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View PDF version of the printed catalog. |
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Session 1 |
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Fine Art - Sculpture, American |
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| 73001 | PAUL MANSHIP (American, 1885-1966) Adjutant Stork, 1932 Bronze with golden brown patina Inscribed on the base: PM © 1932 / AC Foundry mark: PRIESSMAN BAUER & CO MUNCHEN 14-1/2 inches (36.8 cm) high, excluding base EXHIBITED: Geraci Galleries and Art Center, Rockport, Massachusetts, "Summer Exhibition", 1979. This example is also marked "A.C.", which are the initials of an assistant of Manship's, Angelo Columbo, who is documented to have helped Manship with this particular project. This series of birds was inspired by the Bronx Zoo commission, which was designed in 1926, but not installed until 1934.Sold for: $59,750.00. |
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Decorative Arts, American |
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| 73002 | TIFFANY STUDIOS A "Geometric" Turtleback Tile, Leaded Glass, and Bronze Floor Lamp, circa 1910 Shade stamped: TIFFANY STUDIOS NEW YORK 1503 Base stamped: TIFFANY STUDIOS / NEW YORK / 379 63-1/2 inches (161.3 cm) high 21-1/2 inches (54.6 cm) diameter of shadeNot Sold. |
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Decorative Arts, French |
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| 73003 | After GEORGE FLAMAND (French, active 1895-1925) A Gilt Bronze Figural Vase Inscribed on the base: G. Flamand 15-1/4 inches (38.7 cm) high Not Sold. |
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Ceramics & Porcelain, American |
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| 73004 | AREQUIPA A Decorated Glazed Earthenware Cabinet Vase, 1912 Inscribed on the base: 555, AREQUIPA, CALIFORNIA, 1912, (tree) Impressed on the base: B 5-1/2 inches (14.0 cm) wide Sold for: $2,390.00. |
| 73005 | TIFFANY STUDIOS Two Glazed Favrile Pottery Vases, circa 1910 One inscribed on the base: (LCT cipher) 7 / P736 L.C.Tiffany - Favrile Pottery 5-1/2 inches (14.0 cm) high, each Sold for: $2,629.00. |
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Art Glass |
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| 73006 | TIFFANY STUDIOS A Decorated Favrile Glass Vase, circa 1915 Engraved on the base: 4039E L.C.Tiffany - Favrile 6-1/8 inches (15.6 cm) high Not Sold. |
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Decorative Arts, American |
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| 73007 | TIFFANY STUDIOS A Ten-Light "Lily" Favrile Glass and Bronze Table Lamp, circa 1910 Shades engraved: L.C.T. Favrile Base stamped: TIFFANY STUDIOS / NEW YORK / 381 20-1/8 inches (51.1 cm) high Not Sold. |
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Ceramics & Porcelain, American |
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| 73008 | ROOKWOOD POTTERY "Pacer, Apache" A Glazed Earthenware Three-Handled Tyg, designed by Frederick Sturgis Laurence, 1899 Impressed on the base: (Rookwood flame) / 830E / (star) / "Pacer," Apache / SL 4-5/8 inches (11.7 cm) high Not Sold. |
| 73009 | ROOKWOOD POTTERY A Vellum-Glazed Earthenware Vase, designed by Lenore Asbury (1866-1933), 1923 Impressed on the base: (Rookwood flame) / XXIII / V / 784C / L.A. 10-5/8 inches (27.0 cm) high Sold for: $1,553.50. |
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Decorative Arts, American |
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| 73011 | HANDEL and ROOKWOOD POTTERY A "Double Ivy" Overlaid Leaded Glass, Patinated Metal, and Glazed Earthenware Table Lamp, circa 1921 Shade stamped: HANDEL / PAT'D. NO. / 979664 and *HANDEL* Base impressed: (Rookwood flame) XXI / 1372 25-3/8 inches (64.3 cm) high, including finialNot Sold. |
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Furniture |
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| 73012 | CRAFTSMAN WORKSHOPS OF GUSTAV STICKLEY An Oak Chest of Drawers with Wrought Iron Hardware, model no. 614, circa 1902 Marks: (early Stickley in the box mark) 61-3/4 x 46 x 23-3/8 inches (156.8 x 116.8 x 59.2 cm) LITERATURE: S. Gray, The Early Work of Gustav Stickley, New York, 1987, p. 104; D. Cathers, ed., Gustav Stickley's Craftsman Farms: A Pictorial History, Morris Plains, New Jersey, 1999, p. 32; D. Cathers and A. Vertikoff, Stickley Style: Arts and Crafts Homes in the Craftsman Tradition, New York, 1999, pp. 68 and 186; R. Winter and A. Vertikoff, Craftsman Style, New York, 2004, p. 71. Not Sold. |
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Art Glass |
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| 73013 | EMILE GALLÉ An Overlaid and Etched Glass Vase, circa 1910 Signed in cameo: Gallé 9-1/2 inches (24.1 cm) high Not Sold. |
| 73014 | EMILE GALLÉ An Overlaid and Wheel-Carved Glass Vase, circa 1910 Signed in cameo: Gallé 13-3/4 inches (34.9 cm) high Not Sold. |
| 73015 | DAUM An Overlaid, Wheel-Carved, and Etched Glass Vase, circa 1910 Engraved on the foot: DAUM NANCY with the Cross of Lorraine 18-5/8 inches (47.3 cm) high Sold for: $4,780.00. |
| 73016 | DAUM An Overlaid, Wheel-Carved, and Etched Glass Vase, circa 1905 Engraved on the foot: DAUM NANCY with the Cross of Lorraine Inscribed on the base: 7H953 / dda / epl 18-1/8 inches (46.0 cm) high Not Sold. |
| 73017 | DAUM An Overlaid and Wheel-Carved Glass Vase, circa 1900 Engraved on the base: DAUM NANCY with the Cross of Lorraine 6-7/8 inches (17.3 cm) high Sold for: $6,800.00. |
| 73018 | EMILE GALLÉ A Marquetry Glass "Crocus" Vase, circa 1900 Etched on the body: GALLÉ Paper label: Cristallerie D'Art / Emile GALLÉ / Nancy Paris 8-5/8 inches (21.9 cm) high Not Sold. |
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Fine Art - Sculpture, European |
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| 73019 | JOHANN PHILIPP FERDINAND PREISS (German, 1883-1983) Aphrodite Figure Parcel gilt bronze and ivory Inscribed on lower edge of drape: F. Preiss 10 x 7-1/2 x 3 inches (25.4 x 19.1 x 7.6 cm) Not Sold. |
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Fine Art - Sculpture, American |
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| 73020 | ALLAN CLARK (American, 1896-1950) Parvati, 1927 Parcel gilt bronze Signed and dated on the base: A.CLARK ©1927 Foundry mark: ROMAN BRONZE WORKS N.Y. 26-5/8 inches (67.6 cm) high Sold for: $10,157.50. |
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Decorative Arts, American |
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| 73021 | TIFFANY STUDIOS A "Vine Border" Leaded Glass and Bronze Floor Lamp, circa 1910 Shade stamped: TIFFANY STUDIOS NEW YORK 1410 Base stamped: TIFFANY STUDIOS / NEW YORK / 423H 58 inches (147.3 cm) high Not Sold. |
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Furniture |
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| 73022 | STICKLEY BROTHERS An Oak Magazine Stand, no. 4702 Branded on the underside: Stickley Bros Co / Grand Rapids 31 x 26 x 12 inches (78.7 x 66.0 x 30.5 cm) Not Sold. |
| 73023 | Attributed to CHARLES LIMBERT An Oak Waste Basket, circa 1906 18 x 11 x 11 inches (45.7 x 27.9 x 27.9 cm) For a similar example see Limbert Arts & Crafts Furniture catalogue no. 255.Not Sold. |
| 73024 | GUSTAV STICKLEY An Oak Writing Desk, model no. 453, circa 1902 35-3/4 x 40-3/8 x 22-5/8 inches (90.8 x 102.4 x 57.5 cm) Sold for: $2,688.75. |
| 73025 | LEOPOLD & JOHN GEORGE STICKLEY An Oak Rocking Chair, circa 1914 36 x 31-3/4 x 31 inches (91.4 x 80.6 x 78.7 cm) LITERATURE: The Work of L&J.G. Stickley, Fayetteville, New York, catalogue no. 421.Not Sold. |
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Art Glass |
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| 73026 | TIFFANY STUDIOS A Favrile Glass Vase, circa 1910 Engraved on the base: x 221 L.C.Tiffany - Favrile 7-3/4 inches (19.7 cm) high Sold for: $1,912.00. |
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Decorative Arts, American |
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| 73027 | HANDEL A "Maple Leaf" Overlaid Leaded Glass and Bronze Table Lamp, circa 1920 Shade stamped: HANDEL / PAT'D. NO. 979664 and *HANDEL* Base labeled: HANDEL 23-1/2 inches (59.7 cm) high, including finial Sold for: $1,980.00. |
| 73029 | HANDEL A "Cattail" Overlaid Leaded Glass and Bronze Table Lamp, circa 1920 Shade signed: HANDEL / PAT'D. NO. / 979664 and *HANDEL* 22-3/8 inches (56.7 cm) high, including finial Sold for: $2,868.00. |
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Bronze |
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| 73030 | CARL MILLES (Swedish, 1875-1955) and RUTH ANNA MARIA MILLES (Swedish, 1873-1941) A Pair of Bronze and Marble Bookends, first half 20th century Signed lower left: C Milles and R Milles, respectively Signed verso: Made in France, each 11 inches (27.9 cm) high, taller Each bronze figure of a young Dutch girl standing on a green marble base, one signed by Carl Milles holding onto her hat, and one signed by Ruth Milles with her hands upon her hipsNot Sold. |
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Fine Art - Work on Paper |
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| 73031 | KOLOMAN MOSER (Austrian, 1868-1918) Proposal for a Rug, 1902 Gouache on paper Signed and dated lower center: Kolo Moser 02 Stamped lower center: WIENER / WERK Titled lower left: Eim entwurf für Des Teppier 18 x 18 inches (45.7 x 45.7 cm) window Not Sold. |
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Ceramics & Porcelain, Continental |
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| 73032 | WIENER KERAMIK "Herbst" and "Sommer" A Monumental Pair of Polychrome Ceramic Putti, probably designed by Michael Powolny, circa 1908 Impressed on the base: 1465 / 45 / 5 / (firm's mark) / AUSTRIA, sommer Impressed on the base: 1464 / 35 / 4, herbst 36 inches (91.4 cm) high, sommer 37 inches (94.0 cm) high, herbst Not Sold. |
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Decorative Arts, American |
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| 73033 | TIFFANY STUDIOS A "Poinsettia" Leaded Glass and Bronze Table Lamp, circa 1910 Shade stamped: TIFFANY STUDIOS NEW YORK 1558 Base stamped: TIFFANY STUDIOS / NEW YORK / 526 22-1/2 inches (57.2 cm) high, including finial Not Sold. |
| 73034 | TIFFANY STUDIOS A "Lemon Leaf" Leaded Glass and Bronze Table Lamp, circa 1910 Shade stamped: TIFFANY STUDIOS NEW YORK 1470-24 Base stamped: TIFFANY STUDIOS / NEW YORK / 365 25-3/4 inches (65.4 cm) high, including finial Not Sold. |
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Furniture |
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| 73035 | FRANK LLOYD WRIGHT (American, 1867-1959) An Oak Reclining Armchair, designed for the William E. Martin House, Oak Park, Illinois, circa 1902 28 x 29 x 33 inches (71.1 x 73.7 x 83.8 cm) PROVENANCE: Barbra Streisand Collection. Frank Lloyd Wright created this chair for the house he designed in 1902 in Oak Park, Illinois, for William E. Martin, co-owner with his brother, Darwin, of the E-Z Polish Company. The intriguing, successful design of Martin's house brought Wright eight other major commissions, including one for the Martin brothers' own E-Z Polish factory. Darwin Martin was employed by the Larkin Company in Buffalo, New York, and he convinced the company to have Wright design their new administration building. Darwin also commissioned Wright to build his home with a gardener's cottage in Buffalo, New York, and his summer residence in Derby, New York. In Buffalo, Wright additionally completed homes for George Barton, Darwin's brother-in-law, and for W.R. Heath and for Alexander Davidson, both Larkin Company employees. It was in the Chicago suburb of Oak Park, where William Martin lived and used this chair, that Wright developed and perfected his signature "Prairie style," the basis of 20th-century residential design in the United States. Wright's Prairie style featured structures with low-lying exteriors and open, light-filled interiors, where the manmade was meant to resonate with the surrounding natural environment. Understanding Wright's philosophy concerning the relationship between architecture and interior design is especially essential for appreciating this chair. According to Wright, a home's materials, windows, lighting, furniture, and exterior setting, as much as its architectural framework, equally contributed to the overall design concept and the ultimate success of the commission. In fact, Wright believed that the home, in its entirety, had the power to "shape" its residents.Not Sold. |
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Art Glass |
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| 73036 | TIFFANY STUDIOS A Floriform Favrile Glass Vase, circa 1900 Engraved on the base: o7466 13-3/8 inches (34.0 cm) high Not Sold. |
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Silver Holloware, American |
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| 73037 | TIFFANY & CO. An American Silver Pitcher, circa 1918 Marks: F.L. WRIGHT FDN, TIFFANY & CO., STERLING, 925 10 x 7 x 4-1/2 inches (25.4 x 17.8 x 11.4 cm) 53.50 troy ounces This pitcher was designed by Frank Lloyd Wright for the Imperial Hotel, Tokyo. While designed circa 1918, Tiffany & Co. did not produce Wright's design until 1985.Not Sold. |
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Decorative Prints, American |
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| 73038 | FRANK LLOYD WRIGHT (American, 1867-1959) A Handwritten Letter to his son David and daughter-in-law Gladys with original envelope, circa 1946 Impressed upper right: TALIESIN TO / 1946 Inscribed upper right: Son / DAVID and Gladys / ... / Olgivanna and Father 11 x 8 inches (27.9 x 20.3 cm)Not Sold. |
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Art Glass |
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| 73039 | TIFFANY STUDIOS A Floriform Favrile Glass Vase, circa 1905 Engraved on the base: LCT Q2196 14-1/4 inches (36.2 cm) high Not Sold. |
| 73040 | TIFFANY STUDIOS A Favrile Glass Paperweight Vase, circa 1915 Engraved on the base: 2875 G, L.C.Tiffany - Favrile 7-1/4 inches (18.4 cm) high Not Sold. |
| 73041 | TIFFANY STUDIOS A Favrile Glass "Jack-in-the-Pulpit" Vase, circa 1910 Engraved on the base: L.C.T. W8735 15-3/4 inches (40.0 cm) high Not Sold. |
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Decorative Arts, American |
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| 73042 | TIFFANY STUDIOS A Patinated Metal and Bronze Table Lamp, circa 1910 Base stamped: TIFFANY STUDIOS / NEW YORK / 569 17-3/4 inches (45.1 cm) high Sold for: $1,553.50. |
| 73043 | HANDEL A "Leaf and Berry" Overlaid Leaded Glass and Patinated Metal Table Lamp, circa 1920 Base marked: 5296 / HANDEL 22-1/4 inches (56.5 cm) high, including finial Sold for: $2,390.00. |
| 73044 | TIFFANY STUDIOS A Bronze Desk Clock in the Zodiac Pattern, first quarter 20th century Base stamped: TIFFANY STUDIOS / NEW YORK / 1076 Dial stamped: TIFFANY & CO. / NEW YORK 4-1/4 inches (10.8 cm) wide Sold for: $1,912.00. |
| 73045 | HANDEL A "Sunset Palm" Overlaid Leaded Glass and Patinated Metal Lantern with Canopy and Chain, circa 1920 Marked on interior rim: *HANDEL* 19-3/4 inches (50.2 cm) high, excluding chain Not Sold. |
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Art Glass |
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| 73046 | TIFFANY STUDIOS A Floriform Favrile Glass Vase, circa 1905 Engraved on the base: L.C.T. F1307 6-1/4 inches (15.9 cm) high Sold for: $2,390.00. |
| 73047 | TIFFANY STUDIOS A Floriform Favrile Glass Vase, circa 1905 Engraved on the base: L.C.T. M1142 9-3/4 inches (24.8 cm) high Not Sold. |
| 73048 | TIFFANY STUDIOS An Applied Favrile Glass Bottle and Stopper, circa 1910 Bottle engraved: o5311, 5 Stopper engraved: 5 9-1/2 inches (24.1 cm) high Sold for: $1,075.50. |
| 73049 | TIFFANY STUDIOS A Floriform Favrile Glass Vase, circa 1915 Engraved on the base: 355H L.C.Tiffany - Favrile 7-1/4 inches (18.4 cm) high Sold for: $1,195.00. |
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Decorative Arts, American |
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| 73050 | TIFFANY STUDIOS A "Vine Border" Leaded Glass and Bronze Table Lamp, circa 1910 Shade stamped: TIFFANY STUDIOS N.Y. 1498 Base stamped: TIFFANY STUDIOS / NEW YORK / 531 29 inches (73.7 cm) high, including finial Not Sold. |
| 73051 | TIFFANY STUDIOS A Seven-Light "Lily" Favrile Glass and Gilt Bronze Table Lamp, circa 1910 Shades engraved: L.C.T. Favrile Base stamped: TIFFANY STUDIOS / NEW YORK / 385 20-1/8 inches (51.1 cm) high Not Sold. |
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Silver Holloware, Continental |
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| 73052 | GEORG JENSEN (Danish, 1866-1935) A Danish Silver Bowl in the I9A pattern, designed 1912 Marks: Georg Jensen (within dotted oval), DENMARK, STERLING, 19A 6-3/4 x 7-7/8 inches (17.1 x 20.0 cm) 26.34 troy ounces Not Sold. |
| 73053 | GEORG JENSEN (Danish, 1866-1935) A Three-Piece Danish Silver Coffee Set, after 1945 Marks: GEORG JENSEN (within dotted oval), DENMARK, STERLING, 80, A, B, C 6-1/2 inches (16.5 cm) high, coffee pot 25.9 ounces (gross) Comprising a coffee pot, sugar bowl, and creamer, each hand-hammered with ivory handles, the lid with an ivory finialNot Sold. |
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Art Glass |
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| 73054 | QUEZAL An Iridescent Glass Vase, circa 1915 Engraved on the base: Quezal / 2 / 926 5-3/4 inches (14.6 cm) high Sold for: $1,912.00. |
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Silver Holloware, American |
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| 73055 | GORHAM MANUFACTURING CO. An American Silver Footed Bowl, circa 1930 Marks: (lion-anchor-G), GORHAM, STERLING, E570, HAND WROUGHT 6-1/2 x 10-3/8 inches diameter (16.5 x 26.4 cm) 38.46 troy ounces Not Sold. |
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Decorative Arts, American |
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| 73056 | TIFFANY STUDIOS A "Vine Border" Leaded Glass and Bronze Table Lamp, circa 1910 Base stamped: TIFFANY STUDIOS / NEW YORK / 333 20-1/2 inches (52.1 cm) high, including finial Not Sold. |
| 73057 | TIFFANY STUDIOS A "Geometric" Leaded Glass and Bronze Table Lamp, circa 1910 Shade stamped: TIFFANY STUDIOS NEW YORK 1469 Oil canister stamped: TIFFANY STUDIOS / NEW YORK / 181 22 inches (55.9 cm) high, including finial Not Sold. |
| 73058 | TIFFANY STUDIOS A Favrile Glass and Bronze Floor Lamp, circa 1910 Shade engraved: L.C.T. Base stamped: TIFFANY STUDIOS / NEW YORK / 423 / H 58 inches (147.3 cm) high Not Sold. |
| 73059 | GILBERT ROHDE (American, 1894-1944) A Brass and Chrome Plated Steel Table Lamp, manufactured by Mutual Sunset Lamp Corporation, circa 1933 14 inches (35.6 cm) long Not Sold. |
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Furniture |
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| 73060 | GILBERT ROHDE (American, 1894-1944) A Chrome Plated Steel and Ebony Laminated Wood Side Table, model no. 100-A, manufactured by Troy Streamline Metal, circa 1935 18-1/4 x 28-1/4 x 16 inches (46.4 x 71.8 x 40.6 cm) Sold for: $1,075.50. |
| 73061 | GILBERT ROHDE (American, 1894-1944) A Chrome Plated Metal and Vinyl Upholstered Lounge Chair, model 180, manufactured by Troy Sunshade Company USA, circa 1934 Paper label: TROY / STREAMLINE / METAL / Made by / TROY SUNSHADE CO. 36 x 27 x 38 inches (91.4 x 68.6 x 96.5 cm)Not Sold. |
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Timepieces |
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| 73062 | GILBERT ROHDE (American, 1894-1944) A Brazilian Rosewood Table Clock, model no. 4738, manufactured by Herman Miller Modern Electric Clocks, circa 1939 6-1/8 x 5-1/2 x 2 inches (15.6 x 14.0 x 5.1 cm) Sold for: $1,912.00. |
| 73063 | GILBERT ROHDE (American, 1894-1944) A Mirrored Glass and Chrome Plated Metal Table Clock, model no. 4708, manufactured by Herman Miller Modern Electric Clocks, circa 1939 6-3/8 x 6-1/8 x 3 inches (16.2 x 15.6 x 7.6 cm) Not Sold. |
| 73064 | GILBERT ROHDE (American, 1894-1944) "Z-clock" A Chrome Plated Metal and Glass Table Clock, model no. 4090, manufactured by Herman Miller Modern Electric Clocks, circa 1933 Engraved verso: 1-4-63-G 11-3/4 x 12-5/8 x 3-1/2 inches (29.8 x 32.1 x 8.9 cm) Sold for: $11,950.00. |
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Furniture |
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| 73065 | GILBERT ROHDE (American, 1894-1944) A Walnut Desk from the "All Walnut" Group, model no. 3977, manufactured by Herman Miller USA, circa 1939 29-1/4 x 48 x 24 inches (74.3 x 121.9 x 61.0 cm) Not Sold. |
| 73066 | DONALD DESKEY (American, 1894-1989) A Chrome Plated Metal and Vinyl Upholstered Sofa, circa 1935 31-1/2 x 70-1/2 x 35-1/2 inches (80.0 x 179.1 x 90.2 cm) Not Sold. |
| 73067 | RUSSEL WRIGHT (American, 1904-1976) A Maple Dining Table, circa 1935 30 x 50 x 23 inches (76.2 x 127 x 58.4 cm) closed LITERATURE: Modern Furniture by Heywood-Wakefield, 1935, no. C-2688-G, pp. 7 and 13.Sold for: $4,182.50. |
| 73068 | RUSSEL WRIGHT (American, 1904-1976) A Set of Four Vinyl Upholstered Side Chairs, circa 1950 Stenciled on the seat: C2687A WALMA 32 x 19-1/2 x 19 inches (81.3 x 49.5 x 48.3 cm) each LITERATURE: Modern Furniture by Heywood-Wakefield, 1935, no. C-2687-A, pp. 12-13.Sold for: $2,500.00. |
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Decorative Arts, American |
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| 73069 | DONALD DESKEY (American, 1894-1989) A Chrome Plated Metal Floor Lamp, probably manufactured by Deskey-Vollmer, circa 1930 59 inches (149.9 cm) high Not Sold. |
| 73070 | DONALD DESKEY (American, 1894-1989) A Pair of Extruded Aluminum and Cast Iron Andirons, circa 1933-1935 Stamped verso: 1191 17-3/4 x 4-1/2 x 22 inches (45.1 x 11.4 x 55.9 cm) each Not Sold. |
| 73071 | DONALD DESKEY (American, 1894-1989) An Extruded Aluminum and Cast Iron Set of Fire Tools, manufactured by Deskey-Vollmer, circa 1927-1931 29 inches (73.7 cm) high, stand Sold for: $7,767.50. |
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Silver Holloware, American |
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| 73072 | GORHAM MANUFACTURING CO. A Thirteen-Piece American Silver Cocktail Set from the Modern American series, designed by Erik Magnussen, 1929 Marks: GORHAM, (lion-anchor-G), STERLING, A14082, (blimp), Gorham, INC. 12 x 6-1/2 x 4-1/2 inches (30.5 x 16.5 x 11.4 cm) 105.84 ounces (gross) Comprising a cocktail shaker and twelve cocktail cups, monogrammed to the front RMSNot Sold. |
| 73073 | NORMAN BEL GEDDES (American, 1893-1958) A Fifteen-Piece "Manhattan" Chrome Plated Brass Cocktail Set, manufactured by Revere Copper and Brass Co., circa 1937 Marks: Revere / ROME / N.Y., excluding three cups 13 inches (33.0 cm) high, shaker 4-1/2 inches (11.4 cm) high, each cup 14-5/8 inches (37.1 cm) long, tray Comprising a cocktail shaker, eight cocktail cups, four candle holders, a bottle opener, and a traySold for: $9,000.00. |
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Furniture |
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| 73074 | DOEHLER METAL FURNITURE COMPANY An Art Deco Chrome Plated Metal Lounge Chair, 1937 33-1/2 x 25-1/2 x 33 inches (85.1 x 64.8 x 83.8 cm) PROVENANCE: Doehler Metal Furniture Company, New York, 1937; John B. Miller, New York.Not Sold. |
| 73075 | FRITS HENNINGSEN (Danish, 1889-1965) A Cuban Flame Mahogany and Horsehair Upholstered Sofa, manufactured for Frits Henningsen Studio, circa 1938 31 x 93-1/2 x 31-3/4 inches (78.7 x 237.5 x 80.6 cm) LITERATURE: B.B. Laursen, ed., Mestervaerker: 100 Års Dansk Møbelsnedkeri, exh. cat., Åby, 2000, pp. 38-39.Sold for: $9,560.00. |
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Decorative Arts, American |
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| 73076 | GILBERT ROHDE (American, 1894-1944) A Copper and Painted Metal Torchière, manufactured by Mutual Sunset Lighting Company, circa 1934 Molded on the base: M.S.L.C. 3489 68 inches (172.7 cm) high Not Sold. |
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Silver Holloware, American |
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| 73077 | MERLE F. FABER A Pair of Silver Plated Metal Candlesticks, circa 1943-1950 Marks: MERLE F. FABER PRODUCTS S.F. 4-1/2 inches (11.4 cm) high, each Sold for: $2,868.00. |
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Decorative Arts, French |
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| 73078 | JEAN PERZEL (French, 1892-1986) A Pair of Chrome Plated Metal Sconces, circa 1930 Signed on the frame: JPerzel and JP , respectively 9-3/8 x 11-3/4 x 13-1/4 inches (23.8 x 29.8 x 33.7 cm) each PROVENANCE: Patsy Lacy Griffith Collection, Dallas; Bequeathed to the Dallas Museum of Art on her death in 2000; Deaccessioned from the Dallas Museum of Art in 2002.Not Sold. |
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Silver Holloware, American |
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| 73079 | JEAN G. THEOBALD A Four-Piece Silver Plated Metal and Wood Dinette Set, manufactured by Wilcox Silver Plate Company of the International Silver Company, circa 1928 Marks: WILCOX S P CO. INTERNATIONAL S. CO., 7037 13-1/2 inches (34.3 cm) long, tray 7 inches (17.8 cm) long, tea pot Comprising a tea pot, creamer, covered sugar bowl, and tray, the tea pot monogrammed to the top of the lid HHKNot Sold. |
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Art Glass |
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| 73080 | WILBER L. ORME (American, 1889-1972) A Pair of Pristine Table Architecture Glass Candlesticks, manufactured by Cambridge Glass Company, circa 1938 5-1/2 inches (14.0 cm) high, each Not Sold. |
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Furniture |
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| 73081 | WOLFGANG HOFFMANN (1900-1969) A Chrome Plated Metal and Glass Coffee Table, model no. 803, manufactured by Howell USA, circa 1934 17 x 30-1/2 x 30-1/2 inches (43.2 x 77.5 x 77.5 cm) This design was produced in two sizes. The present larger example is more rarely seen.Sold for: $2,390.00. |
| 73082 | K.E.M. (KARL EMMANUEL MARTIN) WEBER (American, 1889-1963) A Chrome Plated Metal and Vinyl Upholstered Sofa, manufactured by Royalchrome Co., circa 1930 35 x 79 x 40 inches (88.9 x 200.7 x 101.6 cm) Not Sold. |
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Decorative Arts, American |
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| 73083 | WALTER DORWIN TEAGUE (American, 1883-1960) A Bakelite and Metal Desk Lamp, model no. 114, manufactured by Polaroid Corporation, circa 1939 Manufacturer's label on the base 12-1/2 inches (31.8 cm) high Not Sold. |
| 73084 | WALTER DORWIN TEAGUE (American, 1883-1960) A Mirrored Glass, Chrome Plated Metal, and Painted Wood Radio, model no. 557, manufactured by Sparton Corporation, circa 1936 Labeled on radio face: Sparton 9 x 18 x 8 inches (22.9 x 45.7 x 20.3 cm) Sold for: $1,792.50. |
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Furniture |
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| 73085 | PAUL T. FRANKL (American, 1887-1958) A Pair of Rosewood, Ebonized Wood, and Aluminum End Tables, probably manufactured by Frankl Galleries, circa 1930 24 x 10 x 28-3/4 inches (61.0 x 25.4 x 73.0 cm) each Not Sold. |
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Decorative Arts, American |
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| 73086 | WALTER DORWIN TEAGUE (American, 1883-1960) "Bluebird" A Mirrored Glass, Chrome Plated Metal, and Painted Wood Radio, model no. 506, manufactured by Sparton Corporation, circa 1934 Labeled on radio face: Sparton 15 x 14-5/8 x 6 inches (38.1 x 37.1 x 15.2 cm)Sold for: $1,600.00. |
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Decorative Arts, French |
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| 73087 | JEAN PERZEL (French, 1892-1986) A Chrome Plated Metal, Enameled Metal, and Glass Table Lamp, circa 1940 Signed on the base: JPerzel 22 inches (55.9 cm) high Not Sold. |
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Furniture |
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| 73088 | PAUL T. FRANKL (American, 1887-1958) A Painted Wood and Upholstered "Skyscraper" Daybed, manufactured by Frankl Galleries, circa 1928 Metal tag: SKY / SCRAPER / FURNITURE / FRANKL GALLERIES / 4 EAST 48th ST. NEW YORK 33-1/4 x 77-1/2 x 30 inches (84.5 x 196.9 x 76.2 cm) LITERATURE: Published in Form and Reform. Frankl was widely recognized for his attempts to establish an American iconography in furniture design, most notably with his Skyscraper furniture. Christopher Long writes in Paul Frankl and Modern American Design, "The immediate appeal of Frankl's Skyscraper furniture line rested, of course, in its associations with the city's tallest buildings."Not Sold. |
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Ceramics & Porcelain, Continental |
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| 73089 | VIKTOR SCHRECKENGOST (American) "Poor Man's Bowl" (from the Jazz Bowl series), A Glazed Earthenware Bowl, manufactured by Cowan Pottery Studio, circa 1931 Signed in the body of the bowl: VIKTOR SCHRECKENGOST Impressed on the base: COWAN with the firm's mark 8-1/2 x 13-3/4 inches (21.6 x 34.9 cm) PROVENANCE: Private collection, Cleveland. EXHIBITED: The Cleveland Museum of Art, "Viktor Schreckengost and 20th-Century Design", November 12, 2000-February 4, 2001. LITERATURE: H. Adams, Viktor Schreckengost and 20th-Century Design, Cleveland, 2000, p. 91(this example). "It was the bottom of the Depression and the Cowan Pottery Studio where I worked part time for Guy Cowan, my former teacher, received a number of letters requesting specific types of products from various galleries. I remember picking up one request from a gallery in New York City asking for a large punch bowl with a New York theme. I thought about it awhile and felt that the City of New York reflected the excitement and energy of jazz music. I listened to a lot of it when I had visited the city.. A week after the bowl was shipped, the gallery called to say that the lady who ordered it was so pleased that she wanted to order two more. She said that her husband Franklin loved it, too. One was to be sent to her house in Hyde Park, New York, and the other was to the White House in Washington. The lady was, of course, Eleanor Roosevelt. So I knew, too, that FDR was running seriously for president...." Quoted in M. Favermann, "Viktor Schreckengost: An American Design Giant," The Journal of Antiques and Collectibles, January 2001, pp. 27-29. There were eventually three different versions of what became known as the Jazz Bowl. Henry Adams describes the process of creating this version, also known as The Poor Man's Bowl , in Viktor Schreckengost and 20th -Century Design: "He worked from a plaster positive of the punch bowl's shape and carved the "jazz" design in relief, including an element that does not appear in the earlier bowls, his signature, which he ran across the label of a liquor bottle. His carving dug away the background, leaving the central motifs in relief. A plaster mold was then made from this positive, which also had a depressed background with raised foreground designs. The cast bowls were then covered with black engobe, and the dried engobe was scraped off the surface with a steel tool, creating a design that was black in the background areas and white in the foreground. Then came the bisque firing, followed by the application of a crackle glaze." The bowls were made in four colors: Egyptian blue (the majority), black, guava yellow, and melon green. This example is one of two known produced in melon green. This series of ceramics executed by Schreckengost is undoubtedly a collective icon of the Art Deco movement, and arguably the most important ceramic work of the 20th century.Sold for: $77,675.00. |
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Furniture |
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| 73090 | LA MAISON DESNY A Burl Elm Veneered Sofa and Bookcase, 1930s Hardware stamped: DESNY PARIS / MADE IN FRANCE / DEPOSE 43 x 128 x 128 inches (109.2 x 325.1 x 325.1 cm) overall PROVENANCE: Custom designed for a New York City apartment. M. Desnet and Rene Nauny formed La Maison Desny in 1927. Nauny befriended many important artists and designers including Diego and Alberto Giacometti and Andre Masson. The two had a workshop and a retail space in Paris (at 122 Champs Elysees), creating highly exclusive items ranging from furniture to decorative accessories. They also offered an interior design service. They created designs for Worth (Paris) and Chanel, and collaborated with Robert Mallet-Stevens, Djo Bourgeois, and Jean-Michel Frank. The partnership lasted until the death of Desnet in 1933.Not Sold. |
| 73091 | LA MAISON DESNY A Burl Elm Veneered Desk and Chair, 1930s Drawer hardware stamped: DESNY PARIS / MADE IN FRANCE / DEPOSE 28-3/8 x 53-1/4 x 29-1/2 inches (71.9 x 135.3 x 74.9 cm) desk 32-1/2 x 16-1/2 x 16 inches (82.6 x 41.9 x 40.6 cm) chair PROVENANCE: Custom designed for a New York City apartment.Not Sold. |
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Decorative Arts, American |
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| 73092 | LA MAISON DESNY A Pair of Nickel Plated Metal Andirons, circa 1930 Stamped: DESNY PARIS / MADE IN FRANCE / DEPOSE 16 inches (40.6 cm) long, each Not Sold. |
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Furniture |
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| 73093 | LA MAISON DESNY A Burl Elm Veneered Mantle, 1930s Mantle stamped lower left: DESNY PARIS / MADE IN FRANCE / DEPOSE 43 x 137 x 16-1/2 inches (109.2 x 348.0 x 41.9 cm) PROVENANCE: Custom designed for a New York City apartment.Not Sold. |
| 73094 | LA MAISON DESNY A Pair of Maple Veneered Armchairs, 1930s 33 x 22 x 21-1/2 inches (83.8 x 55.9 x 54.6 cm) each PROVENANCE: Custom designed for a New York City apartment.Not Sold. |
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Art Glass |
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| 73095 | LIBBEY GLASS COMPANY A Twenty-Piece Set of Glass Stemware in the Embassy Pattern, circa 1939 Etched on the base: Libbey 8-3/4 inches (22.2 cm) high, tallest Designed by Walter Dorwin Teague and Edwin W. Fuerst for the State Dining Room, Federal Building of the 1939 New York World's Fair, comprising four each wine, champagne, iced tea, sherry, and cordial glassesSold for: $5,377.50. |
| 73096 | LIBBEY GLASS COMPANY A Twenty-Piece Set of Glass Stemware in the Embassy Pattern, circa 1939 Etched on the base: Libbey 8-3/4 inches (22.2 cm) high, tallest Designed by Walter Dorwin Teague and Edwin W. Fuerst for the State Dining Room, Federal Building of the 1939 New York World's Fair, comprising four each wine, champagne, iced tea, sherry, and cordial glassesSold for: $7,170.00. |
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Silver Holloware, French |
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| 73097 | JEAN E. PUIFORCAT (French, 1887-1945) A French Art Deco Silver and Glass Vase, circa 1925 Marks: JEAN E. PUIFORCAT, E/J, MADE (globe) IN FRANCE, (Minerva) 6-1/4 x 5 x 3-1/8 inches (15.9 x 12.7 x 7.9 cm) 28.7 ounces (gross) Puiforcat set up a workshop of his own in 1922, after leaving the family business. His work reflected the prevailing Art Deco aesthetic of proportion and purity of line and rejected applied decoration. In 1929, he was a founding member of the Union des Artistes Moderne. This affiliation was based purely on his similarity in design philosophy to the Modern Movement, because his refusal to compromise in his use of silver and his objective to create luxury items set him apart from many other members of the group.Sold for: $5,975.00. |
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Silver Flatware, Continental |
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| 73098 | JEAN E. PUIFORCAT (French, 1887-1945) A French Silver Flatware Service in the Cannes Pattern, circa 1928 Marks: PUIFORCAT, FRANCE, EP, (Minerva) 9-1/8 inches (23.2 cm) 329.5 ounces (gross) Comprising: 12 dinner forks; 12 dinner knives; 12 place spoons; 12 tea spoons; 12 dessert/soup spoons; 12 dessert forks; 12 bread and butter knives; 12 fish forks; 12 fish knives; 1 carving knife; 1 carving fork; 1 salad spoon; 1 salad fork; 1 pie server; 1 server; 1 slotted server; 1 cake knife; 1 ladle; 1 ice cream scoop; 1 casserole spoon; 2 serving spoon; 1 serving fork (122 piece service plus fitted wooden box)Not Sold. |
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Decorative Arts, American |
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| 73099 | JUMO BREVETE A Bakelite Folding Desk Lamp, circa 1945 Molded on the base: JUMO BREVETE / MADE IN FRANCE 17-3/8 inches (44.0 cm) high Not Sold. |
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Photographs |
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| 73100 | MARGARET BOURKE-WHITE (American, 1904-1971) United States Airship "Akron", 1931 Gelatin silver print Signed lower right: Bourke-White 20-3/8 x 26 inches (51.8 x 66.0 cm) including frame Framed in the original duralumin frame inscribed, -Winner- Park Filling Station, Third Annual Goodyear Dealers Zeppelin Rage, July-August 1931, This frame is made of duralumin used in girder construction of the United States Airship "Akron" built by the Goodyear Zeppelin Corporation.Not Sold. |
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Miscellaneous |
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| 73101 | PETER MÜLLER-MUNK (American, 1904-1967) A Chrome Plated Brass "Normandie" Pitcher, model no. 723, circa 1935 Marks: Revere ROME N.Y 12 inches (30.5 cm) high Not Sold. |
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Decorative Arts, American |
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| 73102 | ISAMU NOGUCHI (American, 1904-1988) A Bakelite Radio Nurse and Enameled Steel Guardian Ear, manufactured by Zenith Radio Corporation USA, circa 1937 Each with manufacturer's label 8-1/4 inches (21.0 cm) high, radio nurse 6-1/4 inches (15.9 cm) high, guardian ear (not illustrated)Sold for: $2,500.00. |
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Rugs & Textiles |
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| 73103 | RUTH REEVES (American, 1892-1966) "Circus" A Screenprint on Linen Tapestry, manufactured by National Silk Dyeing Company, 1930 Signed and dated on selvedge: CIRCUS BY RUTH REEVES 30 58 x 47 inches (147.3 x 119.4 cm) Sold for: $2,390.00. |
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Furniture |
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| 73104 | EDWARD WORMLEY (American, 1907-1995) A Laminated Ash and Walnut "Constellation" Side Table, manufactured by Dunbar USA, circa 1957 Brass label: DUNBAR / BERNE / INDIANA 18-3/4 x 14 x 14 inches (47.6 x 35.6 x 35.6 cm) Sold for: $2,151.00. |
| 73105 | SOREN HANSEN (1905-1977) A Beech Plywood and Upholstered Settee, manufactured by Fritz Hansen, circa 1939 Stamped on leg: K 30 x 61 x 23 inches (76.2 x 154.9 x 58.4 cm) Not Sold. |
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Silver Holloware, Continental |
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| 73106 | BULGARI An Italian Silver Bowl, circa 1970 Marks: BVLGARI, SB, (lion head), (Hibernia), S 4-1/2 x 10 inches (11.4 x 25.4 cm) 32.45 troy ounces Not Sold. |
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Silver Holloware, American |
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| 73107 | CARTIER A Pair of American Modernist Silver Three-Light Candelabra, circa 1950 Marks: Cartier, STERLING 6-1/4 x 12 x 2-1/4 inches (15.9 x 30.5 x 5.7 cm) 30.07 troy ounces Not Sold. |
| 73108 | GORHAM MANUFACTURING CO. An American Silver and Ebony Bowl from the Circa '70 series, designed by Donald H. Colflesh, 1960s Marks: Gorham, (lion-anchor-G), STERLING, 1457, (hexagon) 4-1/2 x 11-1/2 inches (11.4 x 29.2 cm) 28.2 ounces (gross) Not Sold. |
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Silver Holloware, Continental |
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| 73109 | BULGARI A Pair of Italian Silver Bowls, circa 1970 Marks: BVLGARI, SB, (lion head), (Hibernia), S 5-7/8 x 12 inches (14.9 x 30.5 cm) 91.69 troy ounces Not Sold. |
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Furniture |
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| 73110 | GROSFELD HOUSE A Lacquered and Lucite Chest of Drawers, probably designed by Lorin Jackson, circa 1948 32 x 36 x 21 inches (81.3 x 91.4 x 53.3 cm) PROVENANCE: Lucy and Danny Dare, Hollywood, California. Danny Dare was a movie producer and choreographer in the 1940s-1950s.Not Sold. |
| 73111 | GIO PONTI (Italian, 1891-1979) A Walnut Credenza with Burl Walnut Doors, manufactured by M. Singer & Son, circa 1952 26-3/4 x 78-5/8 x 17-7/8 inches (67.9 x 199.7 x 45.3 cm) Not Sold. |
| 73112 | GROSFELD HOUSE A Lacquered and Lucite Chest of Drawers, probably designed by Lorin Jackson, circa 1948 32 x 36 x 21 inches (81.3 x 91.4 x 53.3 cm) PROVENANCE: Lucy and Danny Dare, Hollywood, California. Danny Dare was a movie producer and choreographer in the 1940s-1950s. Not Sold. |
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Fine Art - Work on Paper |
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| 73113 | HARRY BERTOIA (American, 1915-1978) Untitled (a pair), 1940s-1950s Monoprint on rice paper Printed verso on one: HARRY BERTOIA / MONOPRINT 7-1/2 x 5-1/2 inches (19.1 x 14.0 cm) sheet 7-1/4 x 5-1/2 inches (18.4 x 14.0 cm) sheet These works are registered in the Harry Bertoia Estate archives as HB - 2310 and HB - 2336.Not Sold. |
| 73114 | HARRY BERTOIA (American, 1915-1978) Untitled (a pair), 1940s-1950s Monoprint on rice paper Printed verso: HARRY BERTOIA / MONOPRINT 7-1/2 x 5-1/2 inches (19.1 x 14.0 cm) sheet, each These works are registered in the Harry Bertoia Estate archives as HB - 2313 and HB - 2324.Not Sold. |
| 73115 | HARRY BERTOIA (American, 1915-1978) Untitled (a pair), 1940s-1950s Monoprint on rice paper Printed verso: HARRY BERTOIA / MONOPRINT 7-1/2 x 5-1/2 inches (19.1 x 14.0 cm) sheet, each These works are registered in the Harry Bertoia Estate archives as HB - 2321 and HB - 2311.Not Sold. |
| 73116 | HARRY BERTOIA (American, 1915-1978) Untitled, 1950s Monoprint on rice paper 12 x 17-1/4 inches (30.5 x 43.8 cm) window Not Sold. |
| 73117 | HARRY BERTOIA (American, 1915-1978) Untitled, 1950s Monoprint on rice paper Inscribed lower center: 6 x 8 Inscribed lower right: 93 8-1/4 x 6-3/4 inches (21.0 x 17.1 cm) sheet Not Sold. |
| 73118 | HARRY BERTOIA (American, 1915-1978) Untitled, 1950s Monoprint on rice paper 19-1/2 x 13-1/2 inches (49.5 x 34.3 cm) window Not Sold. |
| 73119 | HARRY BERTOIA (American, 1915-1978) Untitled, 1950s Monoprint on rice paper Inscribed lower center: 6 x 8 Inscribed lower right: 90 8-1/4 x 6-1/2 inches (21.0 x 16.5 cm) sheet Not Sold. |
| 73120 | HARRY BERTOIA (American, 1915-1978) Untitled (a pair), 1940s-1950s Monoprint on rice paper Printed verso: HARRY BERTOIA / MONOPRINT 7-3/8 x 5-1/2 inches (18.6 x 14.0 cm) sheet 7-3/4 x 5-5/8 inches (19.7 x 14.3 cm) sheet These works are registered in the Harry Bertoia Estate archives as HB - 2335 and HB - 2349.Not Sold. |
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Fine Art - Sculpture, European |
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| 73121 | CARL MILLES (Swedish, 1875-1955) Study for "The Champion", 1933 Painted plaster Signed, titled, and dated on the underside Inscribed on the underside: To Harold Athena / thanks for all the support / Carl Milles 11-1/8 inches (28.3 cm) high Sold for: $1,792.50. |
| 73122 | CRISTIAN TODIÉ (Romanian, b. 1954) A Silver Snail Ring Tree with Tahitian Pearls, 2005 Signed on the base: Todié Ed. 1/8 6-5/8 inches (16.8 cm) high Not Sold. |
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Ceramics & Porcelain, Continental |
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| 73123 | PABLO PICASSO (Spanish, 1881-1973) White Ground Fish (A.R. 168), 1952 Glazed white earthenware Inscribed verso: 3/100 / EDITION / PICASSO / MADOURA Stamped verso: MADOURA / EMPREINT ORIGINALE PICASSO 16 inches (40.6 cm) long Sold for: $5,078.75. |
| 73124 | PABLO PICASSO (Spanish, 1881-1973) Corrida with Figures (A.R. 104), 29 June 1950 Glazed white earthenware Stamped verso: MADOURA PLEIN FEU / EMPREINTE ORIGINALE DE PICASSO 15 inches (38.1 cm) diameter Sold for: $8,365.00. |
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Fine Art - Sculpture, European |
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| 73125 | VICTOR DE VASARELY (French, 1908-1997) Untitled Painted wood Ed. 18/100 Signed lower right: Vasarely 17-3/4 x 9-3/4 x 2 inches (45.1 x 24.8 x 5.1 cm) Not Sold. |
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Fine Art - Sculpture, American |
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| 73126 | BENIAMINO BENEVENUTO BUFANO (Italian/American, 1898-1970) Three Bronze Sculptures: Rabbit, Cat, and Mouse 9-1/8 inches (23.2 cm) high, for the rabbit including stand This lot is accompanied by a letter from the artist and a framed print entitled United We Survive and inscribed by the artist, Leon=this comes to you with best wishes=Beniamino.Sold for: $4,182.50. |
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Decorative Arts, French |
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| 73127 | PHILIPPE HIQUILY (French, b. 1925) Exceptional Office of Semi-Circular Form (Desk with Lamp), circa 1960 Transparent smoked altuglass with five gilt and hammered metal feet with ovoid lamp of flattened out and hammered gilt metal 85 x 33-1/2 x 39 inches (215.9 x 85.1 x 99.1 cm) PROVENANCE: Commissioned from Hiquily by Teddy van Zuylen, Paris, circa 1960; Galerie des Chevau-Légers (Commissaires-Priseurs Perrin, Royère, Lajeunesse), Versailles, June 27, 1985, lot 131; Private collection, California. LITERATURE: Connaissance des Arts, 1985, p. 77, illus. in color (this desk); P. Cabanne, Hiquily: Bronzes et Mobiliers, Paris, 2005, p. 84, illus. (this desk). The French modernist sculptor, Philippe Hiquily, worked for a full decade creating abstract figurative sculpture before turning his attention in 1960 to making furniture from his favorite sculptural material: metal. Interestingly, the shift followed closely on the heels of a major honor which cemented his artistic prominence: in 1959 he won the prestigious Critic's Prize for sculpture at the Paris Biennial. Although in the abstract, the concept of designing chairs and desks and tables would appear to be a radical departure from the creation of non-utilitarian sculpture, it was not--in Hiquily's case. His furniture, of which this custom-made altuglass and gilt metal desk is an outstanding early example from circa 1960, is an extension of his work in sculpture. In fact, Hiquily's choice to create furniture in an ambitious way ended up informing his later, even more technically challenging sculptural efforts. His seats and surfaces, where he intends for people to share food and drink, and perform their intellectual work, carry with them all of the artist's sculptural preoccupations and enthusiasms. His mobiliers are every bit as beautifully crafted, and as overtly erotic, as his sculptures which take as their point of departure, almost without fail, the human (female) body in sexually ecstatic positions. As one writer noted, Hiquily's furniture is "dream-like and surrealist in spirit." This semicircular desk, created in 1961 for the businessman Teddy van Zuylen, creates an environment with two basic materials--smoked altuglass and gilt metal. The "legs" of the desk thicken as they approach the floor to become substantial feet upon which the ethereal transparent writing surface sits. To fully integrate the two materials which form discrete horizontal and vertical planes (one transparent and one opaque), Hiquily the sculptor pierces the surface of the desk with a narrowed extension of one of the legs. Once it penetrates the hole in the altuglass, the metal leg swells once again to form a neck bearing another enlarged form--the desk lamp containing an enormous eye. This element is as whimsical and surreal as a painting by Dali or Magritte, or a sculpture by Jean Tinguely whose atelier Hiquily frequented as a young artist. When illuminated, the glowing eye both literally and metaphorically sees and assists the person at the desk in seeing more clearly. Hiquily's artistry helps provide vision--or a vision--for the fortunate occupant of the desk. Philippe Hiquily's work in sculpture and sculptural furniture is represented in numerous museums worldwide including, among others, the Museum of Modern Art, New York; the Hirshhorn Museum, Washington, D.C.; the Centre Georges-Pompidou, Paris; the Guggenheim Museum, New York; and the Museum of Contemporary Art, Montreal. Sold for: $95,600.00. |
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Art Glass |
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| 73128 | LINO TAGLIAPIETRA (Italian, b. 1934) An Art Glass Vase, 1999 Engraved on the base: Lino Tagliapietra '99 20 inches (50.8 cm) high Sold for: $7,170.00. |
| 73129 | VETRARIA ALFREDO BARBINI An Art Glass Nude Female Torso, designed by Robert Willson (American, 1919-2000) Engraved on the base: Robert Willson Italy 17 inches (43.2 cm) high, excluding base Not Sold. |
| 73130 | LINO TAGLIAPIETRA (Italian, b. 1934) An Art Glass Vase, 1999 Engraved on the base: Lino Tagliapietra '99 15-3/4 inches (40.0 cm) high Sold for: $5,377.50. |
| 73131 | LINO TAGLIAPIETRA (Italian, b. 1934) An Art Glass Vase, 1999 Engraved on the base: Lino Tagliapietra '99 16-7/8 inches (42.7 cm) high Sold for: $4,182.50. |
| 73132 | VENINI e C. "Arlecchina" A Monumental Commedia dell'Arte Applied Glass Figure, designed by Fulvio Bianconi, circa 1950 36-3/4 inches (93.3 cm) high Not Sold. |
| 73133 | VENINI e C. A Monumental Commedia dell'Arte Applied Glass Drummer, designed by Fulvio Bianconi, circa 1950 37 inches (94.0 cm) high Not Sold. |
| 73134 | VETRARIA PINO SIGNORETTO A Set of Nine Corroso Glass Classical Nude Figures, late 20th century Engraved on the bottom: Pino Signoretto 23 inches (58.4 cm) high, tallest Sold for: $10,755.00. |
| 73135 | VENINI e C. "Cannette" A Blown Glass Vase, designed by Ludovico Diaz de Santillana, circa 1962 Etched on the base: Venini / Murano / ITALIA 12 inches (30.5 cm) high Sold for: $2,151.00. |
| 73136 | LINO TAGLIAPIETRA (Italian, b. 1934) "Festa Della Sensa" A Filigrana and Battuto Glass Boat-Form Sculpture, 1998 Engraved on the side: Lino Tagliapietra 98 72 inches (182.9 cm) long Sold for: $11,950.00. |
| 73137 | LINO TAGLIAPIETRA (Italian, b. 1934) "Festa Della Sensa" A Filigrana and Battuto Glass Boat-Form Sculpture, 1998 Engraved on the side: Lino Tagliapietra 98 65-1/2 inches (166.4 cm) long Lino Tagliapietra is an Italian glass artist born in 1934 on the island of Murano. Murano, an island whose history of glass dates back to 1291, provided Lino with the perfect educational environment to hone his craft. At the age of 12, Lino was apprenticed by the glass maestro Archimede Seguso. Nine years later, at age 21, he himself had earned the rank of maestro. For the next 25 years, he worked in association with several of Murano's top glass factories. Lino's influence to the American art glass studio movement is primarily attributed to his friend Dale Chihuly. In 1979, Lino came to the United States to teach at the Pilchuck Glass Studio in Washington. This marked the beginning of knowledge sharing among the American glass artists and the Italian maestros, who in the past had guarded their techniques as valuable trade secrets. The first exhibition to honor his work, Lino Tagliapietra in Retrospect: A Modern Renaissance in Italian Glass is presently being shown at the Smithsonian American Art Museum's Renwick Gallery in Washington, D.C. It will also appear at the Chrysler Museum of Art in Norfolk, Virginia; the Palm Springs Art Museum in Palm Springs, California; and the Museum of Arts and Design in New York.Sold for: $11,950.00. |
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Furniture |
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| 73138 | PROPERTY OF PAT AND JIM MCCOLLUM, LOTS 73138-73145 WALTER LAMB BRONZE A Bronze and Rope Rocking Chair, manufactured by Brown Jordan, designed mid 1940s Paper label: Brown Jordan, with inventory number 30-1/2 x 20-3/4 x 31-1/2 inches (77.5 x 52.7 x 80.0 cm) PROVENANCE: Brown Jordan, Dallas, 1985.Sold for: $2,091.25. |
| 73139 | WALTER LAMB BRONZE A Bronze and Glass End Table, manufactured by Brown Jordan, designed mid 1940s 17 x 25-1/4 x 18 inches (43.2 x 64.1 x 45.7 cm) PROVENANCE: Brown Jordan, Dallas, 1985.Sold for: $1,195.00. |
| 73140 | WALTER LAMB BRONZE A Bronze and Rope Rocking Chair, manufactured by Brown Jordan, designed mid 1940s 30-1/2 x 20-3/4 x 31-1/2 inches (77.5 x 52.7 x 80.0 cm) PROVENANCE: Brown Jordan, Dallas, 1985.Sold for: $2,091.25. |
| 73141 | WALTER LAMB BRONZE A Bronze Plant Stand, manufactured by Brown Jordan, designed mid 1940s 20-3/8 x 14-1/2 x 14-1/2 inches (51.6 x 36.8 x 36.8 cm) PROVENANCE: Brown Jordan, Dallas, 1984.Not Sold. |
| 73142 | WALTER LAMB BRONZE A Set of Four Bronze and Rope Armchairs, manufactured by Brown Jordan, designed mid 1940s Paper label: Brown Jordan, one with inventory number 32-1/4 x 21 x 23-1/2 inches (81.9 x 53.3 x 59.7 cm) each PROVENANCE: Brown Jordan, Dallas, 1985.Not Sold. |
| 73143 | WALTER LAMB BRONZE A Bronze and Rope Chaise Lounge, manufactured by Brown Jordan, designed mid 1940s 32-1/2 x 27 x 60 inches (82.6 x 68.6 x 152.4 cm) PROVENANCE: Brown Jordan, Dallas, 1985.Not Sold. |
| 73144 | WALTER LAMB BRONZE A Bronze and Glass Patio Table, manufactured by Brown Jordan, designed mid 1940s 28-3/4 x 48 inches (73.0 x 121.9 cm) PROVENANCE: Brown Jordan, Dallas, 1985.Sold for: $3,107.00. |
| 73145 | WALTER LAMB BRONZE A Set of Six Bronze and Rope Barstools, manufactured by Brown Jordan, 1984 Paper label: Brown Jordan, each with inventory number 42-3/4 x 16 x 17 inches (108.6 x 40.6 x 43.2 cm) each PROVENANCE: Specially commissioned through Brown Jordan, Dallas, 1984.Sold for: $3,883.75. |
| 73146 | PAUL MCCOBB (American, 1917-1969) A Walnut Dining Table and Set of Four Upholstered Walnut Chairs, 1950s 29 x 60 x 38 inches (73.7 x 152.4 x 96.5 cm) table 34 x 18 x 17 inches (86.4 x 45.7 x 43.2 cm) each chair Sold for: $1,493.75. |
| 73147 | PAUL MCCOBB (American, 1917-1969) A Laminated Wood, Brass, and Travertine Top Credenza, circa 1956 29-1/2 x 60-1/4 x 19-1/8 inches (74.9 x 153.0 x 48.6 cm) Sold for: $1,195.00. |
| 73148 | PHILIP AND KELVIN LAVERNE A Bronze and Pewter "Tree of Life" Coffee Table, circa 1960 Signed on top: Philip + Kelvin LaVerne 17 x 35-1/2 x 26 inches (43.2 x 90.2 x 66.0 cm) Sold for: $4,780.00. |
| 73149 | GEORGE NELSON (American, 1908-1986) A Walnut and Birch BSC (Basic Storage Components) Room Divider, manufactured by Herman Miller USA, circa 1952 Label inside drawer: George Nelson design / herman miller-zeeland-michigan 77 x 96 x 18-1/2 inches (195.6 x 243.8 x 47.0 cm) LITERATURE: Herman Miller catalogue, 1952, p. 31.Not Sold. |
| 73150 | HANS J. WEGNER (Danish, 1914-2007) A Teak and Oak Drop-Leaf Dining Table, manufactured by Andreas Tuck, circa 1952 Branded on the bottom: FABRIKAT: ANDR. TUCK / ARKITEKT: HANS J. WEGNER / DENMARK 28 x 89-1/2 x 34 inches (71.1 x 227.3 x 86.4 cm) open Not Sold. |
| 73151 | HANS OLSEN (1902-1983) A Leather Upholstered and Laminated Plywood Bikini Lounge Chair, manufactured by Frem Røjle, circa 1961 Stamped on the bottom: FREM RØJLE / MADE IN DENMARK 28-1/4 x 28-1/2 x 25 inches (71.8 x 72.4 x 63.5 cm) Not Sold. |
| 73152 | CHARLES AND RAY EAMES A Set of Five PKW Side Chairs, manufactured by Herman Miller USA, circa 1951 31-1/2 x 18-1/2 x 16-1/2 inches (80.0 x 47.0 x 41.9 cm) each Sold for: $1,800.00. |
| 73153 | Attributed to OLE WANSCHER (Danish, 1903-1985) A Pair of Rosewood and Leather Upholstered Lounge Chairs, circa 1968 30-1/4 x 25 x 29-1/2 inches (76.8 x 63.5 x 74.9 cm) each Sold for: $896.25. |
| 73154 | CHARLES AND RAY EAMES A RAR Rocker, manufactured by Herman Miller USA, circa 1950 Herman Miller patent label on the underside Molded on the underside: HERMAN MILLER 26-3/4 x 24-3/4 x 27 inches (67.9 x 62.9 x 68.6 cm) Sold for: $597.50. |
| 73155 | CHARLES AND RAY EAMES A RAR Rocker with rope edge, manufactured by Herman Miller/Zenith Plastics USA, circa 1950 Paper label on the underside 27-1/8 x 24-3/4 x 27-1/8 inches (68.9 x 62.9 x 68.9 cm) Sold for: $896.25. |
| 73156 | GEORGE NELSON (American, 1908-1986) A Chrome Plated Metal and Leather Upholstered Sling Sofa, manufactured by Herman Miller USA, circa 1964 29 x 87 x 24 inches (73.7 x 221.0 x 61.0 cm) Not Sold. |
| 73157 | POUL KJAERHOLM (Danish, 1929-1980) A Chrome Plated Steel and Leather Upholstered Easy Chair, model no. PK-20, manufactured by Fritz Hansen, circa 1970 35-1/2 x 31-5/8 x 20 inches (90.2 x 80.3 x 50.8 cm) Sold for: $4,780.00. |
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Art Glass |
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| 73158 | VAMSA A Six-Piece Art Glass Marching Band, executed by Alfredo Barbini, mid 20th century 12-1/2 inches (31.8 cm) high, flutist Including a drum major, and five figures playing musical instruments, including the drum, flute, cymbals, French horn, and trumpetNot Sold. |
| 73159 | LINO TAGLIAPIETRA (Italian, b. 1934) An Art Glass Vase, 1998 Engraved on the base: Lino Tagliapietra '98 15-1/2 inches (39.4 cm) high Sold for: $4,780.00. |
| 73160 | Attributed to ALFREDO BARBINI (Italian, b. 1912) A Thirty-Two Piece Art Glass Chess Set, Murano, circa 1950 7-1/2 inches (19.1 cm) high, tallest Sold for: $1,792.50. |
| 73161 | ALFREDO BARBINI (Italian, b. 1912) Two "Aquarium" Glass Sculptures, circa 1950 6 x 10 x 2 inches (15.2 x 25.4 x 5.1 cm) 4 x 5 x 1-1/2 inches (10.2 x 12.7 x 3.8 cm) Sold for: $896.25. |
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Furniture |
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| 73162 | WARREN MCARTHUR (1885-1961) An Anodized Aluminum and Laminated Wood Occasional Table, model no. 1632 from the "One Park Avenue" catalogue, manufactured by Warren McArthur Corporation USA, 1930s 26-1/4 x 20 x 20 inches (66.7 x 50.8 x 50.8 cm) Not Sold. |
| 73163 | DANISH MODERN A Pair of Upholstered Teak High-Back Lounge Chairs, imported by Selig, circa 1960 Marks: round Selig metal tag 39 x 34 x 32 inches (99.1 x 86.4 x 81.3 cm) each Not Sold. |
| 73164 | ALDO TURA (Italian) A Set of Three Lacquered Goat Skin and Wood Nesting Tables with Transfer Printed Images, 1950s 16 x 26-3/4 x 15-3/4 inches (40.6 x 67.9 x 40.0 cm) largest Not Sold. |
| 73165 | ALDO TURA (Italian) A Lacquered Goat Skin and Gilt Metal Bar Cart, circa 1950 Paper label: TURA / milano / italia 29-1/2 x 31-1/2 x 31 inches (74.9 x 80.0 x 78.7 cm) open Not Sold. |
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Art Glass |
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| 73166 | CONSOLIDATED GLASS COMPANY A Ten-Piece "Ruba Rombic" Smoky Topaz Glass Decanter Set, model nos. 823, 824, and 825, designed by Ruben Haley, circa 1928 9-1/4 inches (23.5 cm) high, liquor bottle 2-3/4 inches (7.0 cm) high, each whiskey glass 11-5/8 inches (29.5 cm) long, traySold for: $6,273.75. |
| 73167 | CONSOLIDATED GLASS COMPANY A "Ruba Rombic" Smoky Topaz Glass Plate, model no. 809, designed by Ruben Haley, circa 1928 15 inches (38.1 cm) diameter Sold for: $717.00. |
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Decorative Arts, American |
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| 73168 | HELEN HUGHES DULANY (American, active 1931-1936) A Chrome Plated Metal Serving Tray, circa 1935 Stamped verso: HHD STUDIO 13-3/4 x 13-5/8 inches (34.9 x 34.6 cm) Sold for: $717.00. |
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Furniture |
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| 73169 | ITALIAN MODERN A Pair of Brass Tray Tables with Arrow Motif, in the style of Gio Ponti, circa 1950 30-1/2 x 15-7/8 x 15-7/8 inches (77.5 x 40.3 x 40.3 cm) each Not Sold. |
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Ceramics & Porcelain, British |
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| 73170 | CLARICE CLIFF (British, 1899-1972) Three Hand-painted Fantasque Bizarre Pieces in the Melon Pattern, circa 1930-1933 Signed: HAND PAINTED / Fantasque by Clarice Cliff / WILKINSON LTD ENGLAND 11-5/8 inches (29.5 cm) high, lotus jug 9 inches (22.9 cm) diameter, sandwich plate 3-1/2 inches (8.9 cm) high, fern potSold for: $3,465.50. |
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Miscellaneous |
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| 73171 | SHOJI HAMADA (Japanese, 1894-1978) A Glazed Stoneware Vase, mid to late 20th century 8-3/4 inches (22.2 cm) diameter Not Sold. |
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Ceramics & Porcelain, American |
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| 73172 | EDWIN and MARY SCHEIER (American) A Glazed Earthenware Footed Vase, 1993 Incised on the base: 93 - Scheier 11-3/4 inches (29.8 cm) high Sold for: $3,346.00. |
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Decorative Arts, British |
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| 73173 | RON ARAD (British, b. 1951) A "Tree Tops" Steel and Concrete Floor Lamp, manufactured by Barton, circa 1983 Molded at join: ...MALLEABLE / BARTON ENG / 6685 78 inches (198.1 cm) high Not Sold. |
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Decorative Arts, American |
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| 73174 | FRANZ WEST (Austrian, b. 1947) "The Artist's Private Lamp II" A Welded Iron Chain Floor Lamp, manufactured by Meta-Memphis, circa 1989 74 inches (188.0 cm) high Not Sold. |
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Fine Art - Sculpture, European |
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| 73175 | BACCARAT "Feria" A Large Parcel Gilt Bronze and Crystal Bull's Head, designed by Chaumet, 1950s Engraved on the base: FERIA / BACCARAT / PIECE UNIQUE / CHAUMET 10-1/2 x 11 x 14 inches (26.7 x 27.9 x 35.6 cm) PROVENANCE: Private collection, California. This lot is presented in its original fitted case. Not Sold. |
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Decorative Arts, American |
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| 73176 | BILL BLASS (American, 1922-2002) An Embroidered Sequined Blouse and Jacket based upon designs by Matisse, Spring/Summer 1988 Label: BILL BLASS Size 14 (blouse) and size 12 (jacket) PROVENANCE: Private collection, California. This haute couture two-piece ensemble was designed by Bill Blass. Only three sets of this garment were made.Not Sold. |
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Ceramics & Porcelain, Continental |
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| 73177 | MARC NEWSON (Australian, b. 1963) A White Porcelain "Sci-Fi" Vase, designed for Cor Unum, circa 1993 Marks: impressed artist's signature and monogram of manufacturer 13-1/2 inches (34.3 cm) high Not Sold. |
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Fine Art - Sculpture, European |
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| 73178 | DAMIEN HIRST (British, b. 1965) Snowblind, 1998 Mirror-bound book, faux American Express card, and rolled $100 bill Ed. 603/1000 Signed on title page: Robert Sabbag / Damien Hirst / Howard Marks 9 x 5-7/8 x 1-1/2 inches (22.9 x 14.8 x 3.8 cm) Sold for: $1,434.00. |
| 73179 | SHIRO KURAMATA (Japanese, 1934-1991) "Vase #2" An Acrylic and Glass Bud Vase, manufactured by Ishimaru Co., Ltd, Japan, 1989 8-3/4 inches (22.2 cm) high LITERATURE: Hara, et al., Shiro Kuramata 1934-1991, Tokyo, 1996, p. 29.Not Sold. |
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Fine Art - Sculpture, American |
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| 73180 | JEFF KOONS (American, b. 1954) Monkey Train (set of three), 2006 Supreme skate deck with screenprinting in colors Printed bottom: MONKEY TRAIN / JK 31-1/4 x 7-7/8 inches (79.4 x 19.9 cm) each Not Sold. |
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Other |
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| 73181 | MARC NEWSON (Australian, b. 1963) A Biomega Bicycle, designed 1999-2000 Molded along frame: BIOMEGA Inscribed along frame: Marc Newson 38 x 22-1/2 x 67 inches (96.5 x 57.2 x 170.2 cm) Sold for: $1,792.50. |
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Fine Art - Sculpture, European |
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| 73182 | TAKASHI MURAKAMI (Japanese, b. 1963) Ponchi-kun, Shimon-kun, and BunBu-kun, 2007 Supreme skate deck with screenprinting in colors Printed top: Takashi Printed bottom: Ponchi-kun, Shimon-kun, and BunBu-kun, respectively 31-1/4 x 7-7/8 inches (79.4 x 19.9 cm) eachNot Sold. |
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Session 2 |
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Fine Art - Work on Paper |
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| 73183 | ALBERTO VARGAS (American, 1896-1982) Vargas Girl, Playboy Pin Up Illustration, October 1974 Watercolor on paper laid on board Signed lower right: Vargas 30 x 20 inches (76.2 x 50.8 cm) PROVENANCE: Playboy Corporate Collection.Sold for: $57,360.00. |
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Fine Art - Painting, American |
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| 73184 | LEROY NEIMAN (American, b. 1926) Carousel (From Reservoir Park, Chicago, Ill.), 1958 Oil on board Signed and dated lower left: LeRoy Neiman '58 Old gallery label verso Inscribed verso 17-3/4 x 47-1/8 inches (45.1 x 119.7 cm) EXHIBITED: Midwest Museum of American Art, Elkhart, Indiana, "The Art of LeRoy Neiman", May 5-June 25, 1989.Sold for: $65,725.00. |
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Fine Art - Work on Paper |
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| 73185 | LEROY NEIMAN (American, b. 1926) James Brown, 1967 Mixed media on paper Signed lower right: LeRoy Neiman Inscribed lower left: James Brown / Mad. Sq. Garden / May 28 '67 15-1/2 x 12-1/2 inches (39.4 x 31.8 cm) window Sold for: $3,883.75. |
| 73186 | LEROY NEIMAN (American, b. 1926) Max Roach, 1957 Mixed media on paper Inscribed lower right: Max Roach / 1957 / LeRoy Neiman 12-3/4 x 10 inches (32.4 x 25.4 cm) Sold for: $2,629.00. |
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Fine Art - Painting, American |
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| 73187 | LEROY NEIMAN (American, b. 1926) Bird Dog (German Shorthaired Pointer), 1975 Oil on board Signed and dated lower right: LeRoy Neiman '75 6 x 8-1/2 inches (15.2 x 21.6 cm) EXHIBITED: Midwest Museum of American Art, Elkhart, Indiana, "The Art of LeRoy Neiman", May 5-June 25, 1989.Sold for: $8,962.50. |
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Fine Art - Work on Paper |
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| 73188 | LEROY NEIMAN (American, b. 1926) Marilyn Monroe, 1992 Serigraph Ed. A.P. 39/50 Signed lower right: LeRoy Neiman 16 x 8-1/4 inches (40.6 x 21.0 cm) Sold for: $3,346.00. |
| 73189 | LEROY NEIMAN (American, b. 1926) Augusta (Tom Watson), 1977 Watercolor and ink on Arches paper Inscribed lower right: LeRoy Neiman / '77 / Augusta Ga. 14-1/8 x 10-1/2 inches (35.9 x 26.7 cm) EXHIBITED: Midwest Museum of American Art, Elkhart, Indiana, "The Art of LeRoy Neiman", May 5-June 25, 1989.Sold for: $10,157.50. |
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Fine Art - Painting, American |
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| 73190 | HOWARD CHANDLER CHRISTY (American, 1872-1952) Portrait of a Young Woman, 1922 Oil on canvas Signed and dated lower left: Howard Chandler Christy / 1922 Inscribed verso: November Motor Cover 42-1/4 x 32 inches (107.3 x 81.3 cm) PROVENANCE: Previous owner's grandfather acquired directly from the artist in 1922.Not Sold. |
| 73191 | CHARLES LENNOX-WRIGHT (American, 1832-1932) Catching a Dream Oil on canvas Signed lower left: C. Lennox-Wright 46-1/2 x 23 inches (118.1 x 58.4 cm) Not Sold. |
| 73192 | ALEXANDER JOHN DRYSDALE (American, 1870-1934) Louisiana Bayou, 1913 Oil on canvas Signed and dated lower right: A.J. Drysdale / 1913 30-1/4 x 30-1/4 inches (76.8 x 76.8 cm) Sold for: $15,535.00. |
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Fine Art - Work on Paper |
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| 73193 | ALEXANDER JOHN DRYSDALE (American, 1870-1934) Louisiana Bayou Oil wash on board Signed lower right: A.J. Drysdale 19-1/2 x 29-1/2 inches (49.5 x 74.9 cm) Sold for: $1,792.50. |
| 73194 | ADOLF ARTHUR DEHN (American, 1895-1968) Fishing, 1946 Watercolor Signed and dated lower right: Adolf Dehn '46 19-1/2 x 28-1/2 inches (49.5 x 72.4 cm) PROVENANCE: General Foods Corporation, formerly in C.G.M. office (label verso).Not Sold. |
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Fine Art - Painting, American |
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| 73195 | ERNEST FIENE (American, 1894-1966) Sunrise, Connecticut Hills, circa 1935 Oil on canvas Signed lower right: E. Fiene Signed and titled verso Old collection label verso 22-1/4 x 30-1/4 inches (56.5 x 76.8 cm) Not Sold. |
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Fine Art - Painting, European |
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| 73196 | HERMANN VOLZ (German, 1814-1894) Sausalito Waterfront, circa 1935 Oil on panel Signed lower left: Volz 21-1/4 x 28-1/4 inches (54.0 x 71.8 cm) Not Sold. |
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Fine Art - Painting, American |
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| 73197 | FRANZ KLINE (American, 1910-1962) Circus Rider, 1944 Oil on board Signed and dated upper right: Franz Kline 44 13-3/8 x 18-1/4 inches (34.0 x 46.4 cm) Not Sold. |
| 73198 | JOHN STEUART CURRY (American, 1897-1946) Portrait of Stanley Young, 1932 Oil on canvas Signed, titled, and dated lower right: STANLEY YOUNG / JOHN STEUART CURRY / 1932 32 x 30-1/4 inches (81.3 x 76.8 cm) PROVENANCE: Walker Gallery, New York (label verso). LITERATURE: L.E. Schmeckebier, John Steuart Curry's Pageant of America, New York, 1943, no. 112, p. 169. This lot is accompanied by a copy of the Schmeckebier monograph on John Steuart Curry. Schmeckebier compares the Portrait of Stanley Young to two of Curry's self-portraits of 1927 and 1937: "His portrait of the writer Stanley Young before a typewriter at the window of his studio is undoubtedly an adequate representation of the struggling artist, but at the same time it reveals a half humorous, half sympathetic attitude of the painter which takes serious form in his own portrait." Schmeckebier illustrates the Portrait of Stanley Young with notes on the painting: "A portrait, conceived half humorously yet with deep sincerity, of a young writer who loved to dramatize himself as a great artist. The heavy arm and clenched fist, the hand supporting the head, are well-known gestures that imply such a 'struggle.' The placement of the figure before the studio window with the hazy landscape outside, however, carries many of the same associations noted in the studio Still Life and the First Snow [two of Curry's other paintings]." Also accompanied by two letters from the Archives of American Art, Smithsonian Institution. The first is a letter from Stanley Young to John Steuart Curry, dated January 17, 1946. Young inquires, "By the way, what ever happened to that portrait of mine that you did? Was it printed in the biography of your work [Schmeckebier, John Steuart Curry's Pageant of America, New York, 1943]?" The second letter contains Curry's response. Stanley Young was a playwright, author, and literary critic for the New York Times, circa 1940s-1950s. Two plays written by Young were "Laurette" and "Mr. Pickwick." Additionally, Young, having served on the board of Farrar, Straus Publishing Company in New York for several years, acquired a partnership in the publishing company, and in 1951 the company was renamed Farrar, Straus, Young Publishing Company, Inc. John Steuart Curry, a leader in the American Regionalist movement, was born on a farm near Dunavant, Kansas. After receiving a thorough education in art, including attending the Kansas City Art Institute, the Art Institute of Chicago, and Geneva College in Pennsylvania, he moved to New York to study illustration with Harvey Dunn. Finding it difficult to make ends meet as an artist, he moved to Paris, with a patron's support, and spent the next year studying at Schoukhaieff's Russian Academy, where his artistic interest lay with the work of Gustav Courbet and Peter Paul Reubens rather than of the burgeoning expressionist and abstract movements that influenced many of his peers. Upon returning to the States, he embraced the Midwest values of his youth and began incorporating these into his work. His first major Regionalist painting, Baptism in Kansas, garnered him much critical acclaim and recognition from the New York art world. Art historian Matthew Baigell stated, "To Curry, man's actions on the land, his contest with nature for dominance, was the basic American experience. Curry recognized the capacities of both - nature's ability to devastate the land and man's ability to bring great riches from the soil." Within these scenes of man's interactions with nature and much of Curry's other works, there is an underlying religious theme combined with a yearn for nostalgia.Not Sold. |
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Fine Art - Work on Paper |
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| 73199 | MASSIMO CAMPIGLI (Italian, 1895-1971) Teatro I, 1950 Lithograph Signed and dated lower right: Campigli 1950 Signed lower left: Campigli 13-1/2 x 19 inches (34.3 x 48.3 cm) Not Sold. |
| 73200 | BEN SHAHN (American, 1898-1969) For the Sake of a Single Verse by Rainer M. Rilke, 1968 Lithograph on Richard de Bas hand-made paper Ed. 18/950 Each signed lower right: Ben Shahn Printed by Atelier Mourlot, New York 22-1/2 x 17-3/4 inches (57.2 x 45.1 cm) sheet This portfolio of twenty-four lithographs is presented loose as issued within its original linen-covered, embossed portfolio case.Sold for: $4,481.25. |
| 73201 | NAHUM BERNABÉ ZENIL (Mexican, b. 1947) Cristo de la Columna, II (Christ of the Column, #2), 1986 Mixed media on paper Signed and dated lower right: Nahum Bernabé 86 19-1/4 x 14-3/4 inches (48.9 x 37.5 cm) PROVENANCE: Mary Ann Martin Fine Art, New York (label verso). EXHIBITED: Americas Society, New York (label verso).Not Sold. |
| 73202 | HOWARD NORTON COOK (American, 1901-1980) Chrysler Building, 1930 Wood engraving Signed lower right: Howard Cook 5 x 3 inches (12.7 x 7.6 cm) PROVENANCE: The Uptown Gallery, New York (label verso).Not Sold. |
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Fine Art - Painting, American |
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| 73204 | GERTRUDE ABERCROMBIE (American, 1908-1977) The Ivory Tower, 1945 Oil on masonite Signed and dated lower left: Abercrombie 45 15 x 19 inches (38.1 x 48.3 cm) PROVENANCE: Associated American Artists, New York (label verso). EXHIBITED: San Francisco Museum of Art, "The Women", 1945.Sold for: $17,925.00. |
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Fine Art - Work on Paper |
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| 73205 | RAYMOND JONSON (American, 1891-1982) Watercolor No. 11, 1947 Watercolor on illustration board Signed and dated lower left: Jonson 47 Inscribed verso: WATERCOLOR NO. 11 - 1947 / RAYMOND JONSON 19-1/4 x 27-1/4 inches (48.9 x 69.2 cm) PROVENANCE: Bea and Peter Klinefelter, New Mexico. This lot is accompanied by a copy of E. Garman's The Art of Raymond Jonson Painter dedicated and signed to the Klinefelters by Raymond Jonson, along with a personal letter from the artist.Not Sold. |
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Fine Art - Painting, American |
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| 73206 | CHARLES GREEN SHAW (American, 1892-1974) Abstract Oil on canvas Signed lower right: Shaw 28-1/2 x 22 inches (72.4 x 55.9 cm) Not Sold. |
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Fine Art - Painting, Russian |
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| 73207 | NATHALJIA GONTCHAROVA SERGEJEWNA (Russian, 1881-1962) Composition sur Fond Rose, 1912 Gouache and watercolor on paper Signed and dated lower right: 1912 N. Gontcharova 10-1/4 x 6-5/8 inches (26.0 x 16.8 cm) PROVENANCE: Selected Artists Galleries, New York (label verso). According to Dr. Anthony Parton of Durham University, who is writing a catalogue raisonné on the artist, this work was likely executed between 1925-1935 for a carpet design (the date of 1912 was probably added later) for the Maison Myrbor in Paris, operated by Marie Cuttoli. This excerpt was taken from the Textile Society of America Website: Marie Cuttoli: Patron of Modern Textiles, by Virginia Gardner Troy Marie Cuttoli (1879-1973) was an editor, collector, proprietor of her boutique Myrbor, and patron of the arts par excellence from the 1920s through the 1950s. She contributed to modernist developments in cross-cultural discourses in textiles through her work with Algerian textile artisans who produced finely crafted embroidered and woven work based on designs by European modernists such as Natalia Goncharova. These works were subsequently sold at Cuttoli's Parisian boutique, Myrbor, primarily during the 1920s. During the 1930s and after, she played an essential role in reviving the rich pictorial tapestry tradition in France though her innovative and collaborative work with modern artists - such as Pablo Picasso, Fernand Léger, Jean Lurçat, and Le Corbusier - and skilled Aubusson weavers. She played a particularly important role in inspiring the artist Jean Lurçat to devote most of his long career to tapestry; their collaborations in the 1920s led both of them to envision modern tapestry in completely new ways. Cuttoli's contribution to modern art has been sadly neglected. Her collection of tapestries was received with great acclaim in Europe and American in the late 1930s, but after that the art of pictorial tapestry and the work of Marie Cuttoli seem to have taken a backseat to other developments in modern art, particularly those involving Abstract Expressionist painting. This paper will provide a much-needed summary of Cuttoli's work, and will present a fully researched compilation of the objects d'art, carpets, fashion, and tapestries that she supported. Attention will be paid to her instigation of new visual forms, techniques, venues and interior design through the textile media and how her ideas shaped the ideas of her artistic collaborators.Not Sold. |
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Fine Art - Work on Paper |
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| 73208 | WILL HENRY STEVENS (American, 1881-1949) Abstract Composition, 1938 Mixed media on paper Signed lower right: Stevens 38 9-1/2 x 14 inches (24.1 x 35.6 cm) Not Sold. |
| 73209 | WILL HENRY STEVENS (American, 1881-1949) Composition #5, 1938 Mixed media on paper Signed and dated lower right: Stevens '38 11 x 10 inches (27.9 x 25.4 cm) PROVENANCE: Judy Farnsworth Lund and Theodore Milton Wassmer Collection (label verso).Not Sold. |
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Fine Art - Painting, American |
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| 73210 | SONIA SEKULA (American, 1918-1963) Untitled (Abstract Composition), 1948 Oil on canvas Signed and dated lower right: Sekula 48 25-5/8 x 19-5/8 inches (65.1 x 49.8 cm) Sold for: $3,585.00. |
| 73211 | JUANITA RICE MARBROOK GUCCIONE (American, 1904-1999) Red Savvy, circa 1938 Gouache on board Inscribed verso: Gouache on board / circa 1938 / By Juanita Guccione, / my mother. / Delloul Marbrook / 3-26-01 13-1/2 x 16 inches (34.3 x 40.6 cm) PROVENANCE: Artist's estate.Sold for: $2,629.00. |
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Fine Art - Work on Paper |
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| 73212 | RUDOLF BAUER (German, 1889-1953) Untitled, circa 1926 Pastel on paper Estate stamped lower right 21-1/4 x 17 inches (54.0 x 43.2 cm) PROVENANCE: Mark Borghi Fine Art, New York. Bauer was associated with artists of the Galerie Der Strum by the 1910s, most notably Kandinsky, who would have a profound effect on Bauer's work. In the 1920s, Bauer's style moved from a lyrical abstraction to a geometric style that would define the remainder of his career. He exhibited with the Société Anonyme in Paris, an influential group of avant-garde artists concerned with abstraction and non-objective painting. He was arrested by the Nazis in 1937 as a degenerate artist. A major portion of his work was tied up in a deal involving Solomon R.Guggenheim and Hila Rebay, and until somewhat recently was unseen. Not Sold. |
| 73213 | After PABLO PICASSO (Spanish, 1881-1973) La Bouteille de Rhum, circa 1965 Lithograph in colors Ed. 237/250 Signed lower right: Picasso Embossed lower left with Guy Spitzer blindstamp 23-1/2 x 19-1/2 inches (59.7 x 49.5 cm) Sold for: $6,273.75. |
| 73214 | ANTONI TÀPIES (Spanish, b. 1923) Fulles Etching with embossing Ed. HC 12/15 Signed lower right: tàpies 36-1/2 x 51-3/4 inches (92.7 x 131.4 cm) Sold for: $5,975.00. |
| 73215 | PABLO PICASSO (Spanish, 1881-1973) Homme a la Pipe, Jeune Femme nue et Petit Chien (from the 347 Series), 1968 Aquatint Signed with atelier stamp lower right: Picasso Inscribed lower left: épreuve avant aciérage 9-7/8 x 12-3/4 inches (25.0 x 32.4 cm) sheet PROVENANCE: Marina Picasso Collection (stamp verso).Not Sold. |
| 73216 | PABLO PICASSO (Spanish, 1881-1973) Rapt, avec Celestine, Ruffian, Fille et Seigneur avec son Valet (from the 347 Series), 1968 Aquatint Signed with atelier stamp lower right: Picasso Inscribed lower left: épreuve avant aciérage 19-1/2 x 23 inches (49.5 x 58.4 cm) sheetNot Sold. |
| 73217 | NIKOLAY SUETIN (Russian, 1897-1954) Untitled (Abstract Composition), 1924 Watercolor and graphite on paper Signed and dated lower right in Cyrillic 16-3/4 x 11-3/4 inches (42.5 x 29.8 cm) Not Sold. |
| 73218 | MAN RAY (American, 1890-1976) L'Origine de l'Espace, 1971 Lithograph in colors Ed. 128/180 Signed lower right: Man Ray 18 x 14 inches (45.7 x 35.6 cm) LITERATURE: L. Anselmino, Man Ray Opera Grafica, Alan Wofsy Fine Arts, 1984, no. 58f.Sold for: $2,390.00. |
| 73219 | THOMAS BROWNELL ELDRED (American, 1903-1993) Weather Change, 1941 Mixed media on paper Signed and dated upper right: Eldred 41 Titled lower center: "WEATHER CHANGE" 14 x 10-3/4 inches (35.6 x 27.3 cm) Sold for: $1,971.75. |
| 73220 | THOMAS BROWNELL ELDRED (American, 1903-1993) Nonobjective Abstract, 1941 Watercolor and gouache on paper Signed and dated verso: Eldred 41 18 x 14 inches (45.7 x 35.6 cm) Acquisition source stated that this work was exhibited at the Guggenheim Museum during the 1940s.Not Sold. |
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Fine Art - Painting, American |
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| 73221 | AD REINHARDT (American, 1913-1967) Abstract Painting, Blue, 1952 Oil on canvas Signed in pencil lower right: ReinHaRDT1952 36 x 24 inches (91.4 x 61.0 cm) PROVENANCE: Purchased directly from the artist by Ethel Epstein; Thence by descent to the present owner. Ad Reinhardt joined the American Abstract Artists in 1937, which was arguably the most important group of abstract painters assembled in the world. Despite its namesake, the group was not exclusive to American painters. One of its co-founders was Hungarian Lazlo Moholy-Nagy, and other influential members included Dutch painter Piet Mondrian and German artist Josef Albers. Joining the AAA was a defining moment of Reinhardt's career, because it cemented his commitment to abstract painting. Throughout the 1930s, Reinhardt painted bold abstract compositions, which he called "late-classical-mannerist-post-cubist, geometric abstractions". Highly competent as a painter and armed with a deep understanding of abstract theory and its underlying formal structures, he began to participate in New York exhibitions. By the early 1940s, Reinhardt was exhibiting regularly at the Betty Parsons Gallery in New York, a center for the burgeoning abstract expressionist movement. His over-all compositions and calligraphic-patterned paintings, pointed to an alliance with the abstract expressionist painters. In retrospect, this could be seen as a diversion or simply a step in the formative process, but in either case, Reinhardt abandoned that path. It was in the very early 1950s when he came home as a painter. He moved toward strict geometric purity, creating symmetrical, rectangular shapes in single color schemes, moving from red to blue to black. From that time until his death in 1967, Reinhardt continued to simplify and purify his paintings, creating solemn, reductivist canvases for which he is best known. Reinhardt was a major influence on minimal, conceptual, and monochrome painting, and wrote and lectured extensively on the subject. In his Art as Art , Reinhardt wrote, "A fine artist has no use for use, no meaning for meaning, and no need for need." He also said that art history ended with his black paintings. Reinhardt was known for his edgy sense of humor, but this comment reveals that he was satisfied by what he had accomplished with the paintings done in the 1950s. He truly felt he had achieved what he set out to do. Abstract painting, Blue is an excellent example of his best period of work, as well as an important representation of minimal abstract painting. ERRATUM: The following painting is being sold as an authentic work by Ad Reinhardt. The pencil inscription on the front of the painting was most likely added later and bears no weight upon the statement of authenticity. Not Sold. |
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Fine Art - Work on Paper |
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| 73222 | CARLOS MÉRIDA (Guatemalan, 1891-1985) Dances of Mexico (Complete Set of 10 works) Lithographs Each signed: Carlos Mérida 14-1/2 x 11-3/4 inches (36.8 x 29.8 cm) window Not Sold. |
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Fine Art - Painting, European |
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| 73223 | K. CISSNÉ (20th Century) Woman Lounging on the Beach in Venice Oil on board Signed lower right: Cissné Inscribed verso: Cissné via / Venice 24-1/8 x 36-1/8 inches (61.3 x 91.8 cm) Not Sold. |
| 73224 | K. CISSNÉ (20th Century) Woman in Red Lounging on the Beach in Monaco, 2007 Oil on board Signed lower right: Cissné Inscribed verso: from K / Cissné / 07© / Monoco [sic] over a preliminary sketch 24-1/8 x 36 inches (61.3 x 91.4 cm) Not Sold. |
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Fine Art - Work on Paper |
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| 73225 | ERTÉ (ROMAIN DE TIRTOFF) (Russian, 1892-1990) The Numerals, 1980 Serigraph with embossing Ed. 82/350 Each signed lower right: Erté Each embossed lower left: (Circle Fine Art logo) 22-3/4 x 17-1/2 inches (57.8 x 44.5 cm) sheet This portfolio of ten serigraphs is presented loose as issued within its original embossed portfolio case.Not Sold. |
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Fine Art - Painting, American |
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| 73226 | CLAUDE RONALD BENTLEY (American, 1915-1990) Untitled (Abstract Composition) Mixed media on masonite Signed lower left: Claude Bentley 24 x 24 inches (61.0 x 61.0 cm) Not Sold. |
| 73227 | SIDNEY JONAS BUDNICK (American, 1921-1994) Untitled (Abstract), 1940 Oil on canvasboard Inscribed verso: Jonas '40 23-1/4 x 23 inches (59.1 x 58.4 cm) Not Sold. |
| 73228 | CARL ROBERT HOLTY (American, 1900-1973) Break Through Oil on fiberboard Signed lower left: Holty Inscribed verso 9-3/4 x 8-1/2 inches (24.8 x 21.6 cm) Not Sold. |
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Fine Art - Work on Paper |
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| 73229 | FRITZ GLARNER (Swiss/American, 1899-1972) Relation 66-69, 1966 Serigraph Ed. 51/75 Signed lower right: Fritz Glarner 25-3/4 x 20 inches (65.4 x 50.8 cm) Not Sold. |
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Miscellaneous |
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| 73230 | BETTY PARSONS (American, 1900-1982) Untitled (Kite Design) Acrylic on canvas and card, string, and wood Kite: 50-1/2 x 36 inches (128.3 x 91.4 cm) Tail: 61 inches (155.9 cm) long PROVENANCE: Kornblee Gallery, New York (label verso); Gallery Harriet Lebish, New York, 1972 (label verso); Private collection, California.Sold for: $2,987.50. |
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Fine Art - Painting, American |
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| 73231 | ISRAEL JACK LEVITAN (American, 1912-1982) Untitled (Abstract Cityscape), 1957 Oil on canvas Signed and dated lower right: Levitan '57 34-1/2 x 49 inches (87.6 x 124.5 cm) Sold for: $3,107.00. |
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Fine Art - Work on Paper |
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| 73232 | HELEN FRANKENTHALER (American, b. 1928) Essence Mulberry, 1977 Woodcut in colors Ed. 37/46 Signed lower right: Frankenthaler '77 Embossed lower right with Tyler Graphics Ltd. blindstamp 39 x 18-1/2 inches (99.1 x 47.0 cm) LITERATURE: P. Harrison, Frankenthaler: A Catalog Raisonné, Prints 1961-1994, New York, 1996, no. 57.Sold for: $41,825.00. |
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Fine Art - Painting, American |
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| 73233 | FRANZ KLINE (American, 1910-1962) Untitled (Abstract Composition in Green) Oil on canvas Signed lower right: KLINE Monogrammed verso 10 x 8-1/4 inches (25.4 x 21.0 cm) Franz Kline was an American painter mainly associated with the Abstract Expressionists centered in and around New York during the 1950s. In the 1940s, however, Kline was particularly interested in the clown as subject matter. He painted a series of paintings of the dancer Nijinsky in the role of Petroushka. Kline identified with clowns, and the tragedy of life, and there was a clear element of self-portraiture in these works. His transition from figurative works into abstraction was also revealed during this period. This work, which appears to be closely associated with the Nijinsky paintings, is toward the end of that transition. The figure, although still somewhat recognizable as a clown, is nearly completely abstracted. His increased interest in the brushwork viewed as abstract texture is more evident here than in the earlier works. He is still using color to differentiate forms in this work, but has reduced the palette to one that is severely monochromatic. Sold for: $16,730.00. |
| 73234 | WAYNE THIEBAUD (American, b. 1920) The Duchess, 1953 Mixed media on board Signed and dated lower right: Thiebaud 1953 40 x 30 inches (101.6 x 76.2 cm) PROPERTY OF SUSANNAH ROBINSON, DAUGHTER OF PATRICIA THIEBAUD, LATE WIFE OF WAYNE THIEBAUD The present work is a fantasy portrait of Thiebaud's first wife, Patti Auden Thiebaud, with whom he was married for 17 years. He always referred to Patti as "The Duchess". Wayne Thiebaud is a California painter best known for iconic still-lifes depicting All-American foods and products such as cakes, pies, sandwiches, cosmetics, and toys. His work is characterized by the use of fat brushstrokes and exaggerated colors to depict his subjects, as well as use of the well-defined shadows characteristic of advertising. This style owes to a background in commercial art and cartooning early in his career. Although he has been frequently associated with Pop Art due to his choice of subject matter, Thiebaud does not consider himself a Pop artist. His painting does not critique American culture so much as celebrate it, and his brushwork is more individual and expressive than the flat, mechanized style favored by Pop artists such as Andy Warhol. Thiebaud himself disavows an allegiance to any style, preferring to concentrate on the discipline of painting and his formal concerns. Despite this, in 1963, his figurative and landscape paintings put him among the First Generation Bay Area Figurative Artists. Wayne Thiebaud is a recipient of the National Medal of Arts and a member of the American Academy and Institute of Arts and Letters. In 2001, he was honored with a retrospective and monograph organized by the Fine Arts Museums of San Francisco's Legion of Honor. The show traveled to the Whitney Museum of American Art, New York City; The Phillips Collection, Washington, D.C.; and the Modern Art Museum of Fort Worth, Texas. His work is held by major museums in the United States and abroad.Not Sold. |
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Fine Art - Sculpture, European |
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| 73235 | VILIANO TARABELLA (Italian, b. 1937) Abstract Sculpture Spanish red marble on gray slate base 14 x 29 x 9 inches (35.6 x 73.7 x 22.9 cm) PROVENANCE: Collection of the artist; Private collection, California. Not Sold. |
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Fine Art - Painting, American |
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| 73236 | LEE MULLICAN (American, 1919-1998) Venice, 1971 Acrylic on canvas Inscribed verso: Lee Mullican 1971 / VENICE 50-1/2 x 76-1/2 inches (128.3 x 194.3 cm) Not Sold. |
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Fine Art - Sculpture, European |
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| 73237 | VILIANO TARABELLA (Italian, b. 1937) Abstract Sculpture Salmon pink marble on black marble base 15-1/2 x 16 x 11 inches (39.4 x 40.6 x 27.9 cm) PROVENANCE: Collection of the artist; Private collection, California. The Italian sculptor Viliano Tarabella, who was born near the celebrated Carrara marble quarries, began his artistic career as a protégé of Jean Arp, whose powerful biomorphism is apparent in Tarabella's independent work as well. As a young man, Tarabella worked for seven years as a sculpture apprentice near Pietrasanta, Italy, where he became supremely skillful in carving marble. He arrived in Paris in 1957, and by 1961 was working in collaboration with both Jean Arp and Louis Dideron, assisting them in the execution of their designs in stone. In 1965, Tarabella debuted his personal work at the "Young Sculptors" exhibition in Paris and was soon exhibiting regularly at the May and Autumn Salons, and other international venues. He was awarded the Florence Gould Prize in 1985, and won the commission to produce the trophy "Victoire de la Musique" in 1996.Sold for: $2,987.50. |
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Fine Art - Painting, European |
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| 73238 | OLIVIER DEBRÉ (French, 1920-1999) Rose d'automne, 1981 Oil on linen (faille) Inscribed verso in brush and black paint: O. Debré / faille / Rose d'automne / 81 Written on the top of the stretcher in pencil and chalk: ATANOR Written on the middle stretcher bar in black magic marker: 51 AV CARNOT - CACHAN (94) 55-1/2 x 59-1/2 inches (141.0 x 151.1 cm) PROVENANCE: Collection of the artist; Private collection, California. This elegant color-field painting is a mature work by the Parisian-born Olivier Debré, one of France's best-known abstract painters of the postwar era, whose large-format works include the stage curtain at the Comedie Française. Mr. Debré's painterly abstractions, which he described as ''opposite to the geometric abstraction of the Cubism of Cezanne and Picasso,'' involved daring splashes of color applied with thick brush strokes intended to create a mood of sensuality and poetry. ''For me, painting and emotion are inseparable,'' he said at the time of his last major retrospective in Paris in 1995 at the Galerie du Jeu de Paume on the Place de la Concorde. ''I can only paint with feeling.'' Eager to evoke emotion through abstraction, he created what he called ''signes-personnages'' (figurative signs) and ''signes-paysages'' (landscape signs) that seemed to hint at recognizable forms. He used this approach in the monumental works for which he became most celebrated, starting with the vast ornamental paintings he did for the French pavilions at World's Fairs in Montreal in 1967 and in Osaka, Japan, in 1970. In the present work of 1981, the muted greens, roses, and grays evoke the wistfulness of the end of autumn, when the vibrancy of the last blossoms fades, and the days and nights grow colder. Sold for: $14,937.50. |
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Fine Art - Work on Paper |
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| 73240 | MAX ERNST (German, 1891-1976) L'Oiseau Vert Lithograph in colors Ed. 36/70 Signed lower right: Max Ernst 18-1/2 x 15-1/4 inches (47.0 x 38.7 cm) Not Sold. |
| 73241 | MAX ERNST (German, 1891-1976) Untitled Lithograph in colors Ed. 99/150 Signed lower right: Max Ernst 19-1/4 x 15-3/4 inches (48.9 x 40.0 cm) Not Sold. |
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Fine Art - Painting, European |
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| 73242 | ANDRES SEGOVIA (Argentine/Spanish, b. 1929) Geometric Abstraction with Floating Floor Tiles, Columns, and Clouds Oil on masonite Signed upper right: SEGOVIA Inscribed verso: SEGOVIA / 60 Bd de Clichy / 75018 / Paris Written on the middle stretcher bar in white chalk: 5 Written on the stretcher: IS 121 57-1/2 x 45 inches (146.1 x 114.3 cm) PROVENANCE: Collection of the artist; Private collection, California. Sold for: $2,390.00. |
| 73243 | ANDRES SEGOVIA (Argentine/Spanish, b. 1929) Geometric Abstraction with Sphere and Checkerboard Oil on masonite Signed upper right: SEGOVIA Inscribed verso: SEGOVIA / 60 Bd de / Clichy / 75018 / Paris Inscribed on the stretcher in white chalk: PHENIX 57-1/2 x 45 inches (146.1 x 114.3 cm) PROVENANCE: Collection of the artist; Private collection, California.Not Sold. |
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Fine Art - Work on Paper |
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| 73244 | MARINO MARINI (Italian, 1901-1980) Orizzonte, 1979 Lithograph in colors Ed. 40/75 Initialed lower right: MM 28 x 20-1/2 inches (71.1 x 52.1 cm) Not Sold. |
| 73245 | MARINO MARINI (Italian, 1901-1980) Marino from Shakespeare I, Plate II, 1977 Etching, drypoint, and aquatint in colors with hand-coloring Ed. P.A. Signed lower right: Marino 19 x 15-1/8 inches (48.3 x 38.4 cm) Not Sold. |
| 73246 | TOM WESSELMANN (American, b. 1931) Monica Nude with Purple Robe, 1990 Aquatint with embossing Ed. 35/75 Signed lower right: Wesselman Embossed lower right: BRANSTEAD / STUDIO 38 x 59-3/4 inches (96.5 x 151.8 cm) Not Sold. |
| 73247 | TOM WESSELMANN (American, b. 1931) Still Life with Lilies and Mixed Fruit, 1998 Screenprint in colors Ed. 71/100 Signed lower right: Wesselman Embossed lower left: SCREENED IMAGES 31-7/8 x 38-1/8 inches (80.8 x 96.8 cm) Not Sold. |
| 73248 | TOM WESSELMANN (American, b. 1931) Monica Lying Down on Her Robe, 1990 Lithograph Ed. 3/40 Signed lower right: Wesselman Embossed lower right: (hand) 42-1/2 x 72-1/4 inches (108.0 x 183.5 cm) Not Sold. |
| 73249 | TOM WESSELMANN (American, b. 1931) Monica Nude with Matisse, 1990 Etching and aquatint with embossing Ed. 27/75 Signed lower right: Wesselman Embossed lower right: BRANSTEAD / STUDIO 38-1/8 x 60 inches (96.8 x 152.4 cm) Not Sold. |
| 73252 | THÉO TOBIASSE (French, b. 1927) Entre Myrte et Fleur de Cannelle Lithograph in colors Ed. 193/200 Signed lower right: théo tobiasse 30 x 22-1/4 inches (76.2 x 56.5 cm) Sold for: $597.50. |
| 73253 | HENRY SPENCER MOORE (British, 1898-1986) Mother and Child A, 1984 Etching on Barcham Green Boxley paper Ed. 45/50 Signed lower right and in the plate: Moore 12-3/4 x 15 inches (32.4 x 38.1 cm) sheet Not Sold. |
| 73254 | KAREL APPEL (Dutch, 1921-2006) Abstract Female Figure, 1969 Lithograph in colors Ed. 3/85 Signed lower right: Appel 69 27 x 21 inches (68.6 x 53.3 cm) Not Sold. |
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Fine Art - Painting, American |
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| 73255 | PETER MAX (American, b. 1937) Blushing Beauty Acrylic on paper Signed lower right: max Inscribed verso: "Enjoy"! / T[o] Mike +Elizabeth / Love / Peter Max with heart doodles 29-7/8 x 22-1/2 inches (75.8 x 57.2 cm) Sold for: $4,780.00. |
| 73256 | RON ENGLISH (American, b. 1966) Black & White in Color, 2002 Acrylic on canvas Signed lower right: ENGLISH Inscribed verso 54 x 36 inches (137.2 x 91.4 cm) Sold for: $7,767.50. |
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Fine Art - Work on Paper |
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| 73257 | JASPER JOHNS (American, b. 1930) Ale Cans, 1975 Lithograph Ed. 23/46 Signed and dated lower right: J Johns '75 Embossed lower left with Gemini GEL blindstamp 20 x 26 inches (50.8 x 66.0 cm) Sold for: $3,883.75. |
| 73258 | CHRISTO (American, b. 1935) Aegina Temple - Project for the Munich Glyptotek, 1988 Mixed media on paper Ed. 199/300 Signed lower right: Christo 35 x 27 inches (88.9 x 68.6 cm) Sold for: $1,314.50. |
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Fine Art - Painting, American |
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| 73259 | LARRY ZOX (American, 1936-2006) Marco I Pass, 1983 Acrylic on canvas Inscribed verso twice: Marco I Pass / Zox 70 x 26 inches (177.8 x 66.0 cm) Not Sold. |
| 73260 | JIM VANKIRK (American, b. 1946) Chinese Distribution, 1975 Oil on canvas Inscribed verso: J. VanKirk '75 72 x 30 inches (182.9 x 76.2 cm) EXHIBITED: Frisco City Hall, Frisco, Texas, "Local Color: Jim VanKirk, from NY to CA to Texas, 35 Years in the Making", May 16-August 22, 2008. Not Sold. |
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Fine Art - Work on Paper |
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| 73261 | AGNES MARTIN (American, 1912-2004) Untitled, 1962 Etching with silverpoint additions Signed and dated lower right: a. martin 1962 10-5/8 x 10-3/4 inches (27.0 x 27.3 cm) Agnes Martin is one of the great artists of the Abstract Expressionist movement, known for monochromatic grid painting that combined pigment and faint pencil lines. In 1957, Martin relocated from New Mexico to New York and lived in the Coenties Slip section of lower Manhattan with other notable artists such as Robert Indiana, Ellsworth Kelly, and Jack Youngerman. In 1958, she had her first solo show at the Betty Parsons Gallery. At this time she was becoming more influenced by the tight knit community of artists of which she was an integral part. She was also heavily influenced by Zen Buddhism, to which she had been exposed while attending Columbia University. Between 1957 and 1967 she strove to duplicate this line of thought in her work. She went to great lengths to become de-personalized from her painting and carefully planned her work with simple horizontal and vertical lines to establish a tone of serenity and control. Agnes Martin abruptly left New York in 1967, and quit painting as well. For seven years she lived in self-imposed exile, choosing to concentrate on mainly writing. In 1974, she began painting again, showing almost exclusively at PaceWildenstein until her death in 2004.Not Sold. |
| 73262 | JOAN MIRÓ (Spanish, 1893-1983) A Man Picking Grapes, 1964 Lithograph in colors Ed. 63/75 Signed lower right: Miró 35 x 24 inches (88.9 x 61.0 cm) Sold for: $4,780.00. |
| 73263 | JOAN MIRÓ (Spanish, 1893-1983) Untitled Abstract (Red, Blue, Black) Lithograph in colors Ed. 62/100 Signed lower right: Miró 18-1/2 x 25-1/2 inches (47.0 x 64.8 cm) window Not Sold. |
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Fine Art - Painting, American |
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| 73264 | WILLIAM THEOPHILUS BROWN (American, b. 1919) Untitled (Figures on a Beach), 1991 Oil on canvas Initialed and dated lower right: T.B 91 Inscribed verso: Theophilus Brown 88-91 24 x 28 inches (61.0 x 71.1 cm) Not Sold. |
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Fine Art - Work on Paper |
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| 73265 | ROY LICHTENSTEIN (American, 1923-1997) As I Opened Fire (triptych), 1966 Lithograph in colors Signed lower right: R Lichtenstein 25-1/8 x 21 inches (63.8 x 53.3 cm) each Sold for: $6,572.50. |
| 73266 | JOAN MIRÓ (Spanish, 1893-1983) Els Castellers, 1974 Etching and aquatint in colors Ed. 32/50 Signed lower right: Miró 35-1/2 x 25-1/8 inches (90.2 x 63.8 cm) Not Sold. |
| 73267 | ANDY WARHOL (American, 1928-1987) Mick Jagger, 1975 Screenprint in colors on Arches paper Ed. 48/25[0] Signed lower right: Andy Warhol Signed lower left: Mick Jagger 43-1/2 x 28-3/4 inches (110.5 x 73.0 cm) PROVENANCE: Allstate Art Inc., New York, 1983. LITERATURE: F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, p. 88, no. II.138.Not Sold. |
| 73268 | ANDY WARHOL (American, 1928-1987) Campbell's Soup: Green Pea, 1968 Screenprint in colors Artist Proof Signed verso: s / Andy Warhol 35 x 23 inches (88.9 x 58.4 cm) PROVENANCE: Martin Lawrence Galleries, New York (label verso); Private collection, Boca Raton. LITERATURE: F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, p. 69, no. II.50.Sold for: $10,755.00. |
| 73269 | DONALD K. SULTAN (Persian, b. 1951) Mimosas, 2007 Screenprint in colors Ed. 63/108 Inscribed left side: Mimosas... 27-1/2 x 39-1/2 inches (69.9 x 100.3 cm) Sold for: $2,629.00. |
| 73270 | SAM FRANCIS (American, 1923-1994) Untitled, 1983 Lithograph in colors Ed. 53/75 Signed lower right in pencil: Sam Francis 40-1/8 x 28-1/8 inches (101.9 x 71.4 cm) PROVENANCE: Private collection, California. LITERATURE: C.W. Lembark, The Prints of Sam Francis: A Catalogue Raisonné 1960-1990, New York, 1992, no. L 262.Sold for: $1,792.50. |
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Fine Art - Painting, American |
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| 73271 | ROBIN UTTERBACK (American, b. 1949) Untitled (#101), 1982 Acrylic and cloth on canvas Inscribed verso 37-1/4 x 30-1/4 inches (94.6 x 76.8 cm) PROVENANCE: Watson/de Nagy & Company, Houston (label verso).Sold for: $2,390.00. |
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Fine Art - Work on Paper |
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| 73273 | YAACOV AGAM (Israeli, b. 1928) Synthesis Antithesis Agamograph Ed. 37/99 Signed lower right: Agam Inscribed verso: Synthesis Antithesis / 33492.004 10-1/2 x 15-3/4 inches (26.7 x 40.0 cm) Not Sold. |
| 73274 | YAACOV AGAM (Israeli, b. 1928) Midnight Light Agamograph Ed. 13/25 H.C. Signed lower left: Agam Inscribed verso: 37996 MIDNIGHT LIGHT 15-1/2 x 13-1/2 inches (39.4 x 34.3 cm) Not Sold. |
| 73275 | YAACOV AGAM (Israeli, b. 1928) Abstract Sphere and Abstract Square (a pair) Agamograph Ed. 84/99 and 74/99 Signed right: Agam 14-1/2 x 13-1/2 inches (36.8 x 34.3 cm) window 14-1/2 x 13-3/4 inches (36.8 x 34.9 cm) windowSold for: $1,792.50. |
| 73276 | YAACOV AGAM (Israeli, b. 1928) Abstract on White Background and Abstract on Blue Background (a pair) Silkscreen on paper Ed. 45/54 and 63/81 Signed lower right: Agam 26-1/2 x 33-3/4 inches (67.3 x 85.7 cm) window 27-1/4 x 34-1/2 inches (69.2 x 87.6 cm) window Sold for: $2,390.00. |
| 73277 | TOM WESSELMANN (American, b. 1931) Claire Sitting with Robe Half Off - Vivienne (from Portfolio 90), 1993 Screenprint in colors Ed. 86/90 Signed lower right: Wesselman Embossed lower left: SCREENED IMAGES and INTERNATIONAL IMAGES 48-1/8 x 61 inches (122.2 x 154.9 cm) Not Sold. |
| 73278 | TOM WESSELMANN (American, b. 1931) Country Bouquet with Blue, 1991 Screenprint in colors on Arches paper Ed. 20/100 Signed lower right: Wesselman 38-1/4 x 30-1/4 inches (97.2 x 76.8 cm) Not Sold. |
| 73279 | TOM WESSELMANN (American, b. 1931) Still Life with Lichtenstein and Two Oranges, circa 1992 Screenprint in colors Ed. 8/90 Signed lower right: Wesselman Embossed lower left: SCREENED IMAGES and INTERNATIONAL IMAGES 42-3/4 x 59 inches (108.6 x 149.9 cm) Not Sold. |
| 73280 | TOM WESSELMANN (American, b. 1931) Fast Sketch Red Stocking Nude, 1991 Screenprint in colors Ed. 20/100 Signed lower right: Wesselman Embossed lower left: SCREENED IMAGES and INTERNATIONAL IMAGES 26-1/8 x 38-5/8 inches (66.4 x 98.1 cm) Not Sold. |
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Fine Art - Sculpture, American |
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| 73281 | PROPERTY OF THE OUTDOOR ARTS FOUNDATION SOLD TO BENEFIT PUBLIC ART INITIATIVES ROBERT INDIANA (American, b. 1928) WALL / LOVE (double-sided), 1991 Painted section of the Berlin Wall, concrete, and rebar Each side signed and dated lower right: R Indiana '91 46-7/8 x 39-1/2 x 30-1/8 inches (118.9 x 100.3 x 76.5 cm) excluding plinth PROVENANCE: Cal Worthington, Maine, commissioned directly from the artist. EXHIBITED: United States Art Expo, New York, 1991. LITERATURE: American Verification Association, The Berlin Wall Art Collection, Freeport, Maine, 1991, no. 115; S.E. Ryan, Robert Indiana: Figures of Speech, New Haven and London, 2000, p. 290. This lot is accompanied by a copy of S.E. Ryan's monograph and photographs of the work inscribed by the artist "Executed at the Star of Hope, Vinalhaven, 1991, Robert Indiana, 23 Aug 2008". Ryan notes on LOVE: "In the late 1980s Indiana painted the imaged word on one side of a chunk of the Berlin Wall, and the word WALL on the other. Indiana was the only American artist invited by Cal Worthington, a former diplomatic analyst in Berlin, to paint one of the segments of the Wall that Worthington brought out of Berlin; the other 113 artists are all Russian. The painted fragments were shown at the United States Art Expo in New York City in 1991." (See P. Elmowsky, "The Plaza, the Artist, and the Wall: The Forbes Report," Sunstorm Arts Magazine, October 1991, 13.) Not Sold. |
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Fine Art - Work on Paper |
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| 73282 | ANDY WARHOL (American, 1928-1987) Jacqueline Kennedy I (Jackie I), 1966 Published in the portfolio 11 Pop Artists I Screenprint in silver Ed. 20/200 Artist's stamped signature verso: Andy Warhol 24 x 20 inches (61.0 x 50.8 cm) LITERATURE: F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, p. 60, no. II.13.Sold for: $8,962.50. |
| 73283 | ANDY WARHOL (American, 1928-1987) Pistolas (set of three), 1982 Postcard Each signed lower left: Andy Warhol One inscribed lower left: Charo 5-3/4 x 8 inches (14.6 x 20.3 cm) largest Sold for: $1,792.50. |
| 73284 | ANDY WARHOL (American, 1928-1987) Campbell's Soup: Green Pea, 1968 Screenprint in colors Ed. 11/250 Signed verso: Andy Warhol 35 x 23 inches (88.9 x 58.4 cm) LITERATURE: F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, p. 69, no. II.50.Sold for: $9,560.00. |
| 73285 | KEITH HARING (American, 1958-1990) Untitled, 1986 Felt tip pen and colored pencil on paper Signed and dated right side: K. Haring 1986 and a doodle 8-5/8 x 11-1/8 inches (21.9 x 28.3 cm) PROVENANCE: Phyllis Kind Gallery, New York; Private collection, Dallas. Keith Haring was a contemporary Pop artist who, like his friend, Jean Michel Basquiat, initially found a successful venue for his work outside of the gallery and museum network: in graffiti. This was an important factor in influencing his well-known style of intentionally simplistic line drawings rendered in bold outline. Haring began using white chalk to draw on blank black advertising panels in the subway. Recognizing that the visual effect was so dynamic and successful, he incorporated the technique into all of his work. He reversed the black and white, using felt pens to outline drawings and paintings. Haring broke many boundaries by making difficult social commentaries using a style which was friendly and unintimidating.Not Sold. |
| 73286 | KEITH HARING (American, 1958-1990) Untitled, 1986 Felt tip pen and colored pencil on paper Signed and dated bottom: K. Haring 1986 and a doodle 8-5/8 x 11-1/8 inches (21.9 x 28.3 cm) PROVENANCE: Phyllis Kind Gallery, New York; Private collection, Dallas. Keith Haring was a contemporary Pop artist who, like his friend, Jean Michel Basquiat, initially found a successful venue for his work outside of the gallery and museum network: in graffiti. This was an important factor in influencing his well-known style of intentionally simplistic line drawings rendered in bold outline. Haring began using white chalk to draw on blank black advertising panels in the subway. Recognizing that the visual effect was so dynamic and successful, he incorporated the technique into all of his work. He reversed the black and white, using felt pens to outline drawings and paintings. Haring broke many boundaries by making difficult social commentaries using a style which was friendly and unintimidating.Not Sold. |
| 73287 | YU FONG (Chinese, Contemporary) Running Water Watercolor and ink on rice paper laid on canvas Signed in Chinese characters lower left: Fong Inscribed on the stretcher verso: Yu Fong / 16-10-2 / RUNNING WATER / COMPETITION / 16-10-2 A327-C / 16-10-2 21 x 17-3/4 inches (53.3 x 45.1 cm) PROVENANCE: Private collection, California. Not Sold. |
| 73288 | JIM DINE (American, b. 1935) Multicoloured Robe for the Seoul Olympics, 1988 Lithograph in colors Ed. 203/300 Signed and dated lower center: Dine 88 Embossed lower left: (shell) 35 x 27 inches (88.9 x 68.6 cm) Not Sold. |
| 73289 | PABLO PICASSO (Spanish, 1881-1973) Toros en Vallauris, 1960 Linoleum cut in colors Signed lower left: Picasso 25 x 20-1/2 inches (63.5 x 52.1 cm) PROVENANCE: Marina Picasso Collection (stamp verso). LITERATURE: G. Bloch, Pablo Picasso: Catalogs of the Printed Graphic Work 1904-1972, Alan Wofsy Fine Arts, 1979, no. 1291.Sold for: $5,078.75. |
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Fine Art - Painting, American |
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| 73290 | GARY KUEHN (American, b. 1939) Expressionist Composition, 1981 Mixed media on paper Signed and dated lower left: Gary Kuehn 1981 22-1/2 x 43-1/2 inches (57.2 x 110.5 cm) Not Sold. |
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Fine Art - Work on Paper |
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| 73291 | MARC CHAGALL (Belorussian, 1887-1985) Adam, Eve, and the Serpent, 1977 Lithograph in colors Ed. 11/50 Signed lower right: Marc Chagall 16 x 12-1/4 inches (40.6 x 31.1 cm) Sold for: $4,780.00. |
| 73292 | JOAN MIRÓ (Spanish, 1893-1983) Essences of the Earth, 1967 Drawing over lithograph Signed lower right: Miró 19-1/2 x 14 inches (49.5 x 35.6 cm) LITERATURE: Catalogue Raisonné, no. D578.Sold for: $11,950.00. |
| 73293 | CARLOS MÉRIDA (Guatemalan, 1891-1985) Untitled (Abstract Figures), 1971 Mixed media on Arches paper Signed and dated lower center: CARLOS / MERIDA / 1971 29-1/2 x 21-1/2 inches (74.9 x 54.6 cm) Not Sold. |
| 73294 | PAUL JENKINS (American, b. 1923) Abstract Composition Watercolor on Arches paper Signed lower right: Paul Jenkins 15-1/4 x 11 inches (38.7 x 27.9 cm) Not Sold. |
| 73295 | ANDY WARHOL (American, 1928-1987) Bald Eagle, 1983 Published in the portfolio Endangered Species Screenprint in colors Ed. 112/150 Signed lower left: Andy Warhol 38 x 38 inches (96.5 x 96.5 cm) LITERATURE: F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, pp. 126-127, no. II.296.Sold for: $29,875.00. |
| 73296 | ANDY WARHOL (American, 1928-1987) African Elephant, 1983 Published in the portfolio Endangered Species Screenprint in colors Ed. 112/150 Signed lower right: Andy Warhol 38 x 38 inches (96.5 x 96.5 cm) LITERATURE: F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, pp. 126-127, no. II.293.Sold for: $20,315.00. |
| 73297 | ANDY WARHOL (American, 1928-1987) Orangutan, 1983 Published in the portfolio Endangered Species Screenprint in colors Ed. 112/150 Signed lower right: Andy Warhol 38 x 38 inches (96.5 x 96.5 cm) LITERATURE: F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, pp. 126-127, no. II.299.Sold for: $14,340.00. |
| 73298 | ANDY WARHOL (American, 1928-1987) Grevy's Zebra, 1983 Published in the portfolio Endangered Species Screenprint in colors Ed. 112/150 Signed lower center: Andy Warhol 38 x 38 inches (96.5 x 96.5 cm) LITERATURE: F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, pp. 126-127, no. II.300.Not Sold. |
| 73299 | ANDY WARHOL (American, 1928-1987) Black Rhinoceros, 1983 Published in the portfolio Endangered Species Screenprint in colors Ed. 112/150 Signed lower left: Andy Warhol 38 x 38 inches (96.5 x 96.5 cm) LITERATURE: F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, pp. 126-127, no. II.301.Sold for: $15,535.00. |
| 73300 | ANDY WARHOL (American, 1928-1987) Pine Barrens Tree Frog, 1983 Published in the portfolio Endangered Species Screenprint in colors Ed. 112/150 Signed lower left: Andy Warhol 38 x 38 inches (96.5 x 96.5 cm) LITERATURE: F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, pp. 126-127, no. II.294.Sold for: $23,900.00. |
| 73301 | ANDY WARHOL (American, 1928-1987) San Francisco Silverspot, 1983 Published in the portfolio Endangered Species Screenprint in colors Ed. 112/150 Signed lower right: Andy Warhol 38 x 38 inches (96.5 x 96.5 cm) LITERATURE: F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, pp. 126-127, no. II.298.Sold for: $22,705.00. |
| 73302 | ANDY WARHOL (American, 1928-1987) Giant Panda, 1983 Published in the portfolio Endangered Species Screenprint in colors Ed. 112/150 Signed lower left: Andy Warhol 38 x 38 inches (96.5 x 96.5 cm) LITERATURE: F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, pp. 126-127, no. II.295.Sold for: $16,730.00. |
| 73303 | ANDY WARHOL (American, 1928-1987) Bighorn Sheep, 1983 Published in the portfolio Endangered Species Screenprint in colors Ed. 112/150 Signed lower center: Andy Warhol 38 x 38 inches (96.5 x 96.5 cm) LITERATURE: F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Milan, 1997, pp. 126-127, no. II.302.Sold for: $10,755.00. |