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Lot 64233 |
FROM A PRIVATE INDIANAPOLIS COLLECTION. BIRGER SANDZÉN (American, 1871-1954). Late Moon Rising (Wild Horse Creek), 192...
2011 May Signature Fine American, European Art & Western Art #5062
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| Auction Ended On: | May 17, 2011 | |
| Item Activity: |
13 Internet/mail/phone bidders
 7,809 page views |
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| Location: |
Heritage Auctions - Design District Annex 1518 Slocum Street Dallas, TX |
BIRGER SANDZÉN (American, 1871-1954)
Late Moon Rising (Wild Horse Creek), 1923
Oil on canvas
36-1/4 x 48-1/4 inches (92.1 x 122.6 cm)
Signed and dated lower right: Birger Sandzén / 1923
PROVENANCE:
Acquired from the artist by a former student, 1923;
Thence by descent.
This painting titled Late Moon Rising is an important motif of Wild Horse Creek, which ran through land owned by Birger Sandzén's in-laws near Bogue, Kansas. The creek provided an endless source of imagery for the artist and he once told his daughter Margaret, "Wild Horse Creek was a blessing to me and a lesson in simple construction - construction of earth, of ground itself - water, sandstone, hills and pasture."
Mr. Ron Michael
Birger Sandzén Memorial Gallery
Estimate: .
Sandzén, Birger:An associate member of the Taos Society of Artists, Birger Sandzén was a Swedish artist famous for his vibrant landscape paintings of the American southwest. The son of a minister, Sandzén displayed an early artistic talent which was encouraged and cultivated by well-educated parents. His formal artistic training was completed in Europe, and in 1894 he immigrated to America where he had accepted a teaching position at Bethany College. For more than 52 years Sandzén was a professor of art history, drawing and painting in the small Kansas town of Lindsborg. He was a staunch advocate of the arts and worked within his community to organize art clubs, exhibitions, and lectures. Throughout his career, however, Sandzén’s own painting was relegated to late night sessions until 1945, when he retired from teaching in order to devote himself to painting full time. Sandzén’s early artistic style was heavily influenced by tonalism and Scandinavian Romanticism, but once he began spending his summers in the American southwest his palette exploded with color. He began visiting Taos in the summer of 1918 at the height of the artist colony. Four years later Sandzén was elected an associate member of the Taos Society of Artists. That same year, 1922, he exhibited with the group in New York where he also had a one-man exhibition at the Babcock Gallery. Sandzén's Fauvist palette and strong brushwork energize the landscapes for which he is best known. His thick impasto layers are reminiscent of Impressionism but tempered by a modernist execution. As with many of the Taos artists, Sandzén painted en plein air in order to work directly from nature and there is a resulting vibrancy and purity to his canvases. .
Condition Report*:
The following condition report was prepared by Simon Parkes Art Conservation, Inc.: This painting was removed from its original stretcher sometime in the last 25 - 30 years and mounted using a synthetic adhesive onto a fiberglass fabric, which in turn was mounted onto a stable piece of aluminum with a latticework of "honey comb" construction within. Effectively, there are two sheets of aluminum sandwiching this light weight, stable and technically reasonably appropriate surface. The paint layer is very lively and stable; the impasto is in beautiful state which for a picture of this scale is a major benefit. There do not appear to be any retouches and if desired, the painting can be hung as is.*Heritage Auctions strongly encourages in-person inspection of items by the bidder. Statements by Heritage regarding the condition of objects are for guidance only and should not be relied upon as statements of fact, and do not constitute a representation, warranty, or assumption of liability by Heritage. Framed lots estimated at $1000.00 or less shall not be unframed for inspection and may not be returned based on condition. All lots offered are sold "AS IS".
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