE:
Sotheby's New York, March 11, 2005

Lighting

73147

TIFFANY STUDIOS
A Favrile Glass and Bronze Balance Floor Lamp, circa 1910
Shade engraved: L.C.T. Favrile
Base, model no. 468, stamped: TIFFANY STUDIOS NEW YORK 468
Model no. 423 stem with model no. 417 top
54 inches (137.2 cm) high
PROVENANCE:
Macklowe Gallery, New York

73148

TIFFANY STUDIOS
A Ten-Light "Lily" Favrile Glass and Bronze Table Lamp, circa 1910
Shades engraved: L.C.T. Favrile
Pond lily base, model no. 381, stamped: TIFFANY STUDIOS NEW YORK 381
20-1/8 inches (51.1 cm) high

Decorative Arts, American

73149

TIFFANY STUDIOS
A "Tulip" Leaded Glass and Bronze Table Lamp, circa 1910
Tulip, low dome shade, model no. 1596, stamped: TIFFANY STUDIOS NEW YORK 1596
Tyler, trumpet shape, pod design base, model no. 179, stamped: TIFFANY STUDIOS NEW YORK 6014
27 x 18 inches (68.6 x 45.7 cm)

73150

TIFFANY STUDIOS
A "Geometric" Leaded Glass Lamp Shade on an American Arts & Crafts Bronze Base, circa 1902
Shade stamped: TIFFANY STUDIOS NEW YORK
28 x 16 inches (71.1 x 40.6 cm)

73151

TIFFANY STUDIOS
A "Geometric" Leaded Glass and Bronze Table Lamp, circa 1910
Plain squares, O'Brien shade, model no. 1501, stamped: TIFFANY STUDIOS NEW YORK 1501
30 x 22 inches (76.2 x 55.9 cm)

73152

TIFFANY STUDIOS
A "Dragonfly" Leaded Glass and Bronze Table Lamp, circa 1910
Dragonfly cone shade, model no. 1495, stamped: TIFFANY STUDIOS NEW YORK 1495
Library standard, cushion base with large conventional pineapple, model no. 366, stamped: TIFFANY STUDIOS NEW YORK 6004
25-1/2 x 20 inches (64.8 x 50.8 cm)

73153

TIFFANY STUDIOS
A Favrile Glass and Enameled Copper Table Lamp, circa 1910
Base stamped: TIFFANY STUDIOS NEW YORK 1095 TG&D Co
18 x 16 inches (45.7 x 40.6 cm)

73154

TIFFANY STUDIOS
A "Greek Key" Leaded Glass and Bronze Table Lamp, circa 1910
Greek border, domed shade, model 1907, stamped: TIFFANY STUDIOS NEW YORK 1907
Library lamp, arch and leaf design base, model no. 542, stamped: TIFFANY STUDIOS NEW YORK 542
32 x 22 inches (81.3 x 55.9 cm)

73156

TIFFANY STUDIOS
A Pair of Gilt Bronze and Favrile Glass Three-Light "Lily" Sconces, circa 1910
Shades signed: L.C.T.
14 inches (35.6 cm) high, each

Lighting

73158

TIFFANY STUDIOS
A "Linenfold" Favrile Glass and Gilt Bronze Table Lamp, circa 1910
Shade, model no. 1940, stamped: TIFFANY STUDIOS NEW YORK 1940 PAT. APPLD FOR
Bell lamp for 7 inch shade, ribbed, pivot base, model no. 419, stamped: TIFFANY STUDIOS NEW YORK 419
13-3/4 x 9-1/4 inches (34.9 x 23.5 cm)

Silver Holloware, American

73159

PETER MÜLLER-MUNK FOR REVERE
A Chromium Plated Metal "Normandie" Pitcher, circa 1935
Marks: Revere ROME N.Y.
12 inches (30.5 cm) high

LITERATURE:
A. Duncan, American Art Deco, New York, 1986, p. 93;
D.H. Pilgrim, et al., The Machine Age in America 1918-1941, exh. cat., New York, 1986, p. 307;
J.S. Johnson, American Modern 1925-1940, Design for a New Age, exh. cat., New York, 2000, p. 145.

Silver & Vertu

73160

JEAN G. THEOBALD FOR WILCOX
A Four-Piece Silver Plated Metal and Wood Dinette Set, circa 1928
Marks: WILCOX S P CO. INTERNATIONAL S. CO., 7037
13-1/2 inches (34.3 cm) long, tray

LITERATURE:
Creative Art, 1928;
A. Duncan, Modernism: Modernist Design 1880-1940, The Norwest Collection, Norwest Corporation, Minneapolis, Woodbridge, 1998, p. 230;
J. Stern, Modernism in American Silver 20th Century Design, New Haven and London, 2005, pp. 36-37.

Furniture

73161

WALTER VON NESSEN
An Aluminum and Bakelite Art Moderne Occasional Table, manufactured by Nessen Studio Inc. USA, circa 1931
Impressed on underside: NESSEN STUDIOS, NEW YORK, 451
18 x 18-1/2 x 12 inches (45.7 x 47.0 x 30.5 cm)

LITERATURE:
House Beautiful, September 1929;
R.L. Leonard and C.A. Glassgold, eds., Annual of American Design 1931, New York, 1930, p. 68;
Arts & Decoration, July 1932.

Lighting

73162

WALTER VON NESSEN
A Glass and Patinated Metal Desk Lamp, circa 1925
16 x 16 inches (40.6 x 40.6 cm)

PROVENANCE:
Executive offices of the Fisher Building, Detroit, designed by the architect Albert Kahn.

Decorative Arts, American

73163

GILBERT ROHDE FOR HERMAN MILLER
A Mirrored Blue Glass and Chromium Plated Metal Table Clock, circa 1934
6-1/2 inches (16.5 cm) high

LITERATURE
See J.S. Johnson, American Modern 1925-1940: Design for a New Age , New York, 2000, p. 142 and R. Wilson, The Machine Age in America, 1918-1941, New York, 1986, p. 320 for a related example.

Ceramics & Porcelain, American

73164

GILBERT ROHDE
A Chromium Plated Metal and Glass Clock, manufactured by Herman Miller Clock Co., circa 1933
Printed on clock face: Herman Miller, HM in circle, Herman Miller Clock Co. Zeeland, Mich. U.S.A.
6-3/8 inches (16.1 cm) high

Decorative Arts, American

73165

GILBERT ROHDE FOR HERMAN MILLER
A Chromium Plated Metal and Glass Clock, circa 1934
Printed on clock face: Herman Miller Clock Co. Zeeland, Mich. U.S.A.
6-1/2 inches (16.5 cm) high

LITERATURE
See J.S. Johnson, American Modern 1925-1940: Design for a New Age, New York, 2000, pp. 142-143 and R.G. Wilson, D.H. Pilgram, and D. Tashjian, The Machine Age in America: 1918-1941, exh. cat., New York, 1986 for related examples.

73166

GILBERT ROHDE FOR HERMAN MILLER
A Specimen Wood and Chromium Plated Metal Showroom Sample Clock and Thermometer/Barometer, circa 1933
10-1/4 inches (26.0 cm) long

Paintings

73167

GILBERT ROHDE FOR HERMAN MILLER
A Black Lacquer and Chromium Plated Metal Wall Clock, circa 1934
Printed on clock face: Herman Miller, HM in circle, Herman Miller Clock Co. Zeeland, Mich. U.S.A.
8 inches (20.3 cm) diameter

Furniture

73168

GILBERT ROHDE FOR HERMAN MILLER
A Burl Walnut, Harewood, and Brushed Chromium Plated Metal "Formal Dining Group" Sideboard, model no. 3321, circa 1934
35 x 66 x 17 inches (88.9 x 167.6 x 43.2 cm)

LITERATURE:
L. Piña, preface, Herman Miller 1940, Gilbert Rohde Modern Furniture Design, Atglen, PA, 1998, pp. 52-53;
Phyllis Ross, Gilbert Rohde: Modern Design for Living, New Haven, 2009, p. 97..

73169

T.H. ROBSJOHN-GIBBINGS FOR WIDDICOMB
An Upholstered Birch Settee and Armchair, circa 1950
37-3/4 x 55-7/8 x 30-1/2 inches (95.9 x 141.8 x 77.5 cm) settee
37-3/4 inches (95.8 cm) high, armchair

LITERATURE:
Metropolitan Home, March 1998, for an illustration of this set on the magazine cover;
J.V. Lovine, 'Solving Modern's Midlife Crisis', The New York Times, February 7, 2002, for a photograph of this set in a New York apartment designed by Benjamin Noriega-Ortiz.

73170

T.H. ROBSJOHN-GIBBINGS FOR WIDDICOMB
A Pair of Ebonized and White Gold-Leafed Ash Coffee Tables, circa 1946
Label: Modern Original, WIDDICOMB, #1277, 30
15-1/2 x 48 x 22 inches (39.4 x 121.9 x 55.9 cm) each

LITERATURE
See C. Greenberg, Mid-Century Modern: Furniture of the 1950s, New York, 1984, p. 28 for more information on Robsjohn-Gibbings.

73171

DONALD DESKEY
A Chromium Plated Metal and Vinyl Upholstered Sofa, circa 1935
31-1/2 x 70-1/2 x 35-1/2 inches (80.0 x 179.1 x 90.2 cm)

73172

JULES BOUY FOR CARLOS SALZEDO
A Lacquered and Painted Wood Bookshelf, circa 1931
51 x 34 x 9 inches (129.5 x 86.4 x 22.9 cm)

PROVENANCE:
Lucille Lawrence, River Edge, New York

73173

JULES BOUY FOR CARLOS SALZEDO
A Lacquered Wood Desk, circa 1931
30 x 59 x 25 inches (76.2 x 149.9 x 63.5 cm)

PROVENANCE:
Lucille Lawrence, River Edge, New York.

Paintings

73174

RUSSEL WRIGHT
A Spun Aluminum and Cork Cocktail Set, circa 1932
Each stamped on base: Russel Wright
11-3/8 inches (28.8 cm) high, shaker

Comprising a shaker, six cups, and tray

73175

Attributed to DONALD DESKEY
A Prototype Enameled Metal and Wood Miniature Screen
10 inches (25.4 cm) high

Furniture

73176

KEM (KARL EMMANUEL MARTIN) WEBER FOR ROYALCHROME CO.
A Chromium Plated Metal and Vinyl Upholstered Sofa, circa 1930
35 x 79 x 40 inches (88.9 x 200.7 x 101.6 cm)

Decorative Arts, American

73177

KEM (KARL EMANUEL MARTIN) WEBER FOR LAWSON TIME INC.
A Copper and Brass "Lawson Zephyr" Clock, circa 1933
Printed on clock face: Lawson
Original metal tag: Lawson Electric Clock, Lawson Time Inc., Pasadena, Calif.
8 inches (20.3 cm) long

For related models, see The Machine Age in America 1918-1941, New York, 1986; Kem Weber, The Moderne in Southern California 1920-1941, Santa Barbara, 1969; and M. Eidelberg, Design 1935-1965, What Modern Was: Selections from the Liliane and David M. Stewart Collection, Montreal and New York, 1991.

Paintings

73178

FRANK A. D'ANDREA FOR FADA
A "Temple" Catalin Radio Set, model 652, circa 1940s
Printed on face: FADA
Paper label on base with tube layout diagram
11 inches (27.9 cm) long

73179

FRANK A. D'ANDREA FOR FADA
A "Streamliner" Bakelite Radio Set, model 1000, circa 1940
Printed on face: FADA, Kilocycles, Meters
10-1/2 inches (26.7 cm) long

LITERATURE:
F. Hufnagl, A Century of Design: Insights Outlook on a Museum of Tomorrow, Germany, 1998, p. 120.

Furniture

73180

MILO BAUGHMAN FOR THAYER COGGIN
A Set of Six Chromium Plated Metal and Leather Upholstered Chairs, circa 1960s
28-1/4 x 23 x 29 inches (71.8 x 58.4 x 73.7 cm) each

73181

CHARLES & RAY EAMES FOR HERMAN MILLER
An Aluminum and Marble Table, circa 1958
29-1/2 x 72 x 36 inches (74.9 x 182.9 x 91.4 cm)

73182

JEAN PROUVÉ AND JULES LELEU
A Painted Steel Table, circa 1935
29 x 49 x 49 inches (73.7 x 124.5 x 124.5 cm)

PROVENANCE:
Martel de Janville Sanatorium, Plateau d'Assy, France.

Designed by Pol Abraham and Henry LeMeme, The Martel de Janville Sanatorium featured interiors by Jules Leleu in collaboration with Jean Prouvé, whose firm manufactured the table.

73183

JEAN PROUVÉ AND JULES LELEU
A Lacquered Steel and Laminated Wood Wall-Mounted Desk, circa 1935
29 x 66-1/2 x 27-1/2 inches (73.7 x 168.9 x 69.9 cm)

PROVENANCE:
Martel de Janville Sanatorium, Plateau d'Assy, France.

Designed by Pol Abraham and Henry LeMeme, The Martel de Janville Sanatorium featured interiors by Jules Leleu in collaboration with Jean Prouvé, whose firm manufactured the wall-mounted desk. The rooms for the officers in the French Air Force were comprised of a bed, a wall-mounted desk with an accompanying chair, and an armchair for guests.

73184

ROGER CAPRON
A Wrought Iron and Ceramic Tile Coffee Table, circa 1960
Signed on tile: R. Capron
12 x 40 x 20 inches (30.5 x 101.6 x 50.8 cm)

Decorative Arts, French

73185

ROGER CAPRON
A Ceramic Tripod Lamp, circa 1960
Signed verso: CAPRON
11 inches (27.9 cm) high

Furniture

73186

JEAN ROYERE
A Wrought Iron and Travertine "Ruban" Coffee Table, circa 1948
13 x 50 x 20 inches (33.0 x 127 x 50.8 cm)

LITERATURE:
R. Gabriel, "Ensembles mobiliers", vol. 7, variante référencée pl. 44;
Catalogue de l'exposition du 8 octobre 1999 au 30 janvier 2000 au Musée des Arts Décoratifs "Jean Royère décorateur à Paris" Editions Norma, Paris, 1999, similar model p. 58;
P.-E. Martin-Vivier, "Jean Royère", Editions Norma, Paris, 2002, similar model p. 225.

73187

YRJO KUKKAPURO FOR HAIMI
A Chromium Plated Metal and Leather Chair with Ottoman, circa 1960s
31-1/2 x 29-3/4 x 25 inches (80.0 x 75.6 x 63.5 cm) chair
15 x 20-1/2 x 16-1/2 inches (38.1 x 52.1 x 41.9 cm) ottoman

73188

ILMARI TAPIOVAARA
A Birch and Leather Lounge Chair, circa 1947, designed for the Competition for Low-Cost Furniture Design at the Museum of Modern Art's 1947-1948 International
28-1/2 x 24-1/2 x 22 inches (72.4 x 62.2 x 55.9 cm)

LITERATURE:
E. Kaufmann, Jr., Prize Designs for Modern Furniture, New York, 1950, (for an illustration of Tapiovaara's chairs in the Museum of Modern Art's low-cost furniture competition);
I. Tapiovaara, Barcelona, 1987, p. 86;
I. Tapiovaara, Interior Architect, exh. cat., New York, 2001, p. 25.

Furniture

73189

ARNE JACOBSEN FOR FRITZ HANSEN
A Leather Upholstered Aluminum "Egg" Chair model no. 3316 with Ottoman model no. 3127, circa 1958
Label on chair: Made in Denmark, 0867, FH by Fritz Hansen, Danish Furniture Makers Control
41-1/2 x 32 x 31 inches (105.4 x 81.3 x 78.7 cm) chair
17 x 22 x 16 inches (43.2 x 55.9 x 40.6 cm) ottoman

PROVENANCE:
Sotheby's Amsterdam.

LITERATURE:
"Arne Jacobsen," Interiors, June 1959, p. 115;
Martin Eidelberg, ed., Design 1935-1965: What Modern Was, Montreal, 1991, p. 192;
Carsten Thau and Kjeld Vindum, Arne Jacobsen, Copenhagen, 2001, pp. 154, 158-159, 433-435, 438-439, 471-472;
Anne Karlsen, Danish Furniture Design in the 20th Century, vol. 2, Copenhagen, 2007, pp. 136-137.

73190

PETER KARPF FOR CHRISTENSEN & LARSEN
A Red Lacquered Plywood and White String Lounge Chair, circa 1968
25-1/2 x 49-1/4 x 28 inches (64.8 x 125.1 x 71.1 cm)

Decorative Arts, Continental

73191

INGO MAURER
A Incandescent Bulb and Electric Wire Light Structure, in collaboration with Peter Hamburger, manufactured by Ingo Maurer GmbH, Munich, Germany, circa 1970
19 x 19 x 19 inches (48.3 x 48.3 x 48.3 cm)

Furniture

73192

POUL KJAERHOLM FOR E. KOLD CHRISTENSEN
A PK-80 Painted Wood and Steel Day Bed with Leather Mattress, circa 1957
12 x 75 x 31 inches (30.5 x 190.5 x 78.7 cm)

LITERATURE:
See C. Harland, K. Helmer-Peterson et. al., Poul Kjaerholm, Copenhagen, 2001, pp. 104 and 177 and M. Sheridan, The Furniture of Poul Kjaerholm: Catalogue Raisonné, New York, 2007, p. 105 for illustrations of this model.

The Furniture of Poul Kjaerholm: Catalogue Raisonné," Michael Sheridan, New York: Gregory R. Miller & Co., 2007, pp. 104-105.

73193

JEAN PROUVÉ
A Bent Steel and Wood Armoire, circa 1950
63 x 58-1/2 x 21 inches (160.0 x 148.6 x 53.3 cm)
LITERATURE:
P. Sulzer, Jean Prouvé Complete Works, Volume 3: 1944-1954, Basel, 2005, pp. 56-57;
Galleries Jousse Sequin, Enrico Navarro, Jean Prouvé, ADAGP, Paris, 1998, p. 115.

73194

JEAN PROUVÉ
Aile d' Avion
An Enameled Steel, Oak, and Terrazzo Desk, manufactured by Les Ateliers Jean Prouvé, circa 1950
29 x 66 x 33 inches (73.7 x 167.6 x 83.8 cm)

LITERATURE:
P. Sulzer, Jean Prouvé: Oeuvre Complète/Complete Works, Volume 3: 1944-1954, Basel, 2005, fig. 1159.9,1.

73195

ROGER CAPRON
A Pair of Mahogany and Ceramic Tile Coffee Tables, circa 1960
Impressed on tile: CAPRON VALLAURIS FRANCE
11 x 38-3/4 x 27 inches (27.9 x 98.4 x 68.6 cm)

73196

LE CORBUSIER
An Oak and Formica Room Divider for the Unites d'Habitation in La Cité Radieuse, Firminy, France, circa 1957
55 x 72 x 26-1/2 inches (139.7 x 182.9 x 67.3 cm)
LITERATURE:
Le Corbusier: Les unités d'habitation en France," Gérard Monnier, Paris: Belin-Herscher, 2002, p. 159.

73197

SIMON BENETTON
A Wrought Iron and Glass Occasional Table
32 x 38 x 38 inches (81.3 x 96.5 x 96.5 cm)

73198

SIMON BENETTON
A Wrought Iron and Glass Occasional Table
32 x 38 x 38 inches (81.3 x 96.5 x 96.5 cm)

Fine Art - Sculpture, European

73199

A.R. PENCK (German, b. 1939)
Figure
Stainless steel on wood base
17-1/4 x 12 x 0-1/2 inches (43.8 x 30.5 x 1.3 cm)
Ed. e.a.
Signed on foot: a.r. penck

PROVENANCE:
Private collection, Fernandina Beach, Florida.

Furniture

73200

ARMAN (American, 1928-2005)
Le Fantôme de la Liberté, 2000
Iron
51 x 18 x 18 inches (129.5 x 45.7 x 45.7 cm)
Ed. 4/8
Signed and numbered on plaque at base: Arman / 4/8

PROVENANCE:
Galleri GKM Siwert Bergström, Malmö;
Sotheby's, Olympia, Contemporary Art, February 9, 2006, lot 549.

This work is recorded in the Denyse Durand Ruel Archives under no. 6808.

Furniture

73202

JOAQUIM TENREIRO
An Upholstered Caviona Low Lounge Chair, circa 1958
26 x 27 x 20 inches (66.0 x 68.6 x 50.8 cm)

73203

JOAQUIM TENREIRO
An Upholstered Caviuna Curved Back Lounge Chair, circa 1958
26 x 22-1/2 x 21 inches (66.0 x 57.2 x 53.3 cm)

73204

A BRAZILIAN CAVIONA AND MARBLE COFFEE TABLE
Circa 1960s
15 x 56 x 56 inches (38.1 x 142.2 x 142.2 cm)

73205

CARLO HAUNER
A Triangular Caviona, Caning, and Glass Coffee Table, circa 1961
19 x 39-1/2 x 37-1/2 inches (48.3 x 100.3 x 95.3 cm)

73206

SERGIO RODRIGUES
A Jacaranda "Eleh" Bench , circa 1965
14 x 59 x 24 inches (35.6 x 149.9 x 61.0 cm)

LITERATURE:
S. Rodrigues, Soraia Cals, Rio de Janeiro, 2000, p. 60.

73207

GEORGE NAKASHIMA
A Slab Walnut Coffee Table
Inscribed with client's name: Frieman
15 x 55 x 25 inches (38.1 x 139.7 x 63.5 cm)

73208

GEORGE NAKASHIMA
A Walnut Settee with Loose Cushions, circa 1960s
29 x 48 x 30 inches (73.7 x 121.9 x 76.2 cm)

73209

GEORGE NAKASHIMA
A Pair of Walnut New Chairs, circa 1960
37 x 18 x 19 inches (94.0 x 45.7 x 48.3 cm) each
George Nakashima, The Soul of a Tree, Kodansha International, LTD., NY, NY, 1981, page 142.

73210

GEORGE NAKASHIMA
A Set of Four Walnut New Chairs, circa 1960
Inscribed with client's name
37 x 18 x 19 inches (94.0 x 45.7 x 48.3 cm)
George Nakashima, The Soul of a Tree, Kodansha International, LTD., NY, NY, 1981, page 142.

73211

GEORGE NAKASHIMA
A Walnut Desk, circa 1970
28 x 48 x 23-5/8 inches (71.1 x 121.9 x 60.0 cm)

73212

GEORGE NAKASHIMA
A Slab Walnut Coffee Table, 1987
Signed and dated on base: George Nakashima Oct. 2, 1987
Inscribed on base: Studio
13 x 69 x 32 inches (33.0 x 175.3 x 81.3 cm)

73213

GEORGE NAKASHIMA FOR WIDDICOMB
A Walnut Coffee Table
15 x 28 x 28 inches (38.1 x 71.1 x 71.1 cm)

73214

GEORGE NAKASHIMA
A Walnut Sofa with Loose Cushions, circa 1961
36 x 102 x 33 inches (91.4 x 259.1 x 83.8 cm)

Fine Art - Sculpture, American

73215

HARRY BERTOIA (American, 1915-1978)
Untitled (Multiplane Construction), circa 1960s
Beryllium copper and brass
16 inches (40.6 cm) high

73216

HARRY BERTOIA (American, 1915-1978)
Untitled (Spray), circa 1968
Chromium plated steel and steel wire
18 inches (45.7 cm) high

LITERATURE:
N.N. Schitter and V.O. Bertoia, The World of Bertoia, Atglen, PA, 1003, p. 167 (for similar examples).

Decorative Arts, Continental

73217

FELIX AGOSTINI
A Gilt Bronze Floor Lamp
69 x 23-1/2 inches (175.3 x 59.7 cm)

73218

FELIX AGOSTINI
A Pair of Gilt Bronze "Bird" Table Lamps
Signed on base: F Agostini
26-3/8 inches (66.9 cm) high, each

Furniture

73219

PHILIP AND KELVIN LAVERNE
A Bronze Relief Side Table, circa 1960
Signed: Philip K LaVerne
18-1/2 x 28-3/8 x 14 inches (47.0 x 71.9 x 35.6 cm)

Fine Art - Work on Paper

73220

ELAINE DE KOONING (American, 1919-1989)
Untitled
Lithograph
25 x 20 inches (63.5 x 50.8 cm)
Ed. 9/16
Signed lower center: Elaine de Kooning

73221

CHRISTO (American, b. 1935)
The Umbrellas, Joint Project for Japan and U.S.A., 1991
Lithograph in colors and collage with fabric samples
27-1/4 x 39 inches full sheet size(69.2 x 99.1 cm)
Signed on yellow fabric sample: Christo

PROVENANCE:
Private collection, Des Moines, Iowa.

In 1991, Christo and Jeanne-Claude opened 3,100 umbrellas in Ibaraki, Japan, and California. This lot includes two lithographic studies and fabric samples from each location. The blue fabric was used in Ibaraki, Japan, and the yellow fabric was used in California.

Prints

73222

FRANK STELLA (American, b. 1936-)
Creede I and Ouray, 1970
Lithograph and screenprint on paper
16 x 22 inches (40.6 x 55.9 cm)
Ed. 34/70
Published by Gemini G.E.L.
Each signed and dated lower right in pencil: 34/70 F. Stella '70

PROVENANCE:
Print and Drawing Sale, Minneapolis Institute of Arts, March 23, 1988;
Private collection, Stevensville, MD.

LITERATURE:
Axom, Richard H. The Prints of Frank Stella: A Catalogue Raisonne 1967-1982, no. 39 & 44, pp. 67, 69.

The Copper Series prints are based upon the Copper Series paintings of 1960-61. The titles of the individual works refer to towns near the San Juan Mountains in Colorado which had active copper and silver mines at the turn of the century but have since been depleted.

73224

ANDY WARHOL (American, 1928-1987)
Grevy's Zebra, 1983
Published in the portfolio Endangered Species
Screenprint in colors
Ed. 112/150
Signed lower center: Andy Warhol
38 x 38 inches (96.5 x 96.5 cm)

LITERATURE:
F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, pp. 126-127, no. II.300.

Decorative Arts, French

73225

FRED BROUARD
A Seven-Branch Bronze Candelabrum, circa 1970
17 x 28 x 6 inches (43.2 x 71.1 x 15.2 cm)

Fred Brouard
The celebrated French sculptor was born in 1944 in Caen, Normandy. He attended the Ecole Nationale Supérieure des Beaux Arts de Paris. Beginning in 1971, Brouard participated in numerous important Parisian salons, including Comparaisons, Jeune Sculpture, Grands et Jeunes d'Aujourd'hui, Réalités Nouvelles, and Salon de Mai. His work can be found in private collections throughout France and also abroad. His first solo exhibition came in 1978 at L'Espace Ecureuil in Paris.

Brouard's work includes sculpture, lighting design and furniture. Whether in wood or bronze, Brouard's pieces are sculptural, curvaceous, and monumental.
-Bella Neyman

73226

A BROUARD CANDELABRA
This lot not yet described

Prints

73227

JIM DINE (American, b. 1935)
Lithographs of the Sculpture: The Plant Becomes a Fan (W.C. 171-5), 1974
Set of five lithographs with varnish on Natsume 4007
36 x 24 inches (91.4 x 61.0 cm)
Ed. 3/60
Signed in pencil lower right: 3/60 Jim Dine 1975

PROVENANCE:
Atlantic Richfield Company, Los Angeles (label verso);
Private collection, Des Moines, Iowa.

73228

JIM DINE (American, b. 1935)
My Nights in Santa Monica, 1986
Etching, direct gravure, spit-bite aquatint, soft-ground etching, and power-tool drypoint with burnishing on Arches Cover Buff
35-1/2 x 72-1/4 inches (90.2 x 183.5 cm)
Ed. 2/20
Signed in pencil lower left: 2/20 Jim Dine 1986

LITERATURE:
E. Carpenter, Jim Dine Prints 1985-2000: A Catalogue Raisonné, Minneapolis Institute of Arts, 2002, illus. no. 14, .68.

73229

JIM DINE (American, b. 1935)
Fortress of the Heart, 1982
Lithograph in colors
36 x 60 inches (91.4 x 152.4 cm)
Printer's Proof
Signed in pencil lower right: P/P Jim Dine 1982

Decorative Arts, French

73230

JACQUES QUINET
A Pair of Bronze Door Handles, circa 1960s
12 inches (30.5 cm) high, each

LITERATURE:
O. Watelet and G. Maldonado, Jacques Quinet, Paris, 2000, pp. 74 and 88 (illustrations of the bookstore in the South of France, the Librairie Guibaud, where these handles were originally located).

Furniture

73231

PAUL EVANS STUDIO FOR DIRECTIONAL USA
A Chromium Plated Metal and Burl Wood Patchwork Credenza, circa 1970
29-3/8 x 72 x 20 inches (74.5 x 182.9 x 50.8 cm)

73232

POUL KJAERHOLM FOR PP MÖBLER
A Set of Four Steambent Ash PK-15 Chairs with Woven Cane Seats, circa 1990s
27-1/2 x 21-1/4 x 17-3/4 inches (69.9 x 54.0 x 45.1 cm) each

LITERATURE:
M. Sheridan, The Furniture of Poul Kjaerholm: Catalogue Raisonné, New York, 2007, pp. 206-207.

Sculpture

73233

JOHN DICKINSON
A Galvanized Steel and Brass Table, model no. 107, circa 1975
Plaque with incised artist signature
23-1/2 x 28 x 27 inches (59.7 x 71.1 x 68.6 cm)

LITERATURE:
Interior Design, 1974, n.p. (for a John Dickinson & Associates advertisement);
M. Owens, "John Dickinson", ELLE Décor, February 2005, p. 52.

Decorative Arts, Continental

73234

MORITA SHIRYU
An Ink on Rice Paper and Wood Four-Panel Screen, 1967
Signed and dated
71-5/8 x 111-5/8 inches (181.9 x 283.5 cm)

Fine Art - Sculpture, American

73235

GEORGE RICKEY (American, 1907-2002)
Documenta, 1968
Stainless steel
16 x 20 x 4-1/4 inches (40.6 x 50.8 x 10.8 cm)
Ed. 24/25
Numbered and dated on base: 24/25 / 1968

Fine Art - Painting, American

73236

KEITH HARING (American, 1958-1990)
Untitled, 1989
Painted leather motorcycle jacket
25 x 21 inches (63.5 x 53.3 cm)
Jacket size 42
Initialed and dated verso: KH89

PROVENANCE:
Artwork gifted to the late Robert Bissell by the artist.

Along with this leather jacket is a collection of Keith Haring ephemera acquired by Robert Bissell including a personal album of twenty-nine photographs from Keith Haring's 30th birthday party containing images taken by Robert Bissell of Keith Haring and various guests, such as Russell Simmons. Also included is a 1988 Keith Haring calendar inscribed to Robert and a 14K gold Haring "crawling baby" pendant on a 14K gold necklace.

Decorative Arts, Continental

73237

FRANZ WEST FOR METAMEMPHIS
A Welded Iron Chain Chandelier Light, 1991
67 inches (170.2 cm) long

73238

FRANZ WEST FOR METAMEMPHIS
"Privatlampe des Kuenstlers I" An Iron Floor Lamp, circa 1989
92-1/2 inches (235.0 cm) high

Furniture

73239

MARC NEWSON FOR IDEE
A "Wicker" Chair, circa 1990
30 x 35 x 26-1/2 inches (76.2 x 88.9 x 67.3 cm)

LITERATURE:
A. Rawsthorn, Marc Newson, London, 1999, fig. 60;
C.L. Morgan, Marc Newson, New York, 2001, pp. 164-165.

73240

GIJS BAKKER FOR DROOG DESIGN
A Maple Chair with Holes, no. 7 from the edition of 50, 1989
Stamped: Droog
Numbered and signed: 7/50 G. Bakker
30-1/2 x 17-1/2 x 17-1/2 inches (77.5 x 44.5 x 44.5 cm)

Decorative Arts, Continental

73241

BG (E. GAROUSTE ET M. BONETTI) FOR BLOME
A Set of Four Parcel Gilt Bronze Table Top Accessories, circa 1999
Molded on base: BG, BLOME
3-1/2 inches (8.9 cm) long, largest

73242

ELIZABETH GAROUSTE AND MATTIA BONETTI
A "Lune" Bronze and Glass Table Lamp, manufactured by En Attendant les Barbares, Paris, circa 1984
Stamped on base: BG
16-1/2 inches (41.9 cm) high

LITERATURE:
C. Downey, Neo-Furniture, New York, 1992, p. 26;
A. Buck and M. Vogt, eds., Garouste & Bonetti, Frankfurt, 1996, p. 90;
E. Vedrenne, Elizabeth Garouste & Mattia Bonetti, Brussels, 2001, p. 4.

73243

RON ARAD FOR COR UNUM
A Reversible Bronze Ceramic "Jive" Vase, circa 1997
9-7/8 inches (25.0 cm) high

Furniture

73244

RON ARAD FOR DRIADE
A Molded Polyethylene MT3 Rocker, circa 2005
Marks: Driade Store MT3 by Ron Arad, Made in Italy
31 x 41 inches (78.7 x 104.1 cm)

Decorative Arts, British

73245

RON ARAD FOR BARTON
A "Tree Tops" Steel and Concrete Floor Lamp, manufactured by Barton, circa 1983
Molded at join: ...MALLEABLE, BARTON ENG, 6685
78 inches (198.1 cm) high

Fine Art - Sculpture, American

73246

ISAMU NOGUCHI (American, 1904-1988)
Neo Lithic, 1982
Hot-Dipped galvanized steel
72 x 29 x 16 inches (182.9 x 73.7 x 40.6 cm)
From the Gemini GEL USA edition of 18
Welded signature and date to side: I.N. 82

LITERATURE:
M. McClure, Isamu Noguchi at Gemini 1982-1983, Los Angeles, 1983, p. 42.

In 1958, on the topic of sculpture, Isamu Noguchi wrote, "It is clear why so many sculptors have turned to the welding torch and the scrap heap. The effect of wreckage ties it to time continuity, welding reincarnates it as a creation." In the same essay, he wrote that "sculpture in the traditional sense is, by definition, something with built-in values of permanence, 'forever beautiful', something of shape and material that 'defy time.'" Illuminating observations such as these give us insight into the genius that has made Isamu Noguchi one of the most significant sculptors of the twentieth-century.

The Japanese- American Isamu Noguchi was born in 1904, and his first art-related job was in 1922, when he served as an apprentice to a sculptor. It was during his college years at Columbia University, where he was studying medicine, that he decided to change course and pursue his love of art. A Guggenheim Fellowship supported his sojourn to Paris from 1927-1928, which left the greatest mark on his career. Not only did he serve as a studio assistant to Constantine Brancusi but he also began to create abstract stone and wood sculptures. This work was exhibited when he returned to New York in 1929, at the Eugene Schoen Gallery.

Over the course of his career, which spanned seven decades, Noguchi experimented with materials such as paper, stone, wood, slate, ceramics, and iron. The medium was often dictated by the environment. It is no wonder that the sculptor associated metal and industrial fabrication with America. Noguchi once wrote. "It seemed to me absurd to be working with rocks and stones in New York, where walls of glass and steel are our horizon, and our landscape is that of boxes piled high in the air."

During his career, Noguchi worked with metal on several occasions. Beginning in the late Twenties, during his first trip to Paris, and then again in the late Fifties upon his return to New York from Paris, where he worked on the UNESCO Headquarters gardens.

Noguchi's large-scale public sculpture and fountains were also made of metal. The most famous example is perhaps "News" (1938-1940), the stainless- steel relief for the Associated Press Building at Rockefeller Center. In the early 1980s, he created sculpture made of galvanized steel. This was a material that Noguchi had not previously utilized in his sculptural work.

Gemini G.E.L, established in 1966, is a workshop for artists and has been responsible for the publication of limited edition prints and sculpture. Gemini has worked with numerous celebrated artists to bring their work to fruition. Noguchi's collaboration with Gemini G.E.L began in 1982. He completed twenty-eight sculptural editions. With the exception of two, all were made of galvanized steel.

Bella Neyman

Literature:
Isamu Noguchi, A Sculptor's World (New York and Evanston: Harper Row, 1968).

Decorative Arts, Continental

73247

YONEL LEBOVICI
"La Satelite Carree" A Methacrylate and Chromium Plated Steel Table Lamp, circa 1971
16-1/4 x 15-3/4 x 4-3/4 inches (41.3 x 40.0 x 12.1 cm)

LITERATURE:
Delphine and Yorane Lebovici, "Yonel Lebovici 1937-1998" exhibition catalogue, 15 sq. de Vergennes, 2003, p. 54.

Furniture

73248

ALBERT PALEY
A Forged and Fabricated Steel Coffee Table with Glass Top, 2000
Signed and dated on base: (c) ALBERT PALEY 2000
18 x 36 x 36 inches (45.7 x 91.4 x 91.4 cm)

73249

HUMBERTO AND FERNANDO CAMPANA FOR EDRA
An Iron and PVC Hose Zig Zag Screen, 2001
78 x 69 inches (198.1 x 175.3 cm)

LITERATURE:
J. Kipnis and A. Massie, Mood River, February 3-June 26, 2002, exh. cat., Ohio, 2002;
H. and F. Campana, Campanas, Sao Paulo, 2003, p. 240.

73250

MARCEL WANDERS FOR BISAZZA MOSAICO
"One Morning They Woke Up" A Gilt and Colored Glass Mosaic Occasional Table, 2004
Numbered on base in red crayon: no. 4
12-1/2 x 20 x 16 inches (31.8 x 50.8 x 40.6 cm)

73251

FORREST (FROSTY) MYERS
"Pandora's Sister" A Powder-Coated Aluminum and Coiled Aluminum Wire Chair, 1991
Inscribed: FM91 Forrest Myers
28 x 25-1/2 x 24 inches (71.1 x 64.8 x 61.0 cm)

Silver Holloware, Continental

73252

ETTORE SOTTSASS FOR MEMPHIS
A Silver "Alaska" Vase, manufactured by Rossi & Arcandi, Vicenza, circa 1982
Stamped on base: Memphis, Italian guarantee mark, 925
12-1/4 inches (31.1 cm) high

LITERATURE:
B. Radice, Memphis: Research, Experiences, Results, Failures and Successes of New Design, Milan and New York, 1984, p. 120, drawing p. 119.

73253

ETTORE SOTTSASS FOR SWID POWELL
A Silver Plated Child's Cup
Stamped on base: (c) Swid Powell, Ettore Sottsass, Silver Plate, Made in Argentina
2-1/4 inches (5.7 cm) high

Decorative Arts, Continental

73254

ETTORE SOTTASS FOR CERAMICA TOSCANA
A "Yantra" Glazed Ceramic Ashtray, circa 1969
Signed on base: Ettore Sottsass
5-3/4 inches (14.6 cm) long

Furniture

73255

ETTORE SOTTSASS FOR DESIGN GALLERY
"Mobile Giallo" A Burlwood, Lacquered Oak, and Gilt Wood Cupboard from the "Bharata" Collection, designed 1988, limited serial production
57-1/2 x 52-5/8 x 18-1/8 inches (146.1 x 133.7 x 46.0 cm)

Art Glass

73256

PAOLO VENINI
A Glass and Bronze Picture Frame, circa 1940s
Engraved on easel: Venini Murano, Made in Italy
Paper label: Lenart Import Ltd. New York City
12-3/4 x 10-3/4 inches (32.4 x 27.3 cm)

73257

FLAVIO POLI FOR SEGUSO VETRI D'ARTE
A Cased Glass Bottle with Stopper, circa 1950s
16-1/2 inches (41.9 cm) high

73258

FLAVIO POLI FOR SEGUSO VETRI D'ARTE
A Cased Glass Vase, circa 1950s
10 inches (25.4 cm) high

73259

FLAVIO POLI FOR SEGUSO VETRI D'ARTE
A Cased Glass Vase, circa 1950s
10-1/2 inches (26.7 cm) high

73260

FULVIO BIANCONI FOR VENINI
A "Fasce Verticale" Glass Bottle with Stopper
Paper label: VENINI, VENEZIA MURANO, NO. 4996, MADE IN ITALY
19-1/4 inches (48.9 cm) high

For a similar model, see F. Deboni, I Vetri Venini, Torino, 1989, pl. 125.

Decorative Arts, Continental

73261

PIETRO CHIESA FOR FONTANA ARTE
A Brass and Glass Hanging Lamp, circa 1930s
34-1/2 x 24-5/8 inches (87.6 x 62.5 cm)

Art Glass

73262

FULVIO BIANCONI FOR VENINI
A Large "Fasce Orrizontali" Glass Bottle, circa 1952-1953
Paper label: VENINI, VENEZIA MURANO, N, MADE IN ITALY
23-1/2 inches (59.7 cm) high

PROVENANCE:
Commissioned by the Olivetti showroom, New York.

EXHIBITED:
The 1950 Biennali and 1952 Biennali (smaller models).

For more information, see R. Bossaglia, I Vetri di Fulvio Bianconi, Torino, 1993, illus. 67, cat. no. 67, p. 136; M. Barovier, R. Barovier Mentasti, A. Dorigato, Il Vetro di Murano alle Biennali 1895-1972, Milan, 1995, pp. 64 and 77; H. Ricke and E. Schmidt, Italian Glass, Murano, Milan 1930-1970, The Collection of the Steinberg Foundation, Munich and New York, 1997, illus. 81.

Decorative Arts, Continental

73263

MASSIMO VIGNELLI
An Enameled Metal and Plastic Table Lamp, model no. 526, circa 1970
19-1/4 inches (48.9 cm) high

73264

TOMASSO BARBI
A Hammered Brass Sconce
37-3/4 inches (95.9 cm) long

73265

ANGELO LELLI FOR ARREDOLUCE MONZA
An Enameled Metal Table Lamp
Shade labeled: Made in Italy, Arredoluce Monza
15 inches (38.1 cm) high

73266

STILNOVO
An Enameled Metal and Brass Two-Light Sconce, circa 1950s
18 inches (45.7 cm) long

Session 3

Decorative Arts, French

73267

PAUL DUPRÉ-LAFON FOR HERMÈS
A Leather Perpetual Desk Calendar, circa 1950
Stamped on base: Hermès, Paris
7-7/8 inches (19.9 cm) long

73268

PACO RABANNE
A Chain-Mail Handbag, circa 1970s
16 inches (40.6 cm) high, including handle

Furniture

73269

JEAN PROUVÉ
A Pair of Laminated Beech and Enameled Steel Stools, circa 1935
17-1/2 inches (44.5 cm) high, each

Lighting

73270

CHARLOTTE PERRIAND
A Set of Eight Enameled Metal Sconces, model CP1, circa 1970
6-1/2 inches (16.5 cm) long, each

LITERATURE:
Charlotte Perriand: Un Art de Vivre, exh. cat., Musée des Arts Décoratifs, Paris, 1985, p. 52.

Ceramics & Porcelain, Continental

73271

JÖEL AND JAN MARTEL FOR PRIMAVERA
A Pair of Glazed Earthenware Pigeons with Silver Decoration, circa 1925-1930
One impressed on base: Primavera France, and inscribed 12684
8 inches (20.3 cm) high, taller

For a related model, see T. Menten, The Art Deco Style in Household Objects, Architecture, Scupture, Graphics, Jewelry, New York, 1972, p. 179. For more information on Jöel and Jan Martel, see C. Vital, et al., Joël et Jan Martel: sculpteurs 1896-1966, Paris, 1996, pp. 127-129.

Art Glass

73272

DAUM
An Etched Glass "Star" Bowl, circa 1930
Engraved on foot: DAUM NANCY with the Cross of Lorraine
11-3/4 inches (29.8 cm) diameter

Glass

73273

EMILE GALLÉ
An Overlaid and Wheel-Carved Glass Vase, circa 1910
Signed in cameo: Gallé
13-3/4 inches (34.9 cm) high

Lighting

73274

DEGUÉ (DAVID GUÉRON)
A Wrought Iron and Mottled Glass Three-Light Chandelier, circa 1930
Dish inscribed: Degué
36 inches (91.4 cm) high, overall

Decorative Arts, American

73275

ARSALL
A Cameo Glass and Metal Table Lamp, circa 1920s
Shade signed in cameo: Arsall
19-1/2 x 11-1/4 inches (49.5 x 28.6 cm)

Ceramics & Porcelain, Continental

73276

SÉVRES
An Art Nouveau Painted Porcelain Box and Cover, circa 1925
Marks: S 1924 DA, RF Manufacture Nationale Decoré a Sévres 1925, Made in France
5-3/4 inches (14.6 cm) diameter

73277

SÉVRES
An Art Nouveau Painted Porcelain Box and Cover, circa 1921
Marks: S 1921 DA, RF Manufacture Nationale Decoré a Sévres 1921, 5 Ex. No. 4
5-3/4 inches (14.6 cm) diameter

Decorative Arts, French

73278

ROBERT LALLEMANT
A Painted and Glazed Earthenware Table Lamp, circa 1928
Marks: T R Lallemant, Made in France
19-1/2 x 18 inches (49.5 x 45.7 cm)

LITERATURE:
Vintage catalogue, circa 1929-1930;
E. Tisserand, introduction, Céramique TR Lallemant, Paris, p. 16, model no. 2004;
A. Lajoix, La Céramique en France 1925-47, Brussels, 1983, p. 3;
A. Barré-Despond, UNION DES ARTISTES MODERNES, Paris, 1986, pp. 434-435;
Céramiques de Robert Lallemant, Bordeaux, 1992.

Ceramics & Porcelain, Continental

73279

LUCIEN LELONG
A "Stage Set" Painted and Glazed Ceramic Vase, circa 1935
Marks: LL monogram, AB
13-3/4 inches (34.9 cm) high

73280

CAMILLE FAURÉ FOR LIMOGES
An Enamel and Silver Plated Bronze Vase, circa 1925-1930
Marks: M. Pinoteau - Limoges, France
4-3/8 inches (11.0 cm) high

Decorative Arts, French

73281

MAURICE BOUVAL FOR M. COLIN
A Silver Plated Bronze Figural Candleholder, circa 1900
Inscribed on base: COLIN, M. Bouval
6-1/2 inches (16.5 cm) long

For other examples of Bouval's work, see A. Duncan, The Paris Salons 1895-1914, Vol. V: Objets d'Art & Metalware, Woodbridge, 1999, p. 127, S.C. McGough, ed., Ecole to Deco, Small Sculptures from a Private Collection, Oberlin, 1979, pp. 33-34, and A. Duncan, Art Nouveau Sculpture, New York, 1978, pp. 30-31.

Decorative Arts, Continental

73282

STUDIO SIMON
A Lithographed Metal and Upholstered Stool, circa 1973
18-1/2 inches (47.0 cm) high

Prints

73283

STUDIO SIMON
"Omaggio Ad Andy Warhol", A Lithographed Metal and Upholstered Stool, circa 1973
17-1/2 inches (44.5 cm) high

Decorative Arts, Continental

73284

STILNOVO
A Lacquered Metal Ceiling Light, circa 1950s
36-1/2 x 29 inches (92.7 x 73.7 cm)

Fine Art - Sculpture, European

73285

After ALBERT HEINRICH HUSSMANN (German, 1874-1946)
The Dying Amazon
Parcel gilt bronze
9-3/8 inches (23.7 cm) high
Signed on base: A. Hussmann
Foundry mark: (RKB within shield)

PROVENANCE:
Acquired in Europe in the 1960s.

Decorative Arts, American

73286

JESSIE PRESTON
A Pair of Bronze Candlesticks, circa 1912
14-1/4 inches (36.2 cm) high, each

Decorative Arts, Continental

73287

OTTO HEINTZ
A Silver on Bronze Picture Frame, circa 1908
Stamped verso: (AMHS within diamond), Sterling on Bronze, Pat. Aug.27.12,2I25
9-7/8 x 7-3/4 inches (25.0 x 19.7 cm)

73288

OTTO HEINTZ
A Pair of Silver on Bronze Tulip-Form Candlesticks, circa 1912
Marks: 3077, Sterling
14-3/4 inches (37.5 cm) high, each

LITERATURE:
K. McConnell, Heintz Art Metal: Silver on Bronze Wares, West Chester, 1990, p. 84.

Silver & Vertu

73289

WALTER VON NESSEN FOR CHASE
A Chromium Plated Metal "Tiffin" Tray with Ebonized Wood Handles, circa 1934
Marks: (centaur), Chase, USA
19 inches (48.3 cm) long

LITERATURE:
L. Pina and D.-B. Johnson, introduction, Chase Catalogs 1934 and 1935, Pennsylvania, 1998 reprint, pp. 6 and 13.

For more information on Von Nessen, see K. Davies, At Home in Manhattan: Modern Decorative Arts, 1925 to the Present, New Haven, 1983, pp. 4, 5, 13, 21, 48, 59,74, 77, 80, 86, 105; The Machine Age in America, 1918 - 1941, exh. cat., New York, 1986, p. 326; A. Duncan, American Art Deco, New York, 1986, pp. 13, 16, 28, 54-55, 65-68, 70, 93-94, 99; J.S. Johnson, American Modern 1925-1940, Design for a New Age, exh. cat., New York, 2000, pp. 25, 36, 38, 43, 60-61, 88-89, 91, 175, 182.

Decorative Arts, Continental

73290

WMF [WÜRTTEMBERGISCHE METALLWARENFABRIK]
A Hammered Copper and Brass Planter, circa 1900
Marks: (running bird)
11-3/8 inches (28.8 cm) high

For more information, see J. Schwandt, WMF: Glas, Keramik, Metall, 1925-1950, Berlin, 1981) and Metallkunst, Band IV, Berlin, 1981, pp. 546-579.

73291

CHRISTIAN DELL FOR KAISER & CO.
An Enameled Metal Double Table Lamp, model no. 6580, circa 1938
Molded on shades: ORIGINAL KAISER-IDELL
19 inches (48.3 cm) high

73292

IDA PAULIN
A Painted Glass Scent Bottle with Stopper, circa 1925
4 inches (10.2 cm) high

Decorative Arts, French

73293

RISPAL
A Painted Wood Floor Lamp, circa 1950
61 inches (154.9 cm) high

Decorative Arts, Continental

73294

Attributed to RICHARD RIEMERSCHMID FOR F & R FISCHER
A Hammered Brass Water Pitcher with Raffia-Covered Handle
Stamped on base: (two fish in oval), 1S in circle
7-3/4 inches (19.7 cm) high

LITERATURE:
Deutsche Warenbuch, 1915;
Modern Art of Metalwork (catalogue of the Bröhan Museum VI), Berlin, 1990.

Paintings

73295

PETER BEHRENS FOR AEG
A Brass and Wicker Octagonal Electric Kettle, circa 1909
Stamped on base: 42412, 24
8-1/2 x 7-3/4 x 5-1/2 inches (21.6 x 19.7 x 14.0 cm)

LITERATURE:
Deutsche Kunst und Dekoration, Band XXVI, April 1910-September 1910;
Peter Behrens und Nürnberg, exh. cat., Nürnberg, 1980, abb. 7, p. 28;
I. Franzke, Jugendstil: Glas, Graphik, Keramik, Metall, Möbel, Skulpturen und Textilien von 1880 bis 1915, Karlsruhe, 1987, pl. 38, p. 62, text p. 246;
T. Bröhan and T. Berg, Avantgarde Design 1880-1930, Cologne, 1994, pp. 74-75.

Works on Paper

73296

MARIANNE BRANDT FOR RUPPEL
An Enameled Metal, Wood, and Glass Inkwell, Pen Tray, and Blotter, circa 1930-1933
Inkwell and tray printed on base: Ruppel geschützt
8-3/8 inches (21.1 cm) long, tray

Paintings

73297

WILHELM WAGENFELD FOR WMF
A Silver Plated Cocktail Shaker
Marks: NS, WMF
7-1/4 inches (18.4 cm) high

73298

ZEISS IKON
A Chromium Plated Metal and Glass Aneroid Barometer, circa 1930
Signed on face: ZEISS IKON BERLIN
6-1/2 inches (16.5 cm) high

73299

MAX BILL FOR JUNGHANS
A Ceramic Wall Clock and Timer, circa 1954
Printed on face: JUNGHANS
10-3/8 inches (26.3 cm) high

Decorative Arts, Continental

73300

OTTO ECKMANN
A Pair of Hand-Wrought Iron Candlesticks, circa 1900
12-1/4 inches (31.1 cm) high, each

Paintings

73301

MARIANNE BRANDT FOR PFEIFFER
A Patinated and Nickel Plated Metal Table Clock, circa 1930-1932
Stamped on base: OHLER EISENWERK THEOB. PFEIFFER-OHLE i/W.
Stamped verso: AUS OHLER STANZBLECH HERGESTELLT
5-3/4 inches (14.6 cm) high

Decorative Arts, Continental

73302

MARIANNE BRANDT FOR RUPPEL
An Enameled Metal Paper Holder, circa 1930-1933
Printed on base: Ruppel mehrfach geschützt
4-1/4 inches (10.8 cm) long

Paintings

73303

PETER BEHRENS FOR AEG
A Metal and Cast Iron Table Fan, circa 1908
Manufacturer's label on base
16-1/2 inches (41.9 cm) high

LITERATURE:
T. Buddensieg and H. Rogge, Industriekultur, Peter Behrens und die AEG, 1907-1914, Berlin, 1993, cover, p. 155, no. P38.

Decorative Arts, Continental

73304

PETER BEHRENS FOR AEG
A Brass and Enameled Metal Wall Clock, model no. 417, circa 1908
Printed on face: Synchron
10-1/2 inches (26.7 cm) diameter

LITERATURE:
T.Bröhan and T. Berg, Avantegarde Design, Taschen, 1994, p. 75.

Glass

73305

STEUBEN
A Blue Aurene Glass Vase, circa 1928
Inscribed on base: Steuben Aurene 2683
10-3/4 inches (27.3 cm) high

Art Glass

73306

LOETZ
A Glass Vase, circa 1907
5-1/8 inches (13.0 cm) high

Ceramics & Porcelain, Continental

73307

METTLACH
An Art Nouveau Painted and Glazed Ceramic Pitcher
Impressed on base: Mettlach Geschun 2486
7-3/4 inches (19.7 cm) high

Depicting a naturalistic scene of swans in a stream among trees, the design based on a tapestry by Otto Eckmann

Decorative Arts, French

73308

Attributed to JAN EISENLOEFFEL
A Brass, Copper, and Beveled Glass Mantle Clock, circa 1903
Clock movement: F. Marti, Paris
15-1/2 inches (39.4 cm) high

This clock design was awarded the Medaille d'Or at the Paris 1900 Exposition. For more information, see A. Krekel-Aalberse et al., Jan Eisenloeffel 1876-1957, Zwolle, 1996.

Decorative Arts, American

73309

TIFFANY STUDIOS
A Bronze Three-Light Lamp Base, circa 1910
Greek design base, model no. 181, stamped: TIFFANY STUDIOS NEW YORK 181
19-1/4 inches (48.9 cm) high

Art Glass

73310

TIFFANY STUDIOS
A Favrile Glass Vase, circa 1905
Engraved on base: L.C.T.
5-1/2 inches (14.0 cm) high

Decorative Arts, American

73311

TIFFANY STUDIOS
A Bronze Hanging Lamp, circa 1900
10 x 11-1/2 inches (25.4 x 29.2 cm)

73312

PAIRPOINT MANUFACTURING COMPANY
A Glass and Metal Table Lamp, circa 1923
Stamped on base: Pairpoint Mf'g Co., (P within diamond), 3062
21 x 12 inches (53.3 x 30.5 cm)

73313

FULPER
A Glazed Pottery Table Lamp, circa 1923
Impressed on base: Fulper 574
23 x 14 inches (58.4 x 35.6 cm)

73314

WINSLOW BROTHERS COMPANY
A Nickel Plated Bronze "Prairie School" Vanity Wall Sconce, designed by Robert Spenser, circa 1904
7 x 10-3/4 x 6-1/2 inches (17.8 x 27.3 x 16.5 cm)

PROVENANCE:
Magnus House, Winnetka, Illinois.

73315

PAIRPOINT MANUFACTURING COMPANY
A Metal Candlestick, circa 1910-1915
Stamped on base: Pairpoint Mf'g Co, (P within diamond), 6189
11 inches (27.9 cm) high

Ceramics & Porcelain, American

73316

ROOKWOOD
A Pottery "Prairie" Bowl with Butterfly Motif, 1921
Impressed on base: (Rookwood flame), XXI, 2530
11-3/4 inches (29.8 cm) diameter

73317

FULPER
A Geometric Pottery Bud Vase, circa 1907
Vertical mark on base: Fulper
8-1/4 inches (21.0 cm) high

73318

MCCOY
A Standard-Glazed Pottery Vase with Night Daffodils
7 inches (17.8 cm) high

Decorative Arts, American

73319

A COPPER CIGAR ASHTRAY
Beaumont, Texas, circa 1880
Inscribed on rim: Metropolitan Pharmacy Inc / Beaumont Pharmacy Inc
5-3/4 inches (14.6 cm) long

Ceramics & Porcelain, American

73320

ROOKWOOD
A Matte-Glazed Pottery Vase by Paulson, 1916
Impressed on base: (Rookwood flame), XVI, 2114, P
5-3/4 inches (14.6 cm) high

Decorative Arts, American

73321

STICKLEY BROTHERS
A Glass and Hammered Copper Table Lamp
Numbered on neck: 36 403 1/2
19 inches (48.3 cm) high

Ceramics & Porcelain, American

73322

WELLER
A Woodcraft Pottery Bowl with Waterlilies
Impressed on base: Weller
6-3/4 inches (17.1 cm) diameter

73323

VAN BRIGGLE
A Matte-Glazed Pottery Bowl, circa 1930
Inscribed on base: (Van Briggle trademark), Van Briggle, Colo. Spgs.
8 inches (20.3 cm) diameter

73324

FULPER
A Pottery Candle Holder, circa 1910
Vertical mark on base: Fulper
7 inches (17.8 cm) high

Decorative Arts, American

73325

MARSHALL FIELD & CO
A Pair of Gilt Bronze Celtic Bookends, circa 1915
One stamped on base: MF&Co Art Metal Craft
One stamped on base: Made by Marshall Field & Co
4-3/4 inches (12.1 cm) high, each

73326

TIFFANY STUDIOS
A Group of Bronze Desk Set Items in the Grape Vine Pattern, circa 1900
Candlestick and blotter ends stamped: TIFFANY STUDIOS NEW YORK
11 inches (27.9 cm) high, candlestick

Comprising a set of four blotter corners, a pen tray, a tray, and a candlestick (model no. 1201, one light, four-legged)

PROVENANCE:
Estate of Grady Cain.

Grady Cain worked for years for Lillian Nassau Ltd., where he was well known and respected in the Tiffany field. If you need more information, perhaps you can call Arlie for when he was employed at the gallery.

73328

RUSSEL WRIGHT FOR STEUBENVILLE
An Assembled Set of Ceramic Dinner Ware, mid 20th century
Marks: Russel Wright MFG. BY STEUBENVILLE
Various dimensions

The American Modern dinner ware in coral, chartreuse, black chutney, white, and glacier blue comprising: nineteen dinner plates; fourteen luncheon plates; sixteen salad plates; nine saucers; three demitasse saucers; two sugar bowls with handles (one with cover); three sauce boats; one coffee pot with lid; one tea pot with lid; three demitasse cups; eleven coffee cups; five soup bowls; six serving bowls; one large serving bowl; two rectangular platters; and two large platters

PROVENANCE:
The estate of Tommy Lee Miles, Texas.

Paintings

73329

PORTER BLANCHARD
A Three-Piece Hand-Wrought Pewter and Ebony Coffee Set, circa 1950
Stamped on base: COLONIAL PEWTER, metalsmith logo in rectangle, PORTER BLANCHARD
8 inches (20.3 cm) high, coffee pot

For more information on Porter Blanchard, see E.W. Morse, ed., Silver in the Golden State, Images and Essays Celebrating the History and Art of Silver in California, Oakland, 1986, pl. 16, pp. 46-55.

Decorative Arts, American

73330

RUSSEL WRIGHT FOR KLISE WOOD WORKING CO.
A Maple "Oceana" Bowl, circa 1935
Branded on base: Russel Wright
12-1/2 inches (31.8 cm) long

LITERATURE:
A. Kerr, The Collector's Encyclopedia of Russel Wright Designs, Paducah, Kentucky, 1990, p. 72.

73331

ARTHUR UMANOFF FOR HOWARD MILLER
An Ebonized Wood, Chromium Plated Steel, and Glass Case Clock, model no. 622
Dial signed: Howard Miller
42-1/4 inches (107.3 cm) high

73332

GREENE & GREENE
A Chinese Export Bronze Vase, circa 1910
11 inches (27.9 cm) diameter

Silver & Vertu

73333

TIFFANY & CO
An Art Deco-Style Silver and Enamel Cigar Box, circa 1980
1-3/4 x 6-1/4 x 4-3/4 inches (4.4 x 15.9 x 12.1 cm)

Decorative Arts, American

73334

NORMAN BEL GEDDES
A Silver Plated Bronze Medal Commemorating the Twenty-Fifth Anniversay of General Motors 1908-1933, 1933
Inscribed verso: To the Advancement of Motor Transportation, and die-stamped Norman Bel Geddes (c) 1933
3-1/8 inches (7.9 cm) diameter

Furniture

73335

ALDO TURA
A Lacquered Goat Skin and Gilt Metal Bar Cart, circa 1950
Paper label: TURA, milano, italia
29-1/2 x 31-1/2 x 31 inches (74.9 x 80.0 x 78.7 cm) open

Glass

73336

PAUL JOSEPH STANKARD
A Cloistered Botanical Glass Upright Weight, 1994
Inscribed on base: Paul J. Stankard B48 '94
5-1/4 inches (13.3 cm) high

73337

PAUL JOSEPH STANKARD
A Botanical, Blueberry, and "Earth Spirit" Glass Weight, 1994
Inscribed on base: Paul J. Stankard C31 '94
3-1/2 inches (8.9 cm) long

73338

PAUL JOSEPH STANKARD
A Botanical, Insect, and "Earth Spirit" Glass Cube Weight, 1997
Inscribed on base: Paul J. Stankard T42 '97
3 inches (7.6 cm) high

Sale Number:	5021
Location:	Heritage Auctions - Design District Showroom 1518 Slocum Street Dallas, TX 75207
Auction Date:	June 4th at 10 AM CT

2009 June Signature 20th Century Design Auction